Bazarov and his relationship to art (based on the novel by I.S.

There is neither insolence nor anger in you, but there is young courage, but young enthusiasm.

Better to hit stones on the pavement than let a woman take possession of even the tip of her finger.

I decided to mow everything - get on your feet too!

If a woman can support a half-hour conversation, this is a good sign.

You can't turn back the past ...

It's amazing how a person still believes in words.

There is nothing to delay; only fools and clever people linger.

Ever since I have been here, I have felt a reprobate, as if I had read Gogol's letters to the Kaluga governor.

As for the time - why should I depend on it? Better yet, it depends on me.

A Russian person is only good because he has a bad opinion of himself. The important thing is that twice two is four, and the rest is nothing.

The old joke is death, but it's new to everyone.

You have nothing to get excited about, because I don't care at all. A romantic would say: I feel that our roads are beginning to diverge, and I just say that we are boring to each other.

When I meet a person who would not pass in front of me, then I will change my mind about myself.

We are not as few as you think.

A decent chemist is twenty times better than any poet.

Flying fish can stay in the air for a while, but soon they should flop into the water.

Nature is not a temple, but a workshop, and man is a worker in it.

Such a rich body! At least now in the anatomical theater.

A man who has put all his life on the card of female love and, when this card was killed to him, became limp and sank to the point that he could not do anything, such a person is not a man, not a male.

Maybe, for sure, every person is a mystery.

Yes, go and try to deny death. She denies you, and that's it!

There was an empty space in the suitcase, and I put hay in it; so it is in our life suitcase: no matter what they stuffed it, if only there was no emptiness.

A person is able to understand everything - how the ether flutters and what happens in the sun; and how a person can blow his nose differently than himself, he is not able to understand.

Whoever is angry with his pain will certainly win it.

A real person is not one about whom there is nothing to think about, but whom one must obey or hate.

All people are alike in body and soul; each of us has the same brain, spleen, heart, lungs; and the so-called moral qualities are the same for everyone: small modifications mean nothing.

Every person must educate himself - well, at least like me, for example ...

I don’t share anyone’s opinion; I have mine.

Blow on the dying lamp and let it go out.

Quotes by Pavel Petrovich Kirsanov

“We, people of the old age, believe that without principles ... you can't take a step, you can't die.”

Personality, sir, is the main thing; the human personality must be strong as a rock, for everything is built on it.

He [the Russian people] sacredly reveres traditions, he is patriarchal, he cannot live without faith.

The young people were delighted. And in fact, before they were just fools, and now they suddenly become nihilists.

A thought crossed my mind; why not express it?

Either I'm stupid or it's all nonsense.

We cannot understand each other; I, at least, have no honor to understand you.

Quotes Kirsanov Arkady

Life should be arranged so that every day is significant.

A maple leaf, when it falls to the ground, looks like a butterfly, and this is strange - because the driest and deadliest is similar to the most cheerful and alive.

quotes about Bazarov's love. please ah and got a better answer

Answer from GALINA [guru]
What does Bazarov say about love?
“Still, I will say that the man who has put all his life at stake for women
love and when this card was killed for him, he became limp and sank to the point that he was not capable of anything, such a person is not a man, not a male. "
Equally surprising is another of his words: “And what is this mysterious relationship between a man and a woman? We physiologists know what this relationship is.
You study the anatomy of the eye: where does this mysterious look come from, as you say? It's all romanticism, nonsense, rot, art. " He puts the words "romanticism" and "rot" on the same level, for him they seem to be synonyms.
“Such a rich body! Even now in the anatomical theater "- this is how Bazarov estimates a beautiful specimen of" the same frog "- to Odintsova.
The attitude of the Kirsanov brothers to Fenechka. Pavel Petrovich exclaims in delirium: “Oh, how I love this empty creature! "
Bazarov loves in a different way.
His views on a woman, on love are sometimes called cynical. Is it so?
In his attitude, for example, to Fenechka, there is more humanity and
respect than in Pavel Petrovich's absurd passion for her. “She is a mother - well, and
rights "(Bazarov)
The last aphorism in Bazarov's life is his words addressed to Madame Madame Odintsova: "Blow on the dying lamp and let it go out." Poetic. And these words were said not by the same Bazarov, who proudly proclaimed: "Raphael is not worth a dime." And not the same Bazarov who recommended “not to speak beautifully”.

Answer from 2 answers[guru]

Hello! Here is a selection of topics with answers to your question: quotes about Bazarov's love. please ah

Answer from SOuthSV[master]
All people are alike in body and soul; each of us has the same brain, spleen, heart, lungs; and the so-called moral qualities are the same for everyone: small modifications mean nothing.

The novel "Fathers and Sons" has a complex structure and multilevel conflict. Outwardly, it is a contradiction between two generations of people. But this eternal is complicated by ideological and philosophical differences. Turgenev's task was to show the harmful influence of certain philosophical movements on modern youth, in particular nihilism.

What is Nihilism?

Nihilism is an ideological and philosophical trend, according to which there are no and cannot be authorities, none of the postulates should be taken on faith. (as he himself notes) is a merciless denial of everything. The philosophical basis for the formation of nihilistic doctrine was German materialism. It is no coincidence that Arkady and Bazarov offer Nikolai Petrovich to read Büchner instead of Pushkin, in particular his work "Matter and Force". Bazarov's position was formed not only under the influence of books, teachers, but also from live observation of life. Bazarov's quotes about nihilism confirm this. In a dispute with Pavel Petrovich, he says that he would gladly agree if Pavel Petrovich presented him "at least one decree in our modern life, in family or public, which would not cause complete and merciless denial."

Basic nihilistic ideas of the hero

Bazarov's nihilism is manifested in his attitude to various spheres of life. In the first part of the novel, there is a clash of two ideas, two representatives of the older and younger generations - Evgeny Bazarov and Pavel Petrovich Kirsanov. They immediately dislike each other, and then sort things out in polemics.

Art

Bazarov speaks most harshly about art. He considers it a useless sphere that gives nothing to a person, except for silly romanticism. Art, according to Pavel Petrovich, is a spiritual sphere. It is thanks to him that a person develops, learns to love and think, understand another, recognize the world.

Nature

A bit blasphemous is Bazarov's review not of a temple, but of a workshop. And the man is a worker in her. "The hero does not see her beauty, does not feel harmony with her. In contrast to this response, Nikolai Petrovich walks through the garden, admiring the beauty of spring. He cannot understand how Bazarov does not see all this, how he can remain so indifferent to God's creation.

The science

What does Bazarov value? After all, he cannot have a sharply negative attitude towards everything. The only thing the hero sees value and benefit is science. Science as the basis of knowledge, human development. Of course, Pavel Petrovich, as an aristocrat and a representative of the older generation, also appreciates and respects science. However, for Bazarov, the ideal is the German materialists. For them, love, affection, feelings do not exist, for them a person is simply an organic system in which certain physical and chemical processes take place. The main character of the novel "Fathers and Sons" is inclined to the same paradoxical thoughts.

Bazarov's nihilism is questioned, he is tested by the author of the novel. Hence, an internal conflict arises, which no longer occurs in the Kirsanovs' house, where Bazarov and Pavel Petrovich argue every day, but in the soul of Evgeny himself.

Russia's future and nihilism

Bazarov, as a representative of the advanced direction of Russia, is interested in its future. So, according to the hero, in order to build a new society, you first need to "clear the place." What does this mean? Of course, the expression of the hero can be interpreted as a call for revolution. The development of the country must begin with cardinal changes, with the destruction of everything old. At the same time, Bazarov reproaches the generation of aristocratic liberals for their inaction. Bazarov speaks of nihilism as the most effective direction. But it is worth saying that the nihilists themselves have not done anything yet. Bazarov's actions are manifested only in words. Thus, Turgenev emphasizes that the heroes - representatives of the older and younger generations - are very similar in some way. Evgeny's views are very frightening (this is confirmed by Bazarov's quotes about nihilism). After all, on what, first of all, is any state built? On traditions, culture, patriotism. But if there are no authorities, if you do not value art, the beauty of nature, do not believe in God, then what remains for people? Turgenev was very afraid that such ideas could come true, that Russia would then have a very hard time.

Internal conflict in the novel. Love test

There are two key characters in the novel who allegedly play a cameo role. In fact, they reflect Turgenev's attitude to nihilism, they debunk this phenomenon. Bazarov's nihilism begins to be comprehended by him in a slightly different way, although the author does not directly tell us this. So, in the city, Evgeny and Arkady meet Sitnikov and Kukshina. They are forward-thinking people who are interested in everything new. Sitnikov is an adherent of nihilism, he expresses his admiration for Bazarov. At the same time, he himself behaves like a jester, he shouts out nihilistic slogans, it all looks ridiculous. Bazarov treats him with obvious contempt. Kukshina is an emancipated woman, simply slovenly, stupid and rude. That's all there is to say about the heroes. If they are the representatives of nihilism, on which Bazarov has such great hopes, then what is the future of the country? From that moment on, doubts appear in the hero's soul, which intensify when he meets Odintsov. The strength and weakness of Bazarov's nihilism manifest themselves precisely in the chapters that speak of the hero's love feelings. He resists his love in every possible way, because this is all stupid and unnecessary romanticism. But his heart tells him something else. Odintsova sees that Bazarov is smart and interesting, that there is a grain of truth in his ideas, but their categorical nature betrays the weakness and doubtfulness of his beliefs.

Turgenev's attitude to his hero

It is not for nothing that a stormy controversy has developed around the novel "Fathers and Sons". First, the topic was very topical. Secondly, many representatives of literary criticism were, like Bazarov, carried away by the philosophy of materialism. Third, the novel was bold, talented, and new.

There is an opinion that Turgenev condemns his hero. That he slanders the younger generation, seeing only bad in him. But this opinion is wrong. If you look at the figure of Bazarov more closely, you can see in him a strong, purposeful and noble nature. Bazarov's nihilism is only an external manifestation of his mind. Turgenev, rather, feels disappointed that such a talented person is fixated on such an unjustified and limited teaching. Bazarov cannot but arouse admiration. He is daring and daring, he is smart. But besides that, he is also kind. It is no coincidence that all peasant children are drawn to him.

As for the author's assessment, it is most fully manifested in the finale of the novel. Bazarov's grave, to which his parents come, is literally buried in flowers and greenery, birds sing over it. It is unnatural for parents to bury their children. The protagonist's convictions were also unnatural. And nature, eternal, beautiful and wise, confirms that Bazarov was wrong when he saw in her only material for achieving human goals.

Thus, Turgenev's novel Fathers and Sons can be seen as a debunking of nihilism. Bazarov's attitude to nihilism is not just a philosophy of life. But this doctrine is questioned not only by representatives of the older generation, but also by life itself. Bazarov, in love and suffering, perishes by chance, science is unable to help him, and above his grave, Mother Nature is still beautiful and calm.

Evgeny Bazarov is one of the main characters in the novel by I. Turgenev "Fathers and Sons". It is with the help of this image that the author actively discloses the problem of relationships between different generations of people.

Evgeny Bazarov's appearance

Evgeny Bazarov is a "tall" man. His face "long and thin, with a wide forehead, flat upward, pointed nose down, large greenish eyes and hanging sandy sideburns, it was enlivened by a calm smile and expressed self-confidence and intelligence." His age borders on the mark of 30 years - Bazarov is in the prime of his strength, both mental and physical.

He does not pay due attention to his clothes and his appearance. His suit is old and dilapidated, he looks untidy. Bazarov does not neglect personal hygiene, but he also does not differ in such zeal for his toilet, as, for example, Pavel Kirsanov.

Family of Evgeny Bazarov

Bazarov has a small family - it includes a mother and a father. Bazarov's father's name is Vasily Ivanovich. He is a retired staff captain. Father Bazarov often helps his fellow villagers and provides them with medical assistance. Vasily Ivanovich is a simple person by birth, but he is quite educated and versatile. His mother, Arina Vlasyevna, was a noblewoman by birth. She is the owner of a small estate in the province, "souls, I remember, fifteen." His father is in charge of the estate. Arina Vlasyevna herself is very educated and knows a little French (which was the privilege of the nobles). Evgeny Bazarov is the only child in their family, therefore, the attitude of the parents towards him is rather reverent. They often let him have a cool attitude towards themselves.

Origin and occupation

Evgeny Bazarov is a student. He followed in the footsteps of his father and in the future he will connect his activities with medicine. “I, the future doctor, and the doctor’s son, and the deacon’s grandson,” he says about himself.

His father tried to give his son a good education and upbringing, encouraged his curiosity and love of research: "he knew how to guess it early and did not spare anything for his upbringing." This greatly helped Bazarov to become successful in his profession.

He is not of noble birth, but this does not prevent him from taking an advantageous position in society and making good friends. His friends and acquaintances believe that Bazarov will be able to achieve significant results in the field of medicine and natural sciences.

Lifestyle and habits

Bazarov leads an active lifestyle. He wakes up early and in most cases goes to bed late. He spends most of his time experimenting with frogs - such studies will make him more competent as a doctor: "Bazarov brought a microscope with him and fiddled with it for hours."

We suggest that you familiarize yourself with the characteristics of Pavel Petrovich Kirsanov in the novel by Ivan Turgenev "Fathers and Sons"

Eugene and society does not shy away. He willingly pays visits to different people. He conducts himself there depending on the situation. In the society of aristocrats (if it is not a dinner in a narrow circle), he is generally reserved and rarely interferes in the course of the conversation. In communication with the noblemen of the "lower rank" or with people akin to him in social status, Eugene behaves actively and often at ease. Sometimes his liberties are so defiant that they seem indecent.

Eugene loves to eat hearty and tasty. He does not deprive himself of the pleasure of drinking wine, mainly in large quantities.

The essence of Evgeny Bazarov's nihilism

Bazarov's position in society is unusual and contradictory. He is an adherent of nihilism - a philosophical trend of the 60s of the XIX century, widespread in Russia. At its core, this trend contained an extremely negative attitude towards all manifestations of bourgeois-noble traditions and principles. Bazarov explains the essence of his philosophy as follows: “We act by virtue of what we recognize as useful,” Bazarov said. "Denial is most useful nowadays — we deny."

Personal qualities

The first thing that catches the reader's eye is Eugene's simplicity. We learn about this distinctive feature of him from the very first pages of the novel - his friend Arkady repeatedly focuses his father's attention on this fact during their trip to the family estate. “A simple man,” says Kirsanov the son. For Nikolai Petrovich, the first impressions of the meeting with Bazarov were blurred with joyful experiences - after a long separation, he finally waited for a son, but nevertheless a certain sediment towards Eugene firmly settled in the mind of Kirsanov the father.

Bazarov has an extraordinary mind. This applies not only to the field of medicine, but also to other areas of activity. This state of affairs caused the development of such a negative quality as self-confidence. Evgeny is clearly aware of his mental superiority in relation to most of the people around him and cannot refrain from harsh remarks and criticism. An accompanying quality to this extremely unattractive bouquet is also added to pride. In Pavel Petrovich, such qualities seem incompatible with Bazarov's occupation. Uncle Arkady claims that a person with such a character cannot be a full-fledged district doctor.

Eugene thinks that he is "a positive, uninteresting person." In fact, he is a rather attractive person. His views are non-standard, they are not much like the generally accepted ones. At first glance, it seems that he is acting on the principle of opposition and opposition - Eugene contradicts virtually any thought, but if you understand it well, then this is not just a whim. Bazarov can explain his position, give arguments and evidence proving his correctness. He is a rather conflicted person - he is ready to start an argument with a person of any age and position in society, but meanwhile, he is ready to listen to his opponent, analyze his arguments, or pretend to do them. In this regard, Bazarov's position consists in the following thesis: "Prove to me that you are right and I will believe you."

Despite Evgeny's readiness for discussion, he is very stubborn, it is difficult to convince him, during the course of the novel no one managed to completely change his attitude to certain things: “When I meet a person who would not pass up in front of me, then I will change my opinion about myself ".

Folklore elements in the image of Bazarov

Evgeny Bazarov does not have the gift of eloquence. He does not like the sophisticated manner of speaking of aristocrats. “I ask you one thing: do not speak beautifully,” he says to his friend Kirsanov. In the manner of conversation, Eugene adheres to the principles of the common people - a little rough speech with a lot of interspersed with folklore - proverbs and sayings.

Bazarov's proverbs and sayings reflect the position of the young doctor in society.

Many of them relate to the condition of the people and their ignorance. "A Russian person is only good because he has a bad opinion of himself." In this case, the situation is aggravated by the fact that Eugene has an ambivalent attitude towards ordinary people. On the one hand, he despises men for their lack of education and excessive religiosity. He does not miss the opportunity to ridicule this fact: “The people believe that when the thunder is thundering, it is Elijah the prophet in a chariot that drives around the sky. Well? Should I agree with him? " On the other hand, by his origin, Eugene is closer to ordinary people than to the aristocracy. He sincerely sympathizes with the peasants - their position in society is extremely difficult, many are on the verge of poverty.

Bazarov rejects the existence of man in harmony with nature. He believes that a person has the right to dispose of all available resources of nature, and not to revere her: "Nature is not a temple, but a workshop, and man is a worker in it."

He believes that sometimes the desire for education goes beyond all the boundaries of common sense and people fill their heads with information they do not need at all: “There was an empty space in the suitcase, and I put hay in it; so it is in our life suitcase: no matter what they stuffed it, if only there was no emptiness ”.

Bazarov's attitude to love and romance

A cynic and pragmatist, Bazarov completely rejects feelings of love and sympathy. “Love is rubbish, unforgivable nonsense,” he says. In his eyes, a man who has let love take over his mind is not worthy of respect.

"A man who all his life has put on the card of female love and, when this card was killed to him, became limp and sank to the point that he was not capable of anything, such a person is not a man, not a male."

This is primarily due to Bazarov's disdainful attitude towards women in general. In his concept, women are very stupid creatures. "If a woman can support a half-hour conversation, this is a good sign." He considers the love affair with a woman only from the standpoint of physiology, the rest of the manifestations are not familiar to him, so he rejects them.

In this respect, Bazarov admits contradictions. Despite the statements about the uselessness of women for society, he prefers their society, especially if the representatives of the opposite sex have an attractive appearance.

The love story of Bazarov and Odintsova

Evgeny Bazarov was very cynical about any manifestation of tenderness and love. He sincerely did not understand people who lose their heads from love - it seemed to him something indecent, and such behavior was unworthy for a self-respecting person. “Here's your time! women were scared! " He thought.

At one point, Eugene meets Anna Sergeevna Odintsova, a young widowed girl, and falls into the net of love bonds. At the beginning, Eugene was not aware of his love. When he and Arkady Kirsanov visited Odintsova in her room, Bazarov felt an incomprehensible, unusual confusion for him.

Odintsova invites friends to stay with her at the estate. Arkady, unlike Eugene, does not hide his admiration for the girl, the trip will be a good way to improve relations and gain the girl's favor.

However, the opposite happens - a trip to Odintsova's estate became disastrous for Kirsanov's love, but gave hope for Bazarov.

In the beginning, Eugene tries to hide his feelings. He begins to behave too freely and cheekily. However, this does not last long - love experiences take possession of Bazarov more and more: “His blood caught fire as soon as he remembered it; he would easily cope with his blood, but something else got into him, which he never allowed, which he always mocked, which outraged all his pride. "

The resulting feeling of shame and discontent gradually disappears - Bazarov decides to confess his feelings, but does not achieve reciprocity. He notices that Odintsova is also not breathing evenly towards him, so her disregard for feelings is depressing for him. Eugene does not know the exact reason for the refusal, and does not dare to ask his beloved about it.

Thus, Evgeny Bazarov is a very controversial character in Turgenev's novel. He is talented and intelligent, but his rudeness and cynicism negate all his merits. Bazarov does not know how to find a compromise in dealing with people, he is outraged by the fact of disagreement with his point of view. He is ready to listen to his opponent, but in practice everything looks different - this is just a tactical move - for Bazarov everything is decided, he is not interested in other positions.

Bazarov is a representative of the young

generations. In his personality are grouped

those properties that are small

lobes are scattered among the masses.

D. I. Pisarev

In his article “Concerning Fathers and Sons,” Turgenev wrote about Bazarov: “... I excluded everything artistic from his circle of sympathies,” stressing that “I had to draw his figure in this way”. From the text of the novel it is clear that Bazarov rejects both art in general and its individual types, in particular poetry, life, music.

To Pavel Petrovich's question: "So you don't recognize art?" - Bazarov exclaims with a grin: "The art of making money." About poetry and poets, he speaks sharply negatively: "A decent chemist is twenty times more useful than any poet", advises Pushkin to replace the materialist Büchner, poetry in this he calls "nonsense." About the greatest painter Rafael Bazarov says that he "is not worth a penny." The Turgenev hero considers music a frivolous occupation. In a conversation with Madame Madame Madame Odintsova, he frankly admits: "You do not suppose artistic meaning in me, but I really do not have it."

And at the same time, Bazarov knows works of art and literature: he quotes Byron's "The Abydos Bride" by heart, is familiar with the novels of Fenimore Kuper, the ballads of Schiller. Why does Bazarov treat art this way?

Bazarov denies art because it was in the 1860s that writers and critics from the camp of “pure art” placed it above those civic and political tasks that required the fastest resolution at that time.

It was an era of bitter struggle between democrats and liberals. In Bazarov's statements one can hear the echoes of the disputes between the "sixties" - democrats and supporters of "pure art". Among the first were those who, in the field of physics, attacking the theoreticians of "pure art", were inclined to deny art itself. The democrats destroyed the noble aesthetics, and Turgenev attributed to them the destruction of all aesthetics, a complete denial of art. He endowed his hero with such extreme views. And since the writer himself adhered to directly opposite views, then, naturally, Bazarov's attitude to art could not be fanned by the author's sympathies in the novel.

Representatives of the younger generation of democrats answered their ideological opponents, the liberals, approximately as follows: if Raphael, whom you so praise, is above all that is most dear to us, in what we believe and for what we fight, then in this case we do not need your Raphael. This is approximately what Bazarov said, only with his characteristic laconicism: "Raphael is not worth a dime."

The ideological struggle for Pushkin between democrats and liberals was that they valued the poet's work in different ways. For the democrats, headed by Chernyshevsky, the content of art was everything that aroused public interest. For them, Pushkin was the poet of "real life." He was dear to them as the author of freedom-loving poems, "The Captain's Daughter", "History of the Village of Goryukhin" and other works of a critical direction. For liberals, who valued the poet as the author of romantic poems and elegies, love lyrics, Pushkin turned out to be the banner of "art for art" in those years. The delusion of Bazarov, like of some of his real prototypes, was that they rushed to storm Pushkin himself, instead of exposing the liberals who misinterpret the work of the great poet. Material from the site

This misconception swept wide circles of student youth, who began to oppose specific sciences to art, and criticism of various social vices of society - to the sense of beauty. The democrat of the 60s could not like the fact that art was used by some liberal figures to cover up class and social injustice. The nihilist raznochin also transferred the enmity towards these figures to art as a means that they used.

All these facts were known to Turgenev. Therefore, creating the character of the commoner democrat of the 60s, he endowed his hero with harsh critical statements about art.

Bazarov's limitations are that he did not take into account the effective, educational, aesthetic power of art, which played a huge role in the development and formation of both an individual and society as a whole.

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