Astrid Lindgren's works for children: a list, a short description. The main characters of the fairy tales by astrid lindgren is a lindgren related to literary tales

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1. Formation of creative views Astrid Lindgren

Astrid Lindgren (November 14, 1907 - January 28, 2002, Stockholm), Swedish writer. Stories for children "Peppy the Long Stocking" (1945-52), about Little Boy and Carlson (1955-68), "Rasmus the Tramp" (1956), about Emil from Lenneberg (1963-1970), "Brothers Lionheart" (1979), "Ronya, the robber's daughter" (1981) are imbued with humanism. The fantastic adventures of its characters, distinguished by their spontaneity, inquisitiveness and mischief, take place in the real world with its sharp contradictions.

Lindgren was born into a family of farmers "in an old red house at the bottom of an apple orchard." Even at school she was predicted the future of the writer, calling her "The Seventh Lagerlef with Vimmerby"; she promised herself not to write, just not to be like someone else. In 1941, her daughter fell ill, and when her mother had used up the entire store of stories, she asked, giving an unexpectedly strange name: "Tell me about Pippi Long Stocking." The unusual name made me come up with the most unusual heroine. But Lindgren was in no hurry to publish the story.

In 1944, she fell ill herself and processed her oral stories, giving one copy to her daughter, and sending the second to the publishing house. As Lindgren had hoped, the publishing house, shocked by the extraordinary character and abilities of the heroine, who can raise a horse with one hand and eat a whole cake at once, and, in addition, laughs at benefactors and generally behaves amazingly, rejected the manuscript. But in 1945, Lindgren won an award for the book Britt-Marie's Heart Clasped, then the following year, the revised version of Peppy was removed. The Adventures of the Famous Investigator Kalle Blumkvist (1946) was the next book to receive an award again.

Lindgren became a professional writer. She believed that childhood gave her the material that later entered her works. Tramps, who repeatedly asked to sleep with her parents, made her think in childhood that not all people have their own roof, their stories expanded her worldview, taught to see that the world is inhabited not only by good people. The theme of the struggle between good and evil, one of the leading in her works, was born even then. The writer believed that “you cannot sit and invent some stories. You need to immerse yourself in your own childhood. " Only then can you write something that awakens the child's fantasy. And this she considered the most important task of literature, only inherent in it, because neither cinema nor television leaves room for imagination.

Imagination, Lindgren quite rightly believed, is the most important ability of mankind, "after all, everything great that ever appeared in this world was born first in the human imagination." In addition, a book for children should develop children's faith in the ability to create a miracle, in its very existence. But the miracle in Lindgren's works is always born out of reality itself, as in the story of Little Boy and Carlson, who lives on the roof.

Lindgren did not openly express her program, but tried to contribute to the democratization of public relations with her creativity, she wanted to see a world without war, where children would not suffer. She wrote for children, and therefore her ideas take on a form that children can understand. So, in the tale-story "Mio, my Mio!" the hero opposes the evil knight Kato, and the Lionheart brother fights against the tyrant Tengil. In the works of Lindgren, about medieval times, it is not only about the struggle between good and evil, as in all fairy tales of all times. In the features of the enemies of the writer's goodies and in the descriptions of the countries they rule, the features of fascism are clearly visible, and the characters themselves are similar to modern Swedes.

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Science fiction in fairy tales by Astrid Lindgren

The largest works of Lindgren are fairy tales: "Pippi Longstocking" ("Boken om Pippi Langs-trump", 1945-1946), "Mio, my Mio" (1954), "The Kid and Carlson Who Lives on the Dxy" (" Lillebror och Karlsson pa Taket ", 1955 - 1968)," Brothers Lionheart "(" Brodema Lejon-hjarta ", 1973) ...

Astrid Lindgren is a cult Swedish writer who worked in the second half of the 20th century. She made an invaluable contribution to the development and popularization of children's literature, gave the world the immortal images of Pippi Longstocking, Carlson, the detective Kalle Blomkvist, and has always worshiped only one religion - childhood. Everyone who knew Astrid Lindgren admired her amazing ability to make friends.

She easily won over people and developed warm friendships with colleagues at work, writers whose books she reviewed, celebrities, fans, housekeepers, and even those whom she had never met. Despite the workload, Astrid maintained correspondence with a huge number of people, did not disregard a single reader's letter and always answered them personally.

But most importantly, Lindgren not only made friends, but also gave them. For some, thanks to Astrid, the cheerful, kind Peppy became the best friend, someone did not like the traveler Katya, and someone with bated breath waited for Carlson's return and listened to if the sound of a favorite propeller was sounding in the distance.

Astrid Lindgren's childhood was spent on the picturesque expanses of the Nes estate, which was located in the cozy Swedish town of Vimmerby (Kalmar county). The writer fondly remembers her friendly family. Her parents - Samuel and Hannah - met in early youth. Samuel fell in love with fourteen-year-old Hannah at first sight, but it took four long years to get the girl's hand. A favorite meeting place was a cafe, where the couple sat for long hours over cups of tea. And although neither one nor the other did not like tea, at that time this drink was considered elite. Wanting to make a good impression on each other, Hannah and Samuel reveled in hated tea and love. Years later, Astrid retold her parents' love story in Samuel August of Sevedstorp and Hannah of Hult. The writer claimed that there was more love in their novel than in any of the romantic books she read. Hannah and Samuel were amazing parents. They raised their four children - Gunnar, Astrid, Stina and Ingegerd - in love and freedom. Children could play freely in the vastness of the estate, they were never driven into the framework of authoritarian rules, and there could be no question of physical punishment. Lindgren recalls children's games with rapture. “Oh, how we knew how to play! - the writer exclaims years later - The four of us could play tirelessly from morning to night. " A favorite pastime was the "Don't step on the floor" game described in Pippi Longstocking. It is in her that the red-haired Peppy teaches Tommy and Annika to play. Astrid remembers well the growing up period. According to the writer, one day the guys and I realized that we could no longer play. It was scary, because we had no idea what else to do. But soon other hobbies came to replace children's amusements - lessons, music and, of course, books! The democratic model of upbringing that the Ericsson family followed did not spoil the children in the least. All of them received education and worthy professions. Gunnar became famous as the author of political satire, Stina achieved success in the field of translator, Ingegerd became a sought-after journalist, and Astrid became a world-famous writer, an outstanding publisher and theorist of children's literature. Samuel Eriksson used to say, “I have extraordinary children! And they are all busy with words. "

The Vicissitudes of Fate: Single Mother

Coming out of the cozy parental home, young Astrid faced a harsh reality. The first steps in adulthood were not easy. It all started when Astrid became pregnant at the age of 18. The baby's father was Axel Bloomberg, the editor of the newspaper for which Miss Eriksson worked. Rejecting Bloomberg's offer, Astrid chose the difficult path of a single mother. She did not shift the care of the newborn Lars onto the shoulders of her parents, but entrusted her son to a foster family from Denmark. She herself moved to Stockholm, finished cursive writing courses on a typewriter and got a job as a secretary. This was the most difficult period in Astrid's life. She worked for a whole week in the service, and on weekends she rushed to visit little Lars. Everything changed when Astrid met the manager of the Royal Automobile Club, Sture Lindgren. He soon became her husband and the father of two children - Lars and the youngest Karin. Astrid repaid her lover and savior - she glorified his last name for all time.

After getting married, Astrid was able to leave the service and finally take care of the house and children. Every day she read her little Karin fairy tales, and soon she began to invent them herself. So, under the honey light of a night lamp in the children's room, the image of a cheerful girl with red pigtails, fantastic strength, a suitcase of gold and high multicolored stockings was born. "Pippi Longstocking!" - said little Karin. “Okay, let it be Pippi Longstocking,” Mom agreed. After recording Peppy's story, Astrid submitted the book to several publishers and received rejections. Lindgren did not despair, she again took up the pen and took part in a literary competition from the leading Swedish publishing house Raben and Shegren. Brit Marie Pours Out Her Soul won second prize, and its author was granted publication rights. In 1945, the green light was given to the book about Pippi. The first part of the trilogy "Peppy settles in the villa" Chicken "was a resounding success. Thus began the glorious march of Astrid Lindgren in the world of children's literature.

Astrid Lindgren's contribution to children's literature is truly invaluable. Since the 1940s, Lindgren has been regularly publishing, giving enthusiastic readers new stories and images: 1945-1948 - the Pippi Longstocking trilogy is published (plus two short stories in 1979 and 2000); 1946-1953 - a trilogy about the adventures of the detective Kalle Blomkvist; 1947-1852 - stories about the inhabitants of Bullerby in three parts; 1950–1954 - three books about the adventures of young Katya (in America, in Italy, in Paris); 1955-1968 - a trilogy about the funny little man Carlson, who lives on the roof; 1958–1961 - a dilogy about children from Gorlastaya Street; 1960–1993 - stories about the girl Madiken (four books); 1963–1997 - a series of short stories about the misadventures of Emil of Lenneberg. Lindgren's most famous heroine is Pippi Longstocking. To date, books about Pippi have been translated into 70 languages \u200b\u200bof the world and continue to be reprinted. Along with the army of admirers, in different years, opponents appeared at Dinniystulok. Pippi was called selfish, narcissistic, spoiled and even “mentally ill”, and her upbringing (or rather, its complete absence) is absolutely not indicative for the younger generation. Lindgren each time stood up to defend her beloved heroine, boldly debated with eminent accusers and repeated: "Give children as much love as possible ... and common sense will come to them by itself." But the domestic reader most of all liked another popular hero of the books of Astrid Lindgren - "a moderately well-fed man in the prime of his life" mischievous Carlson, who lives on the roof. An important role in the popularization of the image was played by the cult Soviet cartoon from director Boris Stepantsev. Capricious and kind, playful and noble, Carlson, who spoke in the voice of Vasily Livanov, is no longer perceived as a European. Since then, he has become Ours. Astrid Lindgren's characters continue to inspire modern writers, sometimes allusions to the works of the famous Swede emerge in the most unexpected variations. For example, the protagonist of Stieg Larsson's detective trilogy "Millennium" by Mikael Blomkvist is jokingly called Kalle Blomkvist. The hated nickname stuck to Mikael due to the fact that he started his career as an investigative journalist. Pippi Longstocking became the prototype of the main character Lisbeth Salander. The image of Lisbeth is essentially a literary experiment - Stig imagined what an adult Pippi would look like in the modern world.

Publisher "Raben and Shegren"

In addition to her literary activities, Astrid Lindgren became famous as a first-class publisher. After the successful publication of the book about Pippi Lindgren was invited to the publishing house "Raben and Shegren", which once opened her way to the literary world. Here Astrid worked all her life until her retirement. Colleagues have always been amazed at Lindgren's performance. In the morning she wrote novels, in the afternoon she reviewed other people's works, in the evenings she attended presentations and exhibitions. At the same time, Astrid managed to pay attention to her family, was an active public figure and always maintained a cheerful mood.

Deserved authority

Lindgren's opinion was trusted. She had an amazing aesthetic taste and knew how to feel worthwhile works. Astrid opened the world to many talented children's writers, including Lennart Helsing, Oke Holmberg, Viola Walstedt, Hans Peterson and others.

For achievements in the field of children's literature in 1967, the native publishing house established the Astrid Lindgren Prize. Its first laureate was the discovered Astrid Åke Holmberg. The brilliant Swedish woman lived a long life and died in 95 in her Stockholm home. Lindgren was buried on 8 March. The streets of Stockholm were overcrowded, everyone saw off on their last journey the great storyteller who gave childhood to millions of people.

110th birthday of Astrid Lindgren

Astrid Lindgren is probably the most famous Swedish writer in Russia.

Her heroes settle in the minds of childhood - the red-haired girl Pippi Longstocking, the daughter of the robber Roni, the detective Kalle Blumkvist, the fat man in his prime, the owner of the propeller on his back and the most common surname in Sweden Carlson, who flies to the Kid when he becomes sad.

They settle and remain until the very gray hairs - on the rights of a jewel that we, becoming parents, pass on to our children, reading her books at night. If you have already read everything - find a rather rare autobiographical "We are all from Bullerby", in which the writer sketches her own childhood - not very rich, but filled with impressions and adventures.

Astrid Anna Emilia Ericsson was born on November 14, 1907 in the south of Sweden, in the city of Vimmerby. Her first publication was a school essay, because of which classmates began to tease her with Selma Lagerlef (Swedish novelist - "b"). After that, Astrid gave up on writing fairy tales and went to work for the local newspaper Wimmerby Tidningen


"If I managed to brighten at least someone's gloomy childhood, then I'm happy"


“Becoming the subject of gossip was like being in a pit full of snakes, and I decided to leave this pit as soon as possible. It didn't happen at all the way some might think - I was not kicked out of the house, like in the good old days. Not at all, I left myself. Nobody could keep me at home "
After moving to Stockholm, Astrid graduated from stenography courses, but could not find a job and gave her newborn son Lars to a foster family



“I am writing for myself to entertain the child inside me - I can only hope that it will amuse other children as well”
In 1928, Astrid got a secretary position at the Royal Automobile Club and three years later married her boss, Sture Lindgren. Having married, Astrid Lindgren was able to take her son and gave birth to a daughter, Karin. After that, the writer broke her vow and began to compose fairy tales for home magazines.


“The worst thing is when a child cannot play. Such a child is like a boring little old man, from which, over time, an adult old man grows, deprived, however, of the main advantage of old age - wisdom "
In 1944, Astrid Lindgren took second place in the Raben & Sjögren competition for the best book for girls and was able to publish the novel Britt-Marie Pours Out Her Soul.


"You will not find true peace on earth, perhaps it is just an unattainable goal."
Astrid Lindgren invented her most famous heroine, Pippi Longstocking, during the war and illness of her daughter Karin. The writer gave the first home-made print run to her daughter for her birthday, and in 1945 Raben and Shegren published the book "Pippi settles in the" Chicken "villa"


In 1954 Astrid Lindgren wrote the story "Mio, My Mio", in 1955 - "The Kid and Carlson". In 1961, "Three stories about Malysh and Karlson" were published in the USSR: their lifetime circulation in Russian amounted to more than 5 million copies



“I drink summer like wild bees drink honey. I am putting together a huge ball of summer so that it will last for ... for the time when ... there will be another time ... Do you know who this is? ...
- There are sunrises and blueberries, blue with berries, and freckles, as you have on your hands, and moonlight over the evening river, and the starry sky, and the forest in the midday heat, when the sunlight plays in the tops of the pines, and the evening rain, and everything around ... and squirrels, and foxes, and elks, and all the wild horses that we know, and swimming in the river, and riding horses. Do you understand? The whole lump of dough from which summer is baked. "

Roni, the robber's daughter



“The journalists are so stubborn. Just leave an empty space in the newspaper and write: "There should have been something about Astrid Lindgren, but she did not want to participate in it" "
From 1946 to 1970 Astrid Lindgren worked as a children's literature editor at Raben & Sjögren, which published all of her books, and hosted quizzes on Swedish radio and television.

"Today in our world there are so many dictators, tyrants, oppressors, tormentors ... What kind of childhood did they have?"
In 1976, Astrid Lindgren published the adult tale "Pomperiposs of Monismania" about an overly tough tax policy, and in 1985 sent a tale of a loving cow against animal abuse to Stockholm newspapers. As a result, the Lex Lindgren Animal Welfare Act (Lindgren Act) was passed in Sweden in 1988
Photo: Constantin-Film / ullstein bild via Getty Images


“God save me from the Nobel Prize! Nellie Sachs died from getting her, I'm sure the same will happen to me. "
In 1958, Astrid Lindgren received the Hans Christian Andersen Medal (also known as the Nobel Prize in Children's Literature), and in 1969 the Swedish State Prize for Literature


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Topic: "Science fiction in fairy tales by Astrid Lindgren

fiction fairy tale lindgren hero

  • 1. Formation of creative views Astrid Lindgren
  • 2. Specificity of Lindgren's fabulous skill
  • 3. The main characters of the fairy tales of Astrid Lindgren
  • List of used literature

1. Formation of creative views Astrid Lindgren

Astrid Lindgren (November 14, 1907 - January 28, 2002, Stockholm), Swedish writer. Stories for children "Peppy the Long Stocking" (1945-52), about Little Boy and Carlson (1955-68), "Rasmus the Tramp" (1956), about Emil from Lenneberg (1963-1970), "Brothers Lionheart" (1979), "Ronya, the robber's daughter" (1981) are imbued with humanism. The fantastic adventures of its characters, distinguished by their spontaneity, inquisitiveness and mischief, take place in the real world with its sharp contradictions.

Lindgren was born into a family of farmers "in an old red house at the bottom of an apple orchard." Even at school she was predicted the future of the writer, calling her "The Seventh Lagerlef with Vimmerby"; she promised herself not to write, just not to be like someone else. In 1941, her daughter fell ill, and when her mother had used up the entire store of stories, she asked, giving an unexpectedly strange name: "Tell me about Pippi Long Stocking." The unusual name made me come up with the most unusual heroine. But Lindgren was in no hurry to publish the story.

In 1944, she fell ill herself and processed her oral stories, giving one copy to her daughter, and sending the second to the publishing house. As Lindgren had hoped, the publishing house, shocked by the extraordinary character and abilities of the heroine, who can raise a horse with one hand and eat a whole cake at once, and, in addition, laughs at benefactors and generally behaves amazingly, rejected the manuscript. But in 1945, Lindgren won an award for the book Britt-Marie's Heart Clasped, then the following year, the revised version of Peppy was removed. The Adventures of the Famous Investigator Kalle Blumkvist (1946) was the next book to receive an award again.

Lindgren became a professional writer. She believed that childhood gave her the material that later entered her works. Tramps, who repeatedly asked to sleep with her parents, made her think in childhood that not all people have their own roof, their stories expanded her worldview, taught to see that the world is inhabited not only by good people. The theme of the struggle between good and evil, one of the leading in her works, was born even then. The writer believed that “you cannot sit and invent some stories. You need to immerse yourself in your own childhood. " Only then can you write something that awakens the child's fantasy. And this she considered the most important task of literature, only inherent in it, because neither cinema nor television leaves room for imagination.

Imagination, Lindgren quite rightly believed, is the most important ability of mankind, "after all, everything great that ever appeared in this world was born first in the human imagination." In addition, a book for children should develop children's faith in the ability to create a miracle, in its very existence. But the miracle in Lindgren's works is always born out of reality itself, as in the story of Little Boy and Carlson, who lives on the roof.

Lindgren did not openly express her program, but tried to contribute to the democratization of public relations with her creativity, she wanted to see a world without war, where children would not suffer. She wrote for children, and therefore her ideas take on a form that children can understand. So, in the tale-story "Mio, my Mio!" the hero opposes the evil knight Kato, and the Lionheart brother fights against the tyrant Tengil. In the works of Lindgren, about medieval times, it is not only about the struggle between good and evil, as in all fairy tales of all times. In the features of the enemies of the writer's goodies and in the descriptions of the countries they rule, the features of fascism are clearly visible, and the characters themselves are similar to modern Swedes.

2. The specifics of Lindgren's fairy talents

The specificity of Lindgren's fabulous skill lies in the fact that she created fairy tales where real modern boys and girls suddenly acquire fabulous properties, like the poor, abandoned girl Pippi, or live a double life in an ordinary Swedish city of the XX century. with the phone, going to school like a Kid; with poverty and misfortune like Brother Lionheart; with orphanhood like Mio; at the same time they have a second world - a fabulous, fantastic one.

Here they are either powerful and heroically themselves (Mio, Brother Lionheart), or they have supernatural helpers and friends, like the Kid, whose friend Carlson becomes. The fairytale heroes of the past flew on airplane carpets, in flying chests, etc. Children of the XX century, familiar with the flying machines of our time, guess motors, propellers, control buttons. Lindgren's fantasy itself is a world created by the imagination of a contemporary child. Carlson's ideas, for example, are pranks that are possible for an ordinary child with a developed imagination. Lindgren never moralizes. She makes her little readers see the bad in the examples available to them. The writer's mild humor creates a special kind atmosphere, where there is no opportunity for the triumph of the evil principle.

The inevitability of the final victory of good is also inherent in Lindgren's stories for youth, and their heroes are the same dreamers, like the heroes of fairy tales. Kalle Blumkvist imagines himself a famous investigator, playing with his friends in the War of the Red and White Roses. Rasmus the Tramp idealizes the life of homeless beggars. Lindgren also educates his readers in stories about real events: the war of the Red and White Roses is waged between friends according to the rules of highly interpreted chivalry, it is filled with inexhaustible ingenuity of adolescents, destroys obstacles; Rasmus understands the true nature of vagabonds.

However, Lindgren did not abandon trolls, elves, brownies or spiritualizations of the forces of nature, mountains or objects, but this traditionally fantastic is combined with a change in reality with children's fantasy. In her fairy tales, Lindgren followed G.K. Andersen, who knew how to tell amazing stories about ordinary objects, for S. Lagerlef, who combined in one work a textbook about the nature of Sweden, the real life of a little boy Niels and the history of a goose flock. However, it does not repeat its predecessors. Lindgren, introducing the reader into the circle of the child's fantasies and emotions, teaches adults to respect his inner world, to see him as a person.

3. The main characters of the fairy tales of Astrid Lindgren

The largest works of Lindgren are fairy tales: "Pippi Longstocking" ("Boken om Pippi Langs-trump", 1945-1946), "Mio, my Mio" (1954), "The Kid and Carlson Who Lives on the Dxy" (" Lillebror och Karlsson pa Taket ", 1955 - 1968)," The Brothers Lionheart "(" Brodema Lejon-hjarta ", 1973), as well as the story for children and youth" The Adventures of the famous investigator Kalle Blumkvist "(" Masterdetektiven Blomqvist lever farligt " 1946-1953), "Rasmus the Tramp" ("Rasmus pa Luffen", 1956) and the trilogy about Emil from Lenneberg ("Emil in Lonneberga", 1963-1970). Lindgren did not openly express her program, but wanted to contribute to the democratization of social relations with her creativity, she wanted to see a world without war, where children would suffer. She wrote for children, and therefore his ideas take on a form that children can understand. Thus, in the fairy tale-story “Mio, my Mio!” The hero opposes the evil knight Kato, and the Lionheart brothers fight against the tyrant Tengil. In the works of Lindgren, where medieval props are used, it is not only about the eternal struggle between good and evil, as in all fairy tales of all times.In the features of the opponents of the writer's good characters and in the descriptions of the countries they rule, the features of fascism are clearly visible, and the characters themselves are similar to modern Swedes.

The specificity of Lindgren's fabulous skill is that she created fairy tales, fairy tales, where real modern boys and girls suddenly acquire fabulous properties, like the poor, abandoned girl Pippi, or live a double life in an ordinary Swedish city of the 20th century. with the phone, going to school like a Kid, with poverty and hardship like the Lionheart brothers; orphaned like Mio; time they have another world - fabulous, fantastic. Here they are either powerful and heroic themselves (Mio, take the Lionheart), or they can have helpers and friends endowed with supernatural powers, like the Kid, whose friend Carlson becomes. The fairytale heroes of the past flew on airplane carpets, near flying chests, etc. Children of the 20th century, They are familiar with the aircraft of our time, they come up with engines, propellers, control buttons. Lindgren's fiction itself is a world created by the imagination of a contemporary child. Carlson's tricks, for example, are pampering, which an ordinary child with a developed imagination can do. Lindgren never moralizes. She makes her little readers see the bad in the examples available to them. The writer's mild humor creates a special kind atmosphere, where there is no opportunity for the triumph of the evil of the beginning.

The inevitability of the final victory of good is also inherent in Lindgren's stories for youth, and their heroes are the same dreamers, like the heroes of fairy tales. Kalle Blumkvist imagines himself a famous investigator, plays with his friends in the war of the Scarlet and White Rose. Rasmus the tramp idealizes the life of the homeless beggar. Lindgren also educates his readers in stories about real events: the war of the Scarlet and White Roses is waged between friends according to the rules of highly interpreted knighthood, it is full of inexhaustible inventiveness of adolescents, destroys the state of obstacles; Rasmus understands the true nature of vagabonds. However, Lindgren did not abandon trolls, elves, brownies or the spiritualization of the forces of nature, mountains or objects, but this traditionally fantastic is combined in her with a change in reality with a child's fantasy. In her fairy tales, Lindgren followed G.K. Andersen, who knew how to tell amazing stories about nayprosy objects, for S. Lagerlef, who combined in one work a textbook about the nature of Sweden, the real life of a little boy Niels and the story of a goose flock. However, it does not repeat its predecessors. Lindgren, introducing the reader into the circle of the child's fantasies and emotions, teaches adults to respect his inner world, to see him as a person.

Pippi Longstocking is the central character in a series of books by Swedish writer Astrid Lindgren.

Pippi is a little red-haired freckled girl who lives alone in the Chicken Villa in a small Swedish town with her animals: the monkey Mr. Nilsson and the horse. Peppy is the daughter of Captain Ephraim Longstocking, who later became the leader of the black tribe. From her father, Pippi inherited fantastic physical strength, as well as a suitcase of gold, which allows her to exist comfortably. Peppy's mother died when she was still a baby. Peppy is sure that she has become an angel and looks at her from the sky ("My mother is an angel, and my father is a Negro king. Not every child has such noble parents").

Peppy "adopts", but rather, comes up with a variety of customs from different countries and parts of the world: when walking backward, walk the streets upside down, "because your feet are hot when you walk on a volcano, and you can put on your hands in mittens."

Peppy's best friends are Tommy and Annika Söttergren, children of ordinary Swedish people. In Peppy's company, they often get into trouble and funny alterations, and sometimes - real adventures. Attempts by friends or adults to influence disorderly Pippi do not lead to anything: she does not go to school, is illiterate, familiar, and always composes fables. However, Pippi has a good heart and a good sense of humor.

Pippi Longstocking is one of Astrid Lindgren's most fantastic heroines. She is independent and does whatever she wants. For example, she sleeps with her feet on the pillow and with her head under the covers, wears colorful stockings when she returns home, backs away because she doesn't want to turn around, rolls the dough right on the floor and keeps the horse on the veranda.

She is incredibly strong and agile, even though she is only nine years old. She carries her own horse in her arms, defeats the famous circus strongman, scatters a whole group of hooligans to the sides, breaks off the horns of a ferocious bull, deftly exposes two police officers from her own house who came to her to forcibly take her to the orphanage, and instantly throws two onto the closet smashed the thieves who decided to rob her. However, there is no cruelty in Pippi's reprisals. She is extremely generous to her defeated enemies. She treats the disgraced police with freshly baked gingerbread in the shape of hearts. And embarrassed thieves who have worked out their intrusion into someone else's house by dancing with Pippi Twist all night, she generously rewards gold coins, this time honestly earned.

Peppy is not only extremely strong, she is also incredibly rich. It costs her nothing to buy for all the children in the city "a hundred kilos of candy" and a whole toy store, but she herself lives in an old dilapidated house, wears a single dress made of colorful patches, and the only pair of shoes her father bought her "for growth." ...

But the most amazing thing about Pippi is her vivid and violent fantasy, which manifests itself in the games that she comes up with, and in amazing stories about different countries where she visited with her dad-captain, and in endless practical jokes, the victims of which become idiots -adults. Pippi takes any of his stories to the point of absurdity: a mischievous maid bites guests by the legs, a long-eared Chinese man hides under his ears in the rain, and a capricious child refuses to eat from May to October. Peppy gets very upset if someone says that she is lying, because lying is not good, she just sometimes forgets about it.

Pippi is a child's dream of strength and nobility, wealth and generosity, freedom and selflessness. But for some reason the adults Pippi do not understand. And the pharmacist, and the school teacher, and the director of the circus, and even the mother of Tommy and Annika are angry with her, teach, educate. Apparently, therefore, more than anything, Pippi does not want to grow up:

“Adults never have fun. They always have a lot of boring jobs, stupid dresses and cumin taxes. And they are also crammed with prejudice and all kinds of nonsense. They think it’s a terrible misfortune if you put a knife in your mouth while eating, and so on. ”

But "who said that you need to become an adult?" No one can force Peppy to do what she doesn't want!

The books about Pippi Longstocking are full of optimism and an unchanging belief in the very best.

And the last thing that needs to be said: about the influence of Astrid Lindgren on Russian children's literature. It should be admitted that the very existence of the Swedish writer’s wonderful books raised the bar for quality in children's literature, changed the attitude towards children's books as second-class literature, the creation of which does not require excessive efforts from the writer, if only it was smooth and funny (and edifying). Of course, Astrid Lindgren was not alone in this struggle for a good children's book, but her authority and personal example did a lot to strengthen the high demands on literature for children.

Astrid Lindgren left an amazing legacy - a talented and varied contemporary children's literature, which - and this is no exaggeration - came out of her books. Thank her for this wonderful magic gift to all of us.

Astrid Lindgren's books are also good because you want to return to them, you want to re-read them not only in childhood, but in adulthood. These are fairy tales and at the same time they are stories about children, those who live in the neighboring yard. There is nothing fantastic about them, they just know how to dream, fantasize, see inaccessible to adults.

List of used literature

1. Astrid Lindgren. Pippi Longstocking / translated by N. Belyakova, L. Braude and E. Paklina. - SPb: Azbuka, 1997

2. Braude L. Astrid Lindgren for children and youth // Children's literature, 1969. Moscow, 1969. P. 108.

3. Lindgren A. Pippi Longstocking. - Petrozavodsk: Karelia, 1993.

4. Uvarova I. What's new in the theater for children // Theater. 1968. No. 8, p. 23.

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Slide captions:

Astrid Lindgren 1907-2002

Astrid Lindgren was born on November 14, 1907 in southern Sweden, in the small town of Vimmerby, into a farming family. The writer herself has always called her childhood happy and pointed out that it is this that serves as a source of inspiration for her work. The writer spoke about her family with great sympathy and tenderness in her only book not addressed to children - "Samuel August from Sevedstorp and Khan from Hult"

At the age of 17, Astrid took up journalism, worked in a local newspaper. Then she moved to Stockholm, was educated as a stenographer and worked as a secretary in various metropolitan firms. In 1931, Astrid Ericsson married and became Astrid Lindgren.

Astrid Lindgren, jokingly, recalled that one of the reasons that prompted her to write were the cold Stockholm winters, the illness of Karin's daughter, who kept asking her mother about something. It was then that mother and daughter came up with a mischievous girl with red pigtails. “Peppy” was awarded several prizes, and the author was invited to work in a children's book publishing house.

Then there were stories about Malysh and Karlson (1955-1968), Rasmus the tramp (1956), the trilogy about Emil from Lenneberg (1963-1970), the books "The Lionheart Brothers" (1979), "Ronya, the robber's daughter" (1981) Lindgren devoted almost all of her books to children (only a few to youth).

Lindgren's heroes are distinguished by spontaneity, inquisitiveness, inventiveness, mischief combined with kindness and seriousness. Lindgren not only wrote books, but also actively fought for children's rights. She believed that they should be brought up without corporal punishment and violence. In 1958, Astrid Lindgren was awarded the Hans Christian Andersen International Gold Medal for the humanistic nature of her work.

The town of Vimmerby became the place for the announcement of the winners of the annual international award in memory of Astrid Lindgren “For works for children and youth.” The decision was taken by the Swedish government after the death of Astrid Lindgren. Swedish writer.

Astrid Lindgren Museum in Stockholm


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