The nature of the silent grief from the mind. Characteristics of Molchalin from the comedy "Woe from Wit

Molchalin is one of the most memorable characters in the comedy Woe from Wit. He is endowed with a speaking surname. So, what is this character "silent" about?

We meet with Molchalin at the very beginning of the comedy, when we learn that they have mutual love with Sophia, the daughter of the owner of the house. However, later it becomes clear that the reciprocity of love exists only in the imagination of Sophia, and Molchalin himself is not as simple as it seems.

Molchalin's life position is most fully revealed during his dialogue with Chatsky ... "My father bequeathed to me: firstly, to please all people without exception - the Master, where I will live, the Chief, with whom I will serve, His servant, who cleans his dress, the Swiss, the janitor, to avoid evil, The janitor's dog, so that she was affectionate", - says Molchalin. Indeed, this character can always achieve what he wants precisely because of his ability to find an approach to people. His main goal (like any representative of the "Famus society") is to achieve a high position in society by any means. And here he, realizing that the daughter of Famusov is in love with him, so as not to offend her, plays a romantic and timid lover. He knows that Sophia reads French romance novels and therefore understands how he should appear in front of her. And it works: Sophia admires his complaisance, modesty, gentleness. He behaves modestly under Famusov too. During the ball, Molchalin tries with all his might to please Khryumina, knowing that she occupies a high position in society ( "Your spitz is a lovely spitz, no more than a thimble").

However, it is interesting to observe how his behavior changes with other people. Alone with the servant Lisa, he becomes rudely cheeky. With Chatsky, he talks politely and emphatically restrained, because he understands: Chatsky is an unwanted guest in this house and it is not profitable to show him respect. In addition, Molchalin is amazed that Chatsky does not know one noble lady - Tatyana Yurievna. This shows how important connections and reputation are for Molchalin (and how little they matter to Chatsky). Chatsky's desire to prove to everyone that he is right and Molchalin's restraint are also opposed to each other ( "In my years you shouldn't dare to have your own judgments").

If Chatsky turned out to be an outcast in this society, then Molchalin feels like a fish in water here. It was not for nothing that Chatsky said: "The silent people are blissful in the world." Molchalin is a type of person who, unfortunately, is in demand in any society at any time. It is these people who often achieve a lot precisely because of their hypocrisy. Therefore, to the rather popular question of what will become of Molchalin after the scandal at the end of the work and the exposure, it is fashionable to give an affirmative answer: everything will be forgotten pretty quickly and he will continue to live in Famusov's house as if nothing had happened.

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In Griboyedov's comedy Woe from Wit, the main opposing array of events falls on the characters of Chatsky and Famusov. The rest of the characters help to reveal the true state of affairs and the depth of the conflict.

Origin and occupation

One of these characters, with the help of which the tragedy of what is happening is enhanced, is the image of Alexei Stepanovich Molchalin.

We suggest that you familiarize yourself with A. Griboyedov's comedy “Woe from Wit”.

Molchalin does not belong to the aristocracy - he is a man of ignoble origin, but thanks to his service, he has access to high society.

Alexei Stepanovich has not yet managed to rise to significant heights - so far he only holds the position of Famusov's secretary, but gives hope for early career advancement, which causes Famusov's special love.

Pavel Afanasyevich allocated a room in his house for Molchalin, although it is difficult to call it a full-fledged room: it is most likely a small closet, but Molchalin, deprived of fate, is quite pleased with this.

Aleksey Stepanovich has been working as the personal secretary of Famusov for the third year already, however, he was registered in a completely different position - based on official data, Molchalin works in the archive department, but in practice this is fictitious, he is only listed there. However, not without benefit for himself - during this service, he received three awards.

Of course, this was the exceptional work of Famusov. This position is also beneficial to Famusov and allowed him to get out of a difficult situation - he provided himself with a good secretary and, moreover, he had to pay not from his own pocket.

The text mentions the rootlessness of Molchalin, but there is no exact explanation. Based on this, several assumptions can be made regarding the essence of such a statement. The first is that Molchalin is a man of simple origin, the second is that he is an orphan, that is, a man of no kind.

The writer portrays Alexei Stepanovich Molchalin as an adult man. At the same time, Molchalin rejects even the possibility of his infantilism. Famusov, for whom the hero serves, takes advantage of Alexei's position. Officially, the hero works in the "Archives", because Famusov agreed so. However, this is a simple formality for obtaining ranks. Molchalin's real place of work is Famusov's house. The latter provides its employee with food, drink, shelter, career advancement. Molchalin, apparently, knows how to please Famusov.

Before working with Famusov, in Moscow, the hero lived in Tver. Molchalin, of course, is not a rich man at all. The simplicity of the hero's origin makes us assume that Molchalin is a tradesman. According to the "Table of Ranks", the hero holds the rank of collegiate assessor. This rank gives the right to nobility, which is what Molchalin achieves. The man even manages to get awards, in which his master probably helped Molchalin.

The symbolism of the surname

The image of Molchalin is symbolic. This is primarily due to his last name. It is based on the verb "to be silent". Indeed, this word is an accurate reflection of the essence of Molchalin. He is a silent and faceless servant of Famusov. Even his steps are devoid of any sound. It seems that he wants to be as unnoticed, quiet as possible.

From time to time, Alexey Stepanovich moves on tiptoe so as not to disturb the household. This behavior of his is one of the ways to achieve his life goal.

The purpose of life

While most aristocrats are devoid of a purpose in life and lazily live their lives without filling it with any meaning, Molchalin's life has a pronounced character. His goal is to take place and achieve significant achievements in life. Achievements in the eyes of Molchalin are in no way associated with improving the lives of ordinary, ignoble people or contributing to the development of the morality of the aristocracy. The highest goal of Alexei Stepanovich is to become a full-fledged representative of high society.

Molchalin is ready to go to bed for another promotion, so he serves Famusov with all his might - it is Pavel Afanasyevich who can help him achieve this goal. And the first step on this steep staircase Molchalin has already overcome - thanks to his ability to suck up and please Famusov, he was given the rank of collegiate assessor. Thus, Alexey Stepanovich from a commoner turned into a beggar nobleman. Molchalin found a special charm in the fact that his rank tended to be inherited.

Molchalin and Sofya Famusova

You can improve your position in society even more through a profitable marriage. For this, girls needed to have a charming figure and no less charming face. In the case of the male half of society, it was enough to have a helpful character. It is the ability to serve well that becomes the criterion for benevolence. Despite his low origin and financial insolvency, in the eyes of Famusov, Alexey Stepanovich looks like a more attractive son-in-law than the noble aristocrat Chatsky. The fact is that Pavel Afanasyevich believes that such an estate and diligence that Molchalin possesses can compensate for his origin and achieve a favorable position in society. To achieve a final advantage over other young people, Molchalin only needs to accumulate significant capital or start attacking Famusov from a different front - if Sonya falls in love with Alexei Stepanovich, then she will be able to convince her father to make a decision in his favor.

Alexey Stepanovich accelerates this process by starting to show interest in Famusov's daughter Sophia.

The relationship of young people is in the best traditions of platonic love - Molchalin does not allow anything superfluous in relation to the girl.

Thus, he demonstrates his respectful attitude towards Sophia and the seriousness of his intentions. In addition, such behavior contributes to the achievement of his goal with marriage - Molchalin does not need to possess Sonya, he needs to become her spouse, therefore debauchery for him is an unacceptable business.

We offer to compare in A. Griboyedov's comedy "Woe from Wit".

In communicating with Sophia, Alexey Stepanovich adheres to the same principle as with her father - he pleases her all the time. Naturally, Molchalin's behavior differs sharply from the behavior of other aristocrats in relation to her. Young people of noble birth are not ready to grovel in front of Sonya as Molchalin does, therefore they do not arouse such interest in her.

To some extent, Famusova's affection for Molchalin was caused by the lack of proper candidates - after the Chatsky district, the girl chooses the least evil from the remaining. At the time of the onset of affection and the beginning of communication, Sonya did not feel enthusiasm and love attraction to Molchalin, her act could be regarded as revenge on Chatsky, but as a result of the desired effect, such an act did not bring, Sonya eventually got used to the oddities of Molchalin and began to perceive them as ordinary things ... In the person of Molchalin Sonya found a wonderful "living toy", he not only treats her with deification (which, as it turned out, was feigned), but is also ready to fulfill any of her wishes.

Chatsky and Molchalin

The conflict between Chatsky and Molchalin was a priori predetermined - an honest and noble aristocrat cannot understand and accept the position of Famusov and his society, Alexey Stepanovich, who not only depends on Famusov, but also seeks to become like them, could become an excellent opponent to Chatsky , if I had more persistence and individuality, however, since Alexey Stepanovich is used to being a silent observer and never betraying his attitude to certain situations, then there is no heated discussion between the characters.

In addition, the shrewd Chatsky notices the strange attitude of Alexei Stepanovich to Sonya Famusova. Over time, he discovers Molchalin's true attitude to the girl and his ghostly love. Chatsky is struck by Molchalin's double standards - on the one hand, he is ready to flatter immensely, but, on the other hand, he does not immediately neglect to publicize his disdain and even disgust for those whom he idolized a couple of minutes ago.

Attempts to open the eyes of others to the erroneousness of their opinion do not lead to anything good - others are flattering to perceive their superiority than to realize that all the respect towards them was a farce.

Molchalin and Lisa

No matter how duplicitous Molchalin may be, sometimes he reveals his true feelings and intentions. This state of affairs is not exposed in discussions or small talk (since he tries not to take part in them in advance).

So, for example, Alexei Stepanovich has a feeling of affection and love in relation to the servant in the house of Famusov - Liza. The hero of the story faces a choice - to the end to play his role as Sonya's beloved, or to confess his feelings to Lisa.

Unfortunately, as a dishonest person, Molchalin is not limited to this state of affairs and takes care of two girls at once.

Thus, Alexey Stepanovich Molchalin is a classic version of a character playing a double game. This trend continues in the case of Molchalin in all types of activities. He is a hypocrite in relation to Famusov, plays with the feelings of Sonya.

For Aleksey Stepanovich, a meek and silent servility is characteristic. For the sake of moving up the social ladder, he is ready to go even to the most immoral acts. The image of Molchalin has become a household name and is applied to a dishonest, hypocritical person.

Molchalin's character

The hero makes a double impression. On the one hand, Molchalin pleases everyone (in this man is a real master), he is shy, helpful, timid, calm, timid, modest, quiet, “wordless”. He is characterized by accuracy, moderation, lack of criticism of others. For this they love him, perhaps. But on the other hand, the hero is also characterized by duplicity and hypocrisy. Molchalin is considered a well-mannered and polite person, the hero evokes sympathy among others. The society does not see the true nature of the hero. On the contrary, in Molchalin they see a selfless person who is ready to forget about his own interests for the sake of others.

However, Molchalin pleases and is silent for the sake of self-interest, for the sake of achieving his goal. Such parting words were given to the hero by his father. The behavior of the hero depends on the circumstances. For example, with Famusov's daughter, a man behaves emphatically politely and modestly. But Molchalin does not really love Sophia. The hero is in love with Lisa. However, there is no need to behave decently with a simple girl. The true face of Molchalin is seen, perhaps, only by Chatsky, who considers the assessor to be a stupid, cowardly and pitiful person. However, Vyazemsky, on the contrary, emphasizes the prudence of the hero, a rational approach to life. Molchalin's soul is cold and callous. The servant Liza also talks about this later.

Plan

1. Introduction

2.Molchalin's activities

3 views of Molchalin

4.Molchalin's attitude towards women

5.Conclusion

Introduction

In the immortal work "Woe from Wit" A. S. Griboyedov described several collective images common in his era. As time shows, its characteristics are still relevant today. With any social system and level of technical development, there will always be their own Chatskys, Famusovs, Molchalins. The last image is the most numerous and indestructible. Seriousness, reverence for rank, and sycophancy for the sake of personal gain are extremely common social vices. Unfortunately, each person has his own Molchalin. The only difference is to what extent he is allowed to do his dark deeds.

Molchalin's activities

One of the main negative characters in the comedy is Famusov's secretary who lives in his house. A. S. Molchalin, apparently, is not a wealthy person. From childhood, his father taught him to "please all people." Having entered the service of Famusov, Molchalin became not only his secretary, but in fact a personal servant who is ready for any service, even a crime. The author hints at the not entirely clean nature of Famusov's affairs in the first act (the papers "must not be put into use", "there are contradictions").

The penchant for scams and secret money transactions is inherent in Molchalin's blood and is confirmed by all his actions and deeds. The attitude of Aleksey Stepanovich to Famusov is outwardly extremely respectful and respectful, sometimes reaching the level of humiliation. In fact, Molchalin does not care about his human dignity. He is driven only by the thirst for profit and the improvement of his social position. He is convinced that in this life everything depends on money, absolutely everything can be bought or sold. He works as a secretary only until he makes a sufficient fortune and can himself become a likeness of Famusov. This is his idea of \u200b\u200bthe ideal life path.

Molchalin's views

Alexei Stepanovich does not notice any special firm convictions. The first time he expresses his views in detail in a conversation with Chatsky. Above all, they value "moderation and accuracy." Molchalin believes that he is distinguished by precisely these qualities. An interested Chatsky continues to ask questions, trying to understand what kind of person he is. Alexey Stepanovich cites Tatyana Yurievna and Foma Fomich as authorities.

From the words of Chatsky it is clear that these are extremely stupid and limited people, whose entire merit is wealth. But for Molchalin, they are indisputable models that should be looked up to. Finally, Chatsky seeks from Molchalin his main characteristic: "In my years, you should not dare to have your own judgments." He explains his thought by the fact that a small rank forces him to depend on "the mighty of this world." Chatsky, incapable of cunning, concludes that his interlocutor is simply a fool. In fact, Molchalin is far from that stupid. Subsequently, he will partially reveal his innermost thoughts to Lisa.

Alexey Stepanovich deeply despises everyone in front of whom he humiliates himself. He does this out of necessity, hoping to take the place of his "idols". However, Molchalin's innate intelligence and education will never be used for an honest and noble cause. Having become a big boss, he will happily become a new "idol" who will also demand boundless respect and deference from his subordinates. Molchalin is convinced that the whole world is supported only by this.

Molchalin's attitude to women

For Alexey Stepanovich, love is the same product and a way to achieve his goals. His courtship of Sophia is caused by the desire to please Famusov even more. He is as honest as possible towards Lisa, but he tries to win her favor exclusively with the help of expensive gifts. Molchalin simply does not understand that people have feelings other than the desire for enrichment and power.

Conclusion

Molchalin is a collective negative image of a person for whom there are no high ideals. Such people are ready for any humiliation for the sake of money. Having gained power and authority, the Molchalins will be able to widely spread their poisonous influence. This will lead to the emergence of more and more low and vile people who replace honesty and truthfulness with deceit and venality. It is important for any society that there should be as few Molchalinins as possible.

A.S. Griboyedov finished his legendary comedy in 1824. But, despite all efforts, it was not possible to publish it. Censorship did not pass, as the character of the play is accusatory. It spread in the lists, was a great success among the young intelligentsia. Only in 1833 was the play published in an abridged form.

The author presented the reader with a constellation of vivid images of the Moscow nobility of the 19th century. Most of them are relevant to this day. Especially tenacious is a person who "blissful in the world." This character personifies honor, careerism, hypocrisy.

General characteristics of the hero

Molchalin is a young man of unknown origin. He comes from Tver, his parents became impoverished. Thanks to his efficiency and cunning, he gets to the capital. Famusov gives him the rank of Collegiate Assessor, adds his secretary. This position at that time gave hereditary nobility, regardless of material well-being. But the employer himself calls him "rootless", although he settles in his house.

Alexey Stepanovich, like most of the heroes of classical literature, has a speaking surname. He is really speechless. The quality is inconsistent. Sophia in love considers a virtue. They say the father is angry, but Alexei does not argue, does not mind, the hot-tempered master calms down. Chatsky considers it stupidity, lack of will, self-respect. For Molchalin, this is just a cunning maneuver, opportunism. He doesn't mind.

The hero is young, the same age as Chatsky. But they are similar only in age.

Chatsky and Molchalin

These two social types are antagonists. People like Molchalin are ready to do anything to achieve high ranks and position in society. They do not shun anything. Lies, hypocrisy, ingratiating themselves, groveling, humiliation, pretense - everything goes into action.

"Moderation and accuracy" are the only talents of Alexey Stepanovich. But he is clearly being modest, forgetting that adaptability, cunning, business acumen are also some kind of talents.

Molchalin does not recognize his right to his own opinion. While he is in a small rank, it is necessary to depend on others. Therefore, he actively mimics, adjusts.

Chatsky is a different person. He openly expresses his opinion in any environment. He sees no point in an empty service. He is ready to serve the cause, but not persons. Serving him is sick. Famusov calls him a proud man, a fool. It is wild for a successful official to hear such speeches.

Molchalin, for the sake of profit, is ready to pretend in everything. Even in love.

Attitude to Sophia

Pretending to be in love, Alexey becomes a friend of the owner's daughter's heart. She, in turn, endowed him with the features of the heroes of French romance novels. I created the perfect image for myself.

Alexey Stepanych visits the young lady's room at night. But he behaves indecisively, modestly, does not allow liberties. As it turned out later, not because he was anxiously in love and well brought up, but out of indifference. But towards Liza he shows ardor, impoliteness. Shyness with a young lady and vulgar behavior with a maid. This contrast speaks volumes.

He takes care of Sophia only in order to curry favor: "for the sake of the daughter of such a person." He himself does not really understand why. No love, no wedding. Molchalin is a coward, madly afraid of Famusov's anger, of what he learns about the novel.

Molchalin and guests

The ball in the Famusovs' house is the key scene of the work. The family is officially in mourning after the death of their uncle. Therefore, only “their own” are convened. Balls should be given to maintain connections.

Molchalin is equally amiable with all representatives of the “past century”. He finds an approach to everyone. Sophia saw kindness in this ability to adapt. Like Alexey Stepanovich found friendship with everyone in the house. Chatsky also notices this: "he will stroke the pug in time, he will rub a card there just right." And, indeed, it reaches the point of absurdity. Molchalin strokes, praises the spitz of mistress Khlestova. And then all evening he plays cards with the old people, adjusting, playing along. Knowing their cool temper.

The young man does everything on time. He seems to have a presentiment of a social storm. As soon as a scandal is brewing in the house, he disappears into his room a minute before the owner appears.

"Will reach the known degrees ..."

All this will certainly help the hero in achieving his goals. He will not be confused by mistakes, falls. There is no shame or shyness in him. From childhood, Alexei was taught the law of the need to please even the master's janitor and his dog. And groveling, the ability to "bend into a bend" is highly valued in the capital.

"Woe from Wit" is an immortal comedy by A. S. Griboyedov. In it, he truthfully and mercilessly depicted the "picture of the mores" of the contemporary aristocratic society. According to the author, in his work "25 fools for one sane person." And one of them in the play is Alexey Stepanovich Molchalin. Our article will be devoted to the characteristics of this character.

The place of the hero in the comedy

Molchalin in "Woe from Wit" is a typical representative The role that the author assigns to him in comedy is of extreme importance. He, along with the main character, is a participant in both the love and social and ideological confrontation of the characters. Alexey Stepanovich is not only a worthy successor to Famusov in business, but also a successful rival of Chatsky in love. It was him for some unknown reason that Sofia chose. The personal relationships of the characters in Woe From Wit are important, but Molchalin's attitude to service is more interesting to study. Indeed, it is precisely in this activity that the character of Alexei Stepanovich is manifested most clearly.

General characteristics of the hero

Alexey Stepanovich holds a small position. He is a secretary and Famusova. Molchalin cannot boast of a noble birth, but he strives with all his might to break out "into the people". To this end, he chose the unmistakable tactic: "please everyone ... without exception." Alexey Stepanovich makes no distinction between the master and his servant. He is impeccably courteous and polite with everyone. With regard to higher persons, Mochalin's devotion has no boundaries. He curses up with Famusov, seeks to serve Khlestova. Alexey Stepanovich is a mediocrity, a shameless hypocrite and a toady. But none of the Famusian guards notices this. The image of Molchalin is a portrait of a man who, with the help of simple techniques and tricks, makes his way into high society.

Molchalin and Chatsky

If most of the representatives of the Famusian guard (Famusov, Khlestova) are people of the older generation, then Molchalin is practically the same age as Chatsky. However, these representatives of the same generation are, in fact, completely different people. Their behavior in society, moral ideals are opposite. This is evidenced by Molchalin's attitude to the service. According to the hero's own admission, he has only two talents - "moderation and accuracy." He does not hide his own mediocrity, on the contrary, he is proud of it.

Aleksey Stepanovich's behavior and outlook is strictly regulated by the position held. Since it is still quite insignificant, he has to be helpful and humble. Molchalin cannot do without influential patrons and depends entirely on them. The independence of Chatsky seems to Alexei Stepanovich an obvious stupidity.

Molchalin and Famusov

Unencumbered by special abilities, Aleksey Stepanovich fits very organically into the conservative Famus society. Despite the huge difference in social status and age, he has a lot in common with the famous Moscow "ace". Molchalin's attitude to the service is absolutely "Famusian". He confesses that he dreams of "taking awards and having fun." In his arsenal there are already "three awards" and each of them is a small step on the way to a brilliant career. Like Famusov, Aleksey Stepanovich sacredly reveres public opinion. Some quotes by Molchalin: "Ah! Evil tongues are worse than a pistol" and "In my summer you shouldn't dare / Have your own judgment" echoes the final Famus phrase: "Oh, my God! What will she say" / Princess Marya Alekseevna! "

Molchalin in love

Alexey Stepanovich skillfully pretends to be in love with the main character of the play. And this is where his desire to "please all people without exception" is manifested. Smart and selfless, Sophia does not notice deception at all. She extols his shyness, reverence and timidity. Even the absence in him of "this mind ... which is fast, brilliant ..." seems to her a positive quality. Describing her lover to Chatsky, the girl does not notice how, in the words of I. A. Goncharov, "the portrait comes out gone." Sofia has her own grief from the mind. Molchalin becomes for her the hero of a love story in which she plays the role of a kind patroness.

However, Alexey Stepanovich has completely different inclinations. He likes the lively and cheerful Lisa much more. In addition, he is not so stupid and believes that Sofia "loved Chatsky once / she will stop loving me like him." But he is ready to give Lisa a toilet of intricate work and believes that this is enough to win love. Molchalin's sober cynicism seems especially disgusting against the background of the sincere feelings that he

The further fate of Molchalin

The loss of love for the main character does not mean complete defeat for Alexei Stepanovich. Despite the fact that he made a serious mistake, he managed to avoid the wrath of Famusov. The "noble" father of the family threw out all his indignation at the humiliated and offended Sofia and the innocent Chatsky. The protagonist is put out of the door, accused of imaginary debauchery. Sophia is threatened to be sent for misconduct to the village. Only Alexey Stepanovich is removed unnoticed. The comedy "Woe from Wit" does not give a definite answer regarding the fate of this hero. Molchalin will probably be able to pretend to be a victim of the prevailing circumstances. It is impossible to stop his career. Chatsky was absolutely right when he predicted that Aleksey Stepanovich "would reach the known degrees." The final scene of the comedy once again confirmed the sad truth that AS Griboyedov is trying to convey to his readers: "The silent people are blissful in the world," while the sincere and intelligent Chatskys become outcasts in society.

The image of famous writers

The image of a "wordless" person, gradually making his way up the career ladder, did not leave anyone indifferent. Belinsky in the middle of the 19th century wrote that Molchalin is a person who "cheats without profit" at the same "dictate of the soul." NV Gogol found that "the face" of Alexei Stepanovich was "aptly captured." This is an image of a low and silent personality, quietly making its way into people. Saltykov-Shchedrin, Molchalin's attitude to the service inspired the creation of a series of essays entitled "Among the Moderates and Neat." IA Goncharov in his study "Million of Torments" noted that in his time (1871) the tacitism of tacitism became archaism and "hides ... in the darkness." However, comparisons of various persons with the wordless and helpful character of "Woe from Wit" are still actively used in journalism.

Conclusion

Molchalin's quotes are a reflection of his position in life. The desire to come in handy and gain confidence in the right person, who: "Feeds and gives water", and maybe "and will give ..." is relevant at all times. Alexey Stepanovich is a typical opportunist, unencumbered by a creative and constructive principle, but in abundance endowed with practical intelligence and a worldly mind. It is absolutely impossible to fight him. In any situation, this person will be able to be afloat. How long will silent mediocrity be valued in the service, and a bright, lively and independent mind will be unjustly persecuted? This question is posed by A.S. Griboyedov in the satirical comedy "Woe from Wit". The Molchalins occupy leading positions, penetrate into all spheres of life, penetrate into any society and by their very existence impede its development. However, the answer to this question has not been found to this day. Perhaps, over time, this state of affairs will change.

In Griboyedov's comedy "Woe from Wit", several typical characters are created, well recognizable regardless of the era. Molchalin belongs to such images, so now it would be appropriate to briefly consider the characteristics of Molchalin, paying attention to the traits that Griboyedov endowed this character with.

Biography of Molchalin from the comedy "Woe from Wit"

The play says very little about Molchalin's life before Famusov's appearance in the house. The reader learns that Alexei Stepanovich Molchalin is of an ordinary origin, a poor young man.

Famusov took Molchalin to his secretary from Tver, was able to "get" him the rank of assessor, which was highly valued and equated to the army rank of major. Meanwhile, the hero is still listed in the Archives of the College of Foreign Affairs and manages to receive three awards. At the time of Griboyedov, the "archival youths" were treated somewhat contemptuously, since young people who wished to avoid military service in this way were enrolled there. This information already helps to make a characterization of Molchalin from the comedy "Woe from Wit".

In the house of his patron, Molchalin lives on the ground floor, where the servants' rooms and utility rooms are located. For the sake of a career, Molchalin starts an affair with Sophia, the daughter of Famusov, while simultaneously courting the maid Liza.

Molchalin and Sophia

What else is interesting about Molchalin's characterization? He admits that he is not interested in Sophia. No matter how Molchalin tries to wake up feelings for her, nothing happens, the hero remains cold: "As I see you - and a sheet." He drags after the boss's daughter, hoping to get a profit. Knowing the inconstancy of Sophia ("they loved Chatsky once, they will stop loving me like him"), he is not worried, he is more concerned about Famusov's reaction to their relationship.

Literary critics have repeatedly asked the question: what attracted Molchalin to Sophia, why did she prefer him to the clever and noble Chatsky? Probably the answer is in the words of the heroine herself. Talking about Molchalin, she highlights his qualities such as helpfulness, attentiveness, shyness, he is ready to anticipate Sophia's every desire and shows her his tender feelings.

Another quality that is important in the characterization of Molchalin is his hypocrisy and duplicity: depicting love for Sophia, he courting Lisa, seducing her with gifts and not hesitating to express his feelings rather impudently and obsessively. In Famusov's house, Molchalin wears the mask of a timid man in love until an accidental exposure occurs.

Characteristic qualities of Molchalin from the comedy "Woe from Wit"

Griboyedov uses a speaking surname. Molchalin is silent, quiet, he does not dare to have his own opinion, fearing not to please important people. Its main goal is to gain confidence in those who can provide patronage through servility and servility to them. Chatsky notes with bitterness: "The taciturns are blissful in the world."

To understand the characterization of Molchalin in the comedy "Woe from Wit" by Griboyedov, it is necessary to remember what covenant his father gives Molchalin. The young man says that his father advised him "to please all people without exception": the owner of the house where he lives, the boss, the chief's servant, "the doorman, the janitor to avoid evil, the janitor's dog to be affectionate." The hero follows this principle. He tries to please Famusov, the "oldies" at the balls. For this, he refuses dancing and fun, and the whole evening plays cards with elderly, but noble gentlemen. By servility and modesty, Molchalin achieved a good relationship with the influential Tatyana Yuryevna and even the grumpy Khlestova.

Molchalin considers his main talents to be "moderation and accuracy." Griboyedov in his comedy "Woe from Wit" shows: Molchalin is stupid, his mind is aimed only at finding beneficial behavior, low, does not have a sense of his own dignity, is capable of meanness and lies.

We hope that our article, which briefly presented the characterization of Molchalin from the comedy "Woe from Wit" by Griboyedov, helped you get to know this character better. In our literature blog also read

Among the heroes of "Woe from Wit" (see summary, analysis and full text) Famusov stands at the top rungs of the service and social ladder. Molchalin, being on the lower steps of the same staircase, tries to climb it, following the principles and rules of life of his boss. Seriousness and obsequiousness, widespread in Famus society, were instilled in him from childhood:

“My father bequeathed to me,

says Molchalin,

First, to please all people without exception;
The owner, where he happens to live,
The chief with whom I will serve,
To his servant who cleans the dress,
To a Swiss, a janitor, to avoid evil,
To the janitor's dog, to be more affectionate.

We can say that Molchalin really fulfills his father's will! We see how he tries to please the noble old woman Khlestova, how he praises and caresses her dog; and although Khlestova treats him very condescendingly ("Molchalin, here is your closet!"), however, she allows him to behave arm in arm, plays cards with him, calls "my friend", "dear", and probably will not refuse his patronage when he needs it. Molchalin is sure that he is going the right way and advises Chatsky to go "to Tatiana Yuryevna," as in his words "often we find patronage there where we don't mark."

Woe from wit. Maly Theater performance, 1977

Molchalin himself recognizes two "talents": "moderation" and "accuracy", and there is no doubt that with such properties "he will reach the degrees of the known", as Chatsky notes, adding: "After all, nowadays they love the dumb." Molchalin is indeed dumb, since not only does he not express, but even does not have his own opinion, it is not for nothing that Griboyedov called him “Molchalin”:

“In my years I shouldn't dare
Have your own judgment "-

he says. Why risk “having your own judgment” when it’s so much easier and safer to think, speak and act as the elders do, as Princess Marya Alekseevna does, like “everyone else”? And can Molchalin have his own opinion? He is undoubtedly stupid, limited, although cunning. This is a shallow soul. We see the baseness and meanness of his behavior with Sophia. He pretends to love her because he thinks that it can be beneficial to him, and at the same time flirts with Lisa; he sneakily crawls on his knees in front of Sophia, begging for her forgiveness, and immediately after that he hurries to hide from Famusov's anger, like a real coward. The pathetic type of Molchalin is portrayed by Griboyedov with merciless realism.

"The taciturns are blissful in the world." The catch phrase lives on today. In the changed conditions of the modern world, the "Molchalins" are easy to recognize and meet.

The image and characterization of Molchalin in the comedy "Woe from Wit" will help to understand which features have not undergone changes, who is hiding under the guise of a two-faced shy man.

Molchalin and Famusov

Alexey Stepanovich Molchalin is the secretary of Famusov, the owner of the house in which the events of the comedy unfold. Famusov gave shelter to a poor nobleman from Tver, gave him the rank of assessor, and officially arranged for him to serve in the Archives. Molchalin is not young, an adult man (" we are not guys ...») Is pleased with this situation. He is listed in the archival service, receives a promotion, but does not leave Famusov's house. In Alexey, the owner discerned the features of a business man. All other servants in the house are relatives. The ability to please becomes the basis of Molchalin's character. Simple in origin, probably from a bourgeois family, having received the rank, Alexei acquired the right to hereditary nobility. For 3 years of service, he managed to receive 3 awards. Such a career growth is an indicator of a man's patience and desire to rise by any means as high and fast as possible.

Positive character traits

Griboyedov represents real characters, so they have positive and negative qualities. Molchalin is no exception.

Modesty. Not many can boast of the ability to communicate with people of different ages and educational levels. At a ball at Famusov's, Molchalin withstands the whims and humiliations of grumpy old women, the stupidity of drunken revelers, the coyness of young ladies.

Shyness and tact. Alexey, being next to the owner's daughter, does not show arrogant or harsh actions. He tactfully tolerates Sophia's attitude, skillfully hides his true feelings.

Taciturnity. The ability to remain silent is an unattainable quality for many. They get tired of their chatter. Here the situation is different:

"He will reach the known degrees, / After all, nowadays they love the wordless ...".

Good manners and politeness. Molchalin behaves correctly in different situations. He easily apologizes, constructs phrases so that there is no desire to scold him, scold him.

The ability to be friends.

"Look, he has acquired the friendship of everyone in the house."

He peacefully settles any problems and disputes, for others he is able to forget about himself.

Calmness. Molchalin is difficult to piss off. He does not express nervousness, anxiety even in the most difficult situations: a morning meeting with the owner, a fall from a horse.

Negative personality traits

Among the representatives of the high society, Alexey Stepanovich is shy and timid, but this is only a mask, a mask. Behind her are features that do not paint a man:

Helpfulness. Molchalin seeks to please everyone around him, hoping to make a pleasant impression, to benefit. His father bequeathed to him to please all people, but the son moved on. He grovels not only in front of people, but also in front of the animals of the owners. The purpose of this behavior is to achieve promotion and personal relationships.

Duplicity. A man's behavior changes with the situation and environment. With whom he communicates by status, so he behaves. With the Countess Khlestova he is kind, with the maid he is free.

Not the ability to love. Molchalin builds his relationship for the sake of profit. He loves "according to his position." This feeling has become very well known in the modern era, when they start romances for deception and profit. The secretary skillfully plays the role of a lover, conquers an intelligent and educated girl. Sophia is ready for him to go against the rumors and opinions of her father, but the reciprocal feeling is deceitful.

Lack of personal opinion. Molchalin never spoke out. He chose the tactics of silence that others like. Gradually I lost the opportunity to have my own judgments.

The image of Molchalin easily survived the centuries. For many, the value of money, position and position in society is higher than honesty, patriotism and human dignity. The more clearly the stratification of society in terms of wealth becomes visible, the more there are “Molchalins” ready to sell their souls for money.

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