Writing: The image of Katerina Kabanova in the "Thunderstorm" play (A.N. Ostrovsky)

In the drama "Thunderstorm", Ostrovsky created a very difficult psychological image - the image of Katerina Kabanova. This young woman has a viewer with its huge, pure soul, children's sincerity and kindness. But she lives in a stale atmosphere of the "Dark Kingdom" of merchant morals. Ostrovsky managed to create a bright and poetic image of a Russian woman from the people. The main storyline of the play is the tragic conflict of a lively, feeling of the soul of Katerina and the dead lifestyle of the "Dark Kingdom" life. Honest and touching Katerina turned out to be a powerful victim of cruel orders of merchant medium. No wonder Dobrolyubov called Katerina "Light Light in the Dark Kingdom." Katerina did not accept despotism and self-immigration; Brought to despair, she challenges the "dark kingdom" and dies. Only so it can save its inner world from a rough pressure. According to critics, for Katerina "Not death of desired, and the life is unbearable. Live for her - it means being yourself. Not to be yourself - it means not to live for her. "
The image of Katerina is built on a populatory basis. Her pure soul is merged with nature. She is like a bird, the image of which in folklore is closely related to the concept of will. "I lived, I didn't heal anything, exactly the bird on the will." Katerina, who fell into the house of Kabanova, as a terrible prison, is often remembered by the parent house, where they were related to her love and understanding. Talking with Barbara, the heroine asks: "... why people do not fly like birds? You know, it sometimes seems to me that I am a bird. " Katerina rifles on the will of the cell, where it is forced to stay until the end of days.
High feelings, the tide of joy and reverence caused religion in it. Beauty and fullness of the soul of the heroine were expressed in prayers to God. "On a sunny day, such a bright post is down from the dome, and smoke goes in this post, exactly the clouds, and I see, it happened that the angels in this post fly and sing. And then it happened ... At night I will stand ... Yes, somewhere in the corner and I pray until the morning. Or early in the morning in the garden I will leave, just only the sun rises, fall on your knees, pray and crying. "
His thoughts and feelings of Katerina expresses poetic folk language. The singular speech of the heroine is painted with love for the world, the use of many diminity-lascal forms characterizes her soul. She says "Sunny", "Voditsa", "Moglushka", often resorts to repeats, as in songs: "On the top three", "and people are disgusting to me, and the house I am fighting, and the walls are disgusting." Trying to throw out feelings boiling in it, Katerina exclaims: "The winds of the violent, bring him to him my sadness!"
The tragedy of Katerina is that she does not know how and does not want to lie. And in the "Dark Kingdom" lies - the basis of life and relationships. Boris tells her: "No one knows about our love ...", for which Katerina answers: "Let everyone know, let everyone see what I do!" In these words, the courageous, one-piece nature of this woman is manifested, risking challenge the philistine morality, to confront society alone.
But, having loved Boris, Katerina joins the fight with his beliefs. She, married woman, feels great sinner. Her faith in God is not a kabani's hypocreter who covers her angrily and mansioniths. The awareness of their own sinfulness, the flour of conscience is pursued by Katerina. She complains of Vare: "Ah, cooking, I have a sin on my mind! How much I, poor, cried, I didn't do on myself! Do not leave me from this sin. Not anywhere. After all, it is not good, because it is a terrible sin, Varnka, what do I like another? " Katerina does not think about the fact that it was above the violence, giving married for the unloved. Her husband, Tikhon, glad to leave home and does not want to protect his wife from the mother-in-law. The heart tells her that her love is the greatest happiness in which there is nothing wrong, but the moral of society and the church does not forgive free manifestation of feelings. Katerina beats among unsolvable questions.
The stress in the play increases, Katerina is afraid of thunderstorms, hears the terrible prophecies of the crazy lady, sees a picture on the wall, depicting a terrible court. In the permanent reason, it rises in his sin. Repentance from the pure heart according to religious laws necessarily requires forgiveness. But people forgot the good, goodbye and loving God, they had a punishing and punishing God. Katerina does not receive forgiveness. It does not want to live and suffer, she has nowhere to go, a loved one turned out to be the same weak and dependent as her husband. All betrayed it. Suicide Church considers a terrible sin, but for Katerina it is an act of despair. It is better to be in hell, than to live in the "Dark Kingdom". The heroine cannot harm anyone, so it decides to leave the life itself. Rushing from the cliff to the Volga, Katerina in the last moment thinks not about his sin, but about love that illuminated her life with great happiness. The last words of Katerina are facing Boris: "My friend! My joy! Goodbye!" One can only hope that God will be merciful to Katerina than people.

After the release of the Pieces of Ostrovsky "Thunderstorm", the inhabitants of some cities of the Volga region argued about how the events depicted by the playwright were associated with. However, Ostrovsky portrayed the typical characters and paintings of Russian life without specifying the images of heroes under certain prototypes.

Here it is marching on the Kabaniha boulevard, accompanied by the daughter of Varvara, the son of Tikhon and his wife Katerina. Everyone suffers from the head of this family. Everything except Katerina, who courageously defends its right to respect. A young woman does not want to please anyone, but wants to love and be mutually beloved. This is different from other characters play.

Katerina in the play is compared with a populature - a bird that is a symbol of love for freedom. Here and Katerina, telling Varvar about his life from his parents, speaks with delight about free life when she was a girl:

"I lived, I didn't heal anything, exactly the bird in the wild. Mama in me the soul was not a chayale, dressed me like a doll, did not forced him; What I want, I happened, I do. "

The life of Katerina in the family of bounys is a crying for the deceased young life. But the heroine is a strong and volitional nature, who does not want to put up with Kabanovsky orders. She does not work on a haired, humiliated with her mother, who leaves for business. She jershits on real love and therefore without regard to His feeling for Boris, as it realizes that she will not be able to turn himself.

But Katerina Religical, Kara for a perfect sin scares the heroine. Thunderstorm comes not only to the city of Kalinov. The thunderstorm originates in the heart of the heroine.

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Boris in the last date behaved as a person dependent on the material circumstances, manifesting spiritual weakness and immaturity.

Therefore, being at the limit of the psychological state, Katerina is in publicly recognized by her husband in a perfect sin, and then rushes from a cliff to the river.

Suicide from the point of view of religion is a terrible sin! Apparently, the heroine of Ostrovsky thought at the last minute of life not about the salvation of his soul, but about the love of her. Therefore, the last of her words were:

"My friend! My joy! Goodbye!"

Thus, she could not, and did not want to put up with the life of the Kabanov family and her like ... And the Dobrolyubs in the critical article "Light of Light in the Dark Kingdom" writes about Katerina: "She ... does not want to use a miserable prenation that she is given in Exchange for her living soul ... "

Characteristic of Katerina (thunderstorm)

It was he who led to the death of the main character who could not cope with his emotional state. The image and characteristic of Katerina in the "Thunderstorm" play portrait of a strong, extraordinary person, forced to exist in the face of a small patriarchal city. The girl could not forgive her betray, giving himself to the human self-person, not even hoping to deserve forgiveness.

For what and paid life.

Katerina Kabanova is the wife of Tikhon Kabanova. Rigeon Kabanih.

Image and characteristics

After marriage, the World of Katerina collapsed. Parents pampered her, cherished, like a flower. The girl grew in love and with a sense of limitless freedom. "Mama in my soul did not have a chayale, dressed me like a doll, did not work forced; What I want, then I do. "It would be enough for her in the mother-in-law, everything changed.

Orders, laws, but now, from the beloved daughter, Katerina became a subordinate daughter-in-law, which mother-in-law hated all the fibers of the soul and did not even try to hide her attitude towards her.

Very young, she was given to someone else's family."The rags were married to you, we didn't have to walk in the girls; Here you have a heart something else. "

So it should be, for Katerina it was normal. For love in those days no one built a family. Cutter-winks. She is ready to obey, but with respect and love. In the house of the husband about such concepts did not know. "Whether I was! I lived, I didn't heal anything, exactly the bird on the will ... "
Katerina freedom-loving. Decisive.

"So I originated, hot! I was still six years old, no more, so I did! They offended me with something at home, and the case was in the evening, so dark; I ran out on the Volga, I got into the boat da snapped her from the shore. On the other morning they found, the vert for ten! ". She is not of those who obey self-director. Dirty intrigues from kabanova is not terrible. For her freedom of most important.

Do not fulfill idiotic orders, do not fade under someone else's influence, but to do what the soul wishes. Has the soul languished in anticipation of happiness and mutual love. Tikhon, Katerina's husband, loved her, in his own way, as he knew how, but too much was the influence of his mother on him, setting up against a young wife.

Problems he preferred to join alcohol, and from conflicts in the family ran into long-range business trips.

Katerina often remained alone. Children with the Tikhon did not come. "Eco Grief! I have no kids: I would be happy with them, I am amused them. I love to talk very happy with children - the angels are it. "

The girl was increasingly sad about her worthless life, praying in front of the altar.

Katerina Religino. Hiking to church as if holiday. There she rested the soul. The child was heard by the singing of angels. She believed that God would hear everywhere. When there was no opportunity to go to the temple, the girl prayed in the garden.

A new round of life is associated with the arrival of Boris. She understands that the passion for someone else's a terrible sin, but can not cope with it. "After all, it is not good, because it is a terrible sin, Varnka, that I love another?". She tried to resist, but she did not have enough strength and support: "I'm sure I'm standing on the precipice, but I don't have to keep me." It was too much feeling.

Siny love raised the wave of inner fear for his act. The stronger the love of Boris grew, the more she felt sinfulness. As for the last straw, it was enough to pick it up with her husband, but Tikhon had a near-minded man and could not understand the spiritual suffering of his wife. Floor dreams, irreversible premonition of the imperious misfortune, drove Katerina.

She felt the approach of payback. With every rushing thunderstorm, it seemed to her that God throws the arrows in her.

Tired of the inner struggle, Katerina publicly recognizes her husband in treason. Even in this situation, the inacterny Tikhon was ready to forgive her. Boris, having learned about her repentance, under pressure, uncle leaves the city, throwing her beloved on the mercy of fate. Katerina did not receive support from him.

Without withstanding spiritual flour, the girl rushes into the Volga.

The image of Katerina in the drama "Thunderstorm" A.N. Ostrovsky

Katerina Kabanova - one of the main characters of the Piese A.N. Ostrovsky "Thunderstorm". This is a young woman who does not have children and living in the house of mother-in-law, where, besides them with her husband Tikhon, there is also an unmarried sister of Tikhon, Varvara. Katerina has been in love with Boris for some time in Boris, who lives in the wilderness of his nephew.

While the husband is nearby, she dreams of Boris Thai, but after his departure, Katerina begins to meet with a young man and comes with him in a love relationship, with a bunch of daughter-in-law, which Katerina's connection is even beneficial.

The main conflict in the novel is the confrontation of Katerina and her mother-in-law, mother of Tikhon, Kabanihi. Life in the city of Kalinov is a deep swamp, which is deeper and deeper sucking. "The old concepts" do it all. Whatever the "elders", everything should be done from the hands, will not be injured here, "Bald Wild" here feels like a fish in water.

The mother-in-law is experiencing jealousy to a young attractive daughter-in-law, feeling that with the marriage of his son, her power is held over him only on constant reproaches and moral pressure. In the daughter-in-law, despite its dependent position, Kabaniha feels a strong opponent, a whole and unusable to her samborous oppression of nature.

Katerina does not have proper respect for her, does not tremble and does not look like Kabanchi in his mouth, catching her every word. She does not play sorrow, when the husband leaves, she does not try to be useful mother-in-law, to earn a favorite nod - she is different, her nature resists pressure.

Katerina is a believer woman, and for her sin is a crime that she cannot hide.

In the house of his parents, she lived as she wanted, and did what she liked: Flowers sazed, Istivo prayed in the church, experiencing a feeling of enlightenment, the strangers strangers listened to curiosity.

She was always loved, and her character had a strong, timely, she did not tolerate any injustice and could not lie and lavish.

The mother-in-law, however, is expected permanent unjust trains. It is guilty of the fact that Tikhon does not show, as before, due respect to the mother, and it does not require it from his wife. Kabaniha stops his son by the fact that he does not appreciate the suffering of the mother in the name of him. The power of Samodurst eludes hands right in front of her eyes.

Treason of daughter-in-law, in which the impressionable Katerina admitted publicly - this is the cause of the kabani to join and repeat:

"And I spoke! And no one listened to me! "

All sins and forelegations are because perceiving new trends, do not listen to the elders. The world, in which the eldest Kabanova lives, it is quite suitable: power over home and city, wealth, hard moral pressure over homemade. This is the life of the Kabani, so lived her parents, and their parents - and it did not change.

While the girl is young, she does what he wants, but having married, it is dying for the world, appearing with homemade only in the bazaar and in the church, and occasionally in crowded places. Here and Katerina, having come to her husband's house after free and happy youth, should also die to die, but could not.

The same feeling of the miracle, that is about to get it, waiting for an unknown, the desire to fly and seal what was with her with her free adolescence, did not lose anywhere, and the explosion would still have happened. Let not communicate with Boris, but Katerina would still challenge the world that came after marriage.

Katerina would be easier, she love her husband. But every day I watch how Tikhon is mercilessly suppressed by mother-in-law, she confused and feelings, and even the remnants of respect for him. She regret it, from time to time, at time, and not even much offended when Tikhon humiliated by his mother would take off his insult on her.

Boris seems to her to her, although he is because of his sister in the same humiliated position, like Tikhon. Since Katerina sees it a glimpse, she cannot appreciate his mental qualities.

And when two weeks of the love dope are dispelled with the arrival of her husband, she is too busy with spiritual torments and its fault to understand that his position is no better than the position of Tikhon.

Boris, still clinging to the weak hope that something will come to him from the state of the grandmother, forced to leave. He does not call the Katerina with him, it is not enough for this sincere force, and he leaves with tears:

"Eh, kaba strength!"

There is no exit in Katerina. The daughter-in-law fled, the husband is broken, the lover is leaving. She remains in power of the Kabani, and understands that she now does not lower the sheltered daughter-in-law anything ... If he also scored her for anything.

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And the believer Katerina prefers all this terrible mortal sin - suicide - as liberation from terrestrial flour.

She realizes that her rush is terrible, but for her even preferably Kara for sin than life in the same house with the boa to his physical death - the spiritual has already happened.

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Whole and winsted nature will never be able to withstand pressure and mockery.

Katerina could run, but not with anyone. Because - suicide, fast death instead of slow. She did his escape from the kingdom of "self-russian life".

The image of Katerina Kabanova in the play of Ostrovsky "Thunderstorm" | Free School Essays 5-11 Class

Ostrovsky managed to create a bright and poetic image of a Russian woman from the people. The main storyline of the play is the tragic conflict of a lively, feeling of the soul of Katerina and the dead lifestyle of the "Dark Kingdom" life. Honest and touching Katerina turned out to be a powerful victim of cruel orders of merchant medium.

No wonder Dobrolyubov called Katerina "Light Light in the Dark Kingdom." Katerina did not accept despotism and self-immigration; Brought to despair, she challenges the "dark kingdom" and dies. Only so it can save its inner world from a rough pressure. According to critics, for Katerina "Not death of desired, and the life is unbearable.

Live for her - it means being yourself. Not to be yourself - it means not to live for her. "

The image of Katerina is built on a populatory basis. Her pure soul is merged with nature. She is like a bird, the image of which in folklore is closely related to the concept of will. "I lived, I didn't heal anything, exactly the bird on the will."

Katerina, who fell into the house of Kabanova, as a terrible prison, is often remembered by the parent house, where they were related to her love and understanding. Talking with Barbara, the heroine asks: "... why people do not fly like birds? You know, it sometimes seems to me that I am a bird. "

Katerina rifles on the will of the cell, where it is forced to stay until the end of days.

High feelings, the tide of joy and reverence caused religion in it. Beauty and fullness of the soul of the heroine were expressed in prayers to God.

"On a sunny day, such a bright post is down from the dome, and smoke goes in this post, exactly the clouds, and I see, it happened that the angels in this post fly and sing. And then it happened ... At night I will stand ... Yes, somewhere in the corner and I pray until the morning.

Or early in the morning in the garden I will leave, just only the sun rises, fall on your knees, pray and crying. "

His thoughts and feelings of Katerina expresses poetic folk language. The singular speech of the heroine is painted with love for the world, the use of many diminity-lascal forms characterizes her soul.

She says "Sunny", "Voditsa", "Moglushka", often resorts to repeats, as in songs: "On the top three", "and people are disgusting to me, and the house I am fighting, and the walls are disgusting."

Trying to throw out feelings boiling in it, Katerina exclaims: "The winds of the violent, bring him to him my sadness!"

The tragedy of Katerina is that she does not know how and does not want to lie. And in the "Dark Kingdom" lies - the basis of life and relationships.

Boris tells her: "No one knows about our love ...", for which Katerina answers: "Let everyone know, let everyone see what I do!" In these words, the courageous, one-piece nature of this woman is manifested, risking challenge the philistine morality, to confront society alone.

But, having loved Boris, Katerina joins the fight with his beliefs. She, married woman, feels great sinner. Her faith in God is not a kabani's hypocreter who covers her angrily and mansioniths.

The awareness of their own sinfulness, the flour of conscience is pursued by Katerina. She complains of Vare: "Ah, cooking, I have a sin on my mind! How much I, poor, cried, I didn't do on myself! Do not leave me from this sin. Not anywhere.

After all, it is not good, because it is a terrible sin, Varnka, what do I like another? " Katerina does not think about the fact that it was above the violence, giving married for the unloved. Her husband, Tikhon, glad to leave home and does not want to protect his wife from the mother-in-law.

The heart tells her that her love is the greatest happiness in which there is nothing wrong, but the moral of society and the church does not forgive free manifestation of feelings. Katerina beats among unsolvable questions.

The stress in the play increases, Katerina is afraid of thunderstorms, hears the terrible prophecies of the crazy lady, sees a picture on the wall, depicting a terrible court. In the permanent reason, it rises in his sin. Repentance from the pure heart according to religious laws necessarily requires forgiveness.

But people forgot the good, goodbye and loving God, they had a punishing and punishing God. Katerina does not receive forgiveness. It does not want to live and suffer, she has nowhere to go, a loved one turned out to be the same weak and dependent as her husband. All betrayed it. Suicide Church considers a terrible sin, but for Katerina it is an act of despair.

It is better to be in hell, than to live in the "Dark Kingdom". The heroine cannot harm anyone, so it decides to leave the life itself. Rushing from the cliff to the Volga, Katerina in the last moment thinks not about his sin, but about love that illuminated her life with great happiness.

The last words of Katerina are facing Boris: "My friend! My joy! Goodbye!" One can only hope that God will be merciful to Katerina than people.

Characteristics of heroes in the play "Thunderstorm"

Catherine's image in the play thunderstorm

2. The image of Katerina in the Pieza "Thunderstorm"

Katerina is a lonely young woman who lacks human participation, sympathy, love. The need for this and entails it to Boris.

She sees that it does not look like other residents of Kalinov, and, without having to recognize his inner essence, considers it a person of another world.

In her imagination, Boris appears to be an excellent prince who will take it from the "Dark Kingdom" in the fabulous world existing in her dreams.

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By the warehouse of the character and interests, Katerina is dramatically distinguished from its surrounding medium. The fate of Katerina, unfortunately, is a bright and typical example of fate of Russian women of the pore. Katerina - a young woman, wife of a merchant son of Tikhon Kabanov.

She recently left her native home and moved to her house to her husband, where she lives with her mother-in-law Kabanova, which is a full-awake mistress. In the family, Katerina has no right, she is not even able to dispose of themselves. With warmth and love, she recalls the parent home, his maiden life. There she lived freely, surrounded by caress and mother's care ..

The religious upbringing she received in the family developed in it impressionability, dreaminess, faith in the afterlife and retribution of a person for sins.

Katerina got into completely different conditions in the house of her husband .. At every step, she felt dependence on the mother-in-law, suffered humiliation and insult.

From the side of Tikhon, she does not meet any support, and even more so understanding, since he himself is under the rule of Kabani. According to her kindness, Katerina is ready to treat the boa, like a mother. ".

But the sincere feelings of Katerina do not meet support for any kabani, nor Tikhon.

Life in such an atmosphere has changed the character of Katerina. The sincerity and truthfulness of Katerina face the house of Kabani with a lie, hypocrisy, asian, rudeness.

When the love of Boris is born in Katerina, it seems to her a crime, and she struggles with her feeling breathing. The truthfulness and sincerity of Katerina make her suffer so that she finally had to repent in front of her husband.

The sincerity of Katerina, its truthfulness is incompatible with the life of the "Dark Kingdom". All this was the cause of the tragedy of Katerina.

". A buckle repentance of Katerina shows the depth of her suffering, moral majesty, determination. But after repentance, her position was unbearable. Husband does not understand her, Boris is lost and does not go to her aid. The position became hopeless - Katerina dies. In the death of Katerina, not one particular person is to blame.

Her death is the result of the incompatibility of the morality and the defendant of the life in which it was forced to exist. The image of Katerina had for contemporaries of Ostrovsky and for subsequent generations a huge educational value. He called on the struggle with all the forms of despotism and oppression of the human person.

This is an expression of a growing protest of the masses against all types of slavery.

Katerina, sad and cheerful, compliant and raging, dreamy, depressed and proud. Such various mental states are explained by the naturalness of each mental movement of this simultaneously discreet and impetuous nature, the strength of which consists in the ability to always be one way. Katerina and remained faithful to himself, that is, to change the essence of his character itself and could not.

I think that the most important feature of the character of Katerina is honesty in front of him, her husband surrounding it; This is her reluctance to live in lies. She does not want and can not be sick, pretend, lie, buried. This confirms the scene of the recognition of Katerina in treason.

Not a thunderstorm, not frightening the prophecy of the crazy old women, not the fear of the guy fiery prompted the heroine to say the truth. "All hearts broke out! I can not tolerate more! " - So began her recognition. For her honest and solid nature, the false position in which it turned out to be unbearable. Live just to live - not for her.

Moral Basni "Eagle and Bee" Krylov (analysis, essence, meaning)

Live - it means being yourself. Her most expensive value is a personal freedom, freedom of soul.

With such a character, Katerina could not stay in his house after betrayal to her husband, return to the monotonous-temporary life, to endure the constant reproaches and "morals" of Kabani, lose freedom. But any patience comes an end.

Katerina is difficult to be where it does not understand, humiliate and insult her human dignity, ignore her feelings and desires. Before his death, she says: "What is home, that in the grave is still ... in the grave is better ...

"She is not the death of welcome, but the life is unbearable.

Katerina - a man deeply religious and God-fearing. Since according to the Christian religion, suicide is a great sin, it consciously making it, she showed not weakness, but the force of character. Her death is a challenge "dark strength", the desire to live in the Light Kingdom of Love, joy and happiness.

Katerina's death is the result of a collision of two historical epochs. The death of Katerina protests against despotism and self-use, her death testifies to the approach of the end of the "Dark Kingdom".. Katerina belongs to the best images of Russian fiction. Katerina is a new type of people of the Russian reality of the 60s of the XIX century.

The image of Katerina in the drama "Thunderstorm"

According to one version of the drama "Thunderstorm" was written by Ostrovsky, when he was impressed by one married actress - Luba Kositskaya. The image of Katerina in the "Thunderstorm" appeared precisely thanks to Kositsky, and it is interesting that then this role she got on stage.

Katerina was born in a merchant family, their house was wealthy, and Katerina's childhood careless and joyful.

The heroine herself compared himself with a free bird, and admitted to Varvar, that he did not get married than he wanted. Yes, the Katerina family was good, the upbringing is rooted, so the girl grew clean and open.

In the image of Katerina, a kind, sincere, Russian soul, who does not know how to deceive is clearly traced.

We will continue to consider the image of Katerina in the drama "Thunderstorm" Ostrovsky, and we note that it was very difficult for a girl to live with her husband without pretending, taking into account his family.

If you remember the boa, the mother-in-law of Katerina, holding under the fear of all home, it becomes clear why these characters have a conflict of drama. Of course, Kabaniha acted in the methods of humiliation and intimidation, and some were able to adapt to it and torture.

For example, Varvar and Tikhona was easier to create the impression that they are completely submissive mothers, although outside the house and daughter and the son were laughed in rampant.

Features in the image of Katerina in the drama "Thunderstorm"

What are the characteristics of Katerina literally scared the boa? She was clean soul, sincere and hot, did not tolerate hypocrisy and deception. For example, when a husband departed, the mother-in-law wanted to see the daughter-in-law, but not in the rules of Katerina pretend. If the custom does not take the soul, it means it should not follow him, the girl says.

When Katerina realized that she loves Boris, she did not hide her feelings, told about them. The love of Katerina recognized both Varvara and mother-in-law, and the husband of the main heroine himself. In nature, we see the depth, strength and passion, and her words well express these features of the person.

Does she argue about people and birds why people can not fly the same way? As a result, Katerina says that she will not endure a faint and imperishable life, and in extreme cases will decide on the fatal step - to rush out the window or drowned in the river.

Reflecting on these words, you can better understand the image of Katerina in the island storm drama.

Finally, what efforts it was worth the girl to tell about his feelings Boris! After all, Katerina was a married woman, but the passion for freedom and the desire to be happy, as well as the power of the will, manifested themselves in this bold act. Ostrovsky opposes these traits of Katerina to the world of Kabani (Marfa Kabanova).

How is it shown? For example, Kabaniha blindly bowes in front of the traditions of old times, and this is not a gusting of the soul, but the ability to not lose power over others.

The same can be said about religious terms, because for Katerina to go to the church - it is natural and pleasant, the formality is performed in Kabaniha, and everyday questions are worried more than the thoughts about the spiritual.

What Katerina seeks

An important moment to take into account, speaking about the image of Katerina in the drama "Thunderstorm", is that it is full of religious fear.

The girl thinks that Kara is behind sin from the Lord and Thunderstorm, which she identifies with these concepts, terrible and harsh. All this, together with the feeling of guilt, encourages her at all to tell about perfect sin.

Katerina makes the decision to escape from the family, which she does not take soul and heart. The husband is experiencing pity for it, but beats, because it is necessary to do so.

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Boris, Beloved Katerina, can not help her. And although he sympathizes her, it can be seen as he is powerless and shows weakness, braveless. Left alone, Katerina decides to rush from the cliff. Some attribute such an action to the girlfriend, but Ostrovsky wanted to show the strength of her personality, which again complements the image of Katerina.

In conclusion, we can say that the beautiful Russian soul is embodied in Katerina - clean and bright. Her soul is opposed to sammon, rudeness, cruelty and ignorance - qualities that are inherent in many people not only in the time of writing drama, but today.

We hope that the consideration of the image of Katerina in the drama "Thunderstorm" is useful for you. Other articles on the topic:

Character of Katerina in the Piez "Thunderstorm"

So, Katerina is in love with Boris. One day, Katerina falls in love with Boris, the niece of the Vice merchant. They offended me with something at home, and it was in the evening, it was dark, I ran out on the Volga, got into the boat, and I packed her from the shore. Katerina - the wife of Tikhon and the daughter-in-law of Kabanih.

Katerina rose in the atmosphere of love and freedom. Without sustaining suffering, Katerina rushes into the Volga and dies.

The image K. is the most important discovery of Ostrovsky - the discovery of a strong folk patriarchal peace with a waking personality. In the plot of plays K.

Protagonist, Kabaniha - Antagonist in the tragic conflict. Their relationship in the play is not a household feud in the mother-in-law and daughter-in-law, their fates expressed a clash of two historical eras, which determines the tragedy nature of the conflict. K.

she catches it in his family life in the house of Kabanov.

She wants to be clean and impeccable with all the soul, her moral demandingness does not allow a compromise.

That is why it is unpleasant to bow to the legs to leaving Tikhon and it refuses to pour on the porch, as customers of customs await it.

She feels the fear of themselves, before the desire to the will, inseparable in her mind, inseparable in her mind with love: "Of course, do not let God happen to this!

K. K. It is always no hope for forgiveness, and it is the complete lack of hope pushing her for suicide, sin is even more serious: "I still ruin my soul." And the inexplicit of her attraction to Boris, the clearer, that the case is just in this free, unpredictable peculiarity of individual feelings.

And it is a sign of the awakening of the personal beginning in this soul, the entire moral foundations of which are defined by patriarchal morality.

In the final, the motive of the flight is tragically transformed into a fall from the Volga Cruff, from the very mountain that manila flew. Image K.

expresses a strong character, waking up personality in patriarchal conditions.

The ideal patriarchal world is drawn in this story. The main thing in it is a huge sense of mutual love. In the virological world, K. were the same orders that in the world of Kabani. Just in the parent house K. occupied the position of his beloved daughter, and in the house of Kabani - subordinate daughter-in-law.

Relationship with Boris

The harmony of patriarchal family life is the moral ideal of K. This harmony she does not find in the house of her husband: "Yes, everything is as if from under the capture." K. is ready to obey, but to obey with respect and love. Getting to Kabanov, she sees that it is no one to respect and love her here. Over time in the soul, K. is born a new attitude to the world and to himself: "Something in me is such an extraordinary.

After his betrayal to her husband, K. K.Osnoodally in his sin without hope for understanding and forgiveness. Katerina Kabanova is the main character of the drama "Thunderstorm" A. N. Ostrovsky.

Katerina Kabanova - young woman, smart, kind and open nature. Parents raised her in love and freedom. In the native family she did not know the sadness.

Coming out married Tikhon Kabanova not for love, Katerina became very unhappy.

She secretly meets with him, while her husband is in another city. Unable to lie to her husband, Katerina tells him the truth about his treason. Meanwhile, Beloved Katerina, Boris, leaves from the city.

Katerina's husband in "Thunderstorm" seems to be a gray man

And if I very much will be happy here, it will not keep me any force. I'll finish the window, throwing into the Volga. Catherine has no children, although she would really like. Katerina - patient, peaceful woman. On dates, the "hot" Katerina is recognized by Boris that he loves him with all his heart.

It is impossible to condemn the heroine, talking about the weakness of the character of Katerina in the "thunderstorm"

The main acting person of the drama is the young woman of Katerina, the image of which belongs to the best creativity of your playwright. Katerina, as a natural truthful nature, is unable to resort to deception ... Katerina to Tikhon. From the text of the play it is clear that Katerina does not like Tikhon. She regrets him, but does not love.

There is a quote about it in the text: "... And you, Katya, Tikhon do not like No, do not love. Probably, Katerina was married not by love, but because there was no other way out.

The Piece of Ostrovsky "Thunderstorm" was written a year before the abolition of serfdom, in 1859. This work is allocated among the other play of the playwright due to the nature of the main character.

The image of Katerina from the play "Thunderstorm" folds due to the totality of many factors.

Cate for about 19 years, she was married early. From the monologue of Katerina in the first action, we learn about the childhood of Kati. Mama in her "Soul is not a chayale." Together with the parents, the girl went to church, walked, and after he was engaged in any job. All of this, Katerina Kabanova recalls light sadness.

This circumstance no longer contributes to a happy family life. However, the situation worsens the fact that Kabaniha, mother-in-law Kati, a cruel and greedy person. Kabaniha wishes to submit to all and all his will. One experience with Tikhon has successfully, the next victim is Katerina.

Neither recognition in treason nor the conversation with Boris justified the hopes of Katerina

Kabaniha did not expect Katerina as much as the character that he could silently resist its influence. Katerina: For me, Mama, all one thing that my mother is that you, and Tikhon loves you too. Kabanova: You would seem to have to get silent, if you do not ask you.

A brief retelling of the novel "War and World" of Tolstoy according to Tomam: compressed content 1, 2, 3 and 4 volumes with an epilogue

So we know, we know, in the eyes you all prove it. Katerina: You're talking about me, Mama, you say it in vain. The answer of Katerina is quite interesting for several reasons.

Katerina insult false words: "To tolerate, who is pleasant to tolerate?" "Such a response, Katya not only protects himself, but also reproaches the boa in lies and the crust. In the "thunderstorm", the image of Katerina is revealed through a love line.

Boris came from Moscow on business concerning the receipt of inheritance.

Without deceiving, Katerina will soon admit to her husband Tikhon in his sin. Boris does not support her and cowardly leaving the city. But soon the topic of the conversation changes - and now Kabanch, as if between the case accuses Katerina in the fact that Tikhon loves her more.

Characteristics of Katerina in the play "Thunderstorm" A. N. Ostrovsky

Katerina's features in the "Thunderstorm" play so Dzeplinov, that until now causes conflicting ideas and disputes of critics. Some referred to her "light ray in the Black Kingdom", "decisive nature".

Others, on the contrary, reproach the heroine for manifested weakness, inability to stand up for their own happiness. By whom Katerina is essentially, it is difficult to answer quite accurately, and it is unrealistic.

Everyone has their own advantages and shortcomings, they were also from the main heroine.

Zeal make a happy family

On the confrontation of light and darkness, good and evil, new and old is the play of the island "thunderstorm."

Katerina's damn allows the reader to realize how the girl brought up in a loving family, where the rule is always warm and mutual understanding, it is hard to stay in the house where everyone lives in horror.

The main heroine of the whole soul was lined up to love his own spouse, make a happy family, give birth to children and live a long life, but, to chagrin, all of her hopes went as shock.

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Katerina's mother-in-law kept the whole city in horror, which is there to heal about relatives, who feared a step to step without her knowledge. Kabaniha could have urged and insulted the daughter-in-law, tuned against her own siblos.

Tikhon treated his wife perfectly, but could not protect her from the arbitrariness of his mother, whom he was indisputable.

The trait of Katerina in the play "Thunderstorm" indicates how she eats certain "rituals", stupid and no longer burning.

Search for happiness

It is quite clear that to live in such a situation that Kabani did, the main character could not, because the catastrophic end was obvious at the beginning.

The description of Katerina in the play "Thunderstorm" makes an image of an unworn and bright maiden, very good and tremendous religion. She cannot bear the oppression, and when her spouse leaves on the trip, it is decided to find happiness on the side.

Katerina turns an affair with Boris Grigorievich, but going to him on a date is aware that it is not long to live.

The time spent with Khahalya is the best in the life of the heroine, it seems to fall on holidays. The feature of Katerina in the play "Thunderstorm" indicates that Boris Grigorievich is becoming a dream for the ladies and invented, which she always dreams about. The heroine understood that she would never forgive her, and her mother-in-law would be liquefy, well, she herself could not live with such a serious sin.

Confession

The trait of Katerina in the play "Thunderstorm" allows you to realize that the heroine can not live in the heresy, to danguate others. The lady admits to betray the spouse and the mother-in-law "in front of all the conscientious people." That shadow Kabanih could not serpent.

If Katerina did not die, she would have to live under endless arrest, her mother-in-law would not give her freely. To impose that Boris will help his beloved and take away from the town, it was not worth it. This man chose funds, thus throwing Katerina to death.

Suicide does not justify the lady, but this step was made from despair. The heroine is a bright nature, she could not take care of the Kingdom of Darkness.

Characteristics of Katerina from the Pieza "Thunderstorm" - writings for grade 10

On the example of the life of a separate family from the fictional city of Kalinov in the play "Thunderstorm" is the entire essence of the outdated patriarchal arrangement of Russia of the XIX century. Katerina - the main heroine of the work.

She is opposed to all other existing people of the tragedy, even from Kuligina, who also stands out among the residents of Kalinov, Katya features a protest power.

Description of Katerina from "Thunderstorms", the characteristics of other characters, the description of the life of the city - all this consists in the implanting tragic picture transmitted photographs for sure. The characteristic of Katerina from the play "Thunderstorm" is not limited to the author's comment in the list of actors.

The playwright does not give an estimate of the actions of the heroine, removing the duties of the all-knowing author. Thanks to such a position, each perceiving subject, whether it is a reader or a viewer, it can give an assessment of the heroine on the basis of his moral beliefs.

Katya was married to Tikhon Kabanova, the Son of the Kupchi. It was issued, because then, according to the housework, the marriage was rather the will of his parents than the solution of young people.
Kati's husband is a pathetic sight.

The irresponsibility and infantality of the child bordering the idiotium, led to the fact that Tikhon is not capable of anything other than drunkenness. In Marfe, Kabanova fully embodied the ideas of Samorams and a chandeliness inherent in the "dark kingdom". Katya is striving for freedom, comparing himself with a bird.

It is hard to survive in conditions of stagnation and slave worship of false idols. Katerina truly religious, every trip to the church seems to be a holiday for her, and being a child, Kat him mounted, as if she hears angelic singing.

It happened, Katya prayed in the garden, because she believed that her prayers of the Lord would hear anywhere, not only in the church. But in Kalinov, the Christian faith lost whatever internal filling.

Katerina's dreams allow her for a long time to escape from the real world. There it is free, like a bird, free to fly where he wants, without obeying any laws.

"And what dreams did I dream, Varenka," Katerina continues, "what dreams!" Or the temples are gold, or unusual gardens, and everyone sing invisible voices, and the cypress smells, and the mountains and trees are not as usual, but how they are written on the images. And that seems as if I fly, so fly through the air. "

However, in recent times, Katerina has become inherent in some kind of mysticism. Everywhere she begins to see the ambulance dying, and in dreams she sees a deer, who hugs her warmly, and after rubies. These dreams were prophetic.

Katya is dreaming and gentle, but together with her fragility in Katerina monologues from "Thunderstorm" is visible and power is visible. For example, a girl makes a decision to come to meet Boris.

She overwhelmed doubts, she wanted to throw the key from the wicket in the Volga, thought about the consequences, but still made an important step for himself: "Throw the key!
No, never in the world! He is mine now ... Be what happens, and I will see Boris! " The house of Kabani waspowd by Kate, Tikhona girl does not like.

She thought to get away from her husband and, having received a divorce, honestly live with Boris. But from the samotor of the mother-in-law was nowhere to hide. His hysteries Kabani turned the house to hell, preserving any opportunity for escape.

Katerina is surprisingly astonishing towards himself. The girl knows about his character traits, about decisive moral moral: "Such I originated, hot! I was still six years old, no more, so I did! They offended me with something at home, and the case was in the evening, so dark; I ran out on the Volga, got into the boat and pulled it from the shore.

To another morning, found, leaving for ten! " Such a person will not be obeyed by samotor, will not be subject to dirty manipulation by the Kabani. Katerina is not to blame for what was born during when the wife had to unintently obey her husband, was an almost accidental application, whose function was confused.

By the way, Katya herself says that the children could be her Otradai. That's just Kati has no children.

The motive of freedom is repeated in the work many times. Interesting, the parallel of Katerina - Barbara appears. Sister Tikhon also strives to be free, but this freedom must be physical, freedom from despotism and prohibitions of the mother.

In the final of the play, the girl runs away from the house, gaining what he dreamed of. Katerina also understands freedom otherwise. For her it is an opportunity to act as she wants, to take responsibility for his life, do not obey stupid orders. This is freedom of soul. Katerina, like Barbara, gains freedom.

But such freedom is achievable only by suicide.

In the work of the island "thunderstorm", Katerina and the characteristic of its image was perceived differently criticized. If Dobrolyubov saw in the girl the symbol of the Russian soul tormented by the patriarchal domain, then Pisarev saw a weak girl who herself drove himself in such a situation.

Characteristics of Katerina from the Piez "Thunderstorm" Ostrovsky - an essay on the topic | a source

Character of Katerina in "Ground"

The story, told by Ostrovsky, sad and tragic at the same time. The play shows the fictional town of Kalinov and its inhabitants.

The city of Kalinov, like his population, serves as a kind of symbol of typical provincial cities and villages of Russia of the 60s of the XIX century.

In the center of the play, the merchant family of Kabanihi and Wild. Wildly was the cruel and richest man in the city.

Ignorant Samodor, who and the day could not live without abuse, and believed that the money would give him full right to mock more weak and defenseless people.

Kabaniha, who established orders in the town, adhered to traditional patriarchal customs, in humans was benefactor, but extremely cruel with her family. Kabaniha fan of the house-building.

Her son Tikhon was calm and kind. The daughter of Varbara is a brisk girl who knows how to hide his feelings, her motto: "Do what you want, but so that Shito-indoor was." Feclusha in kabanyi service.

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Local self-tailed mechanic Kulibin, who exactly and brightly characterizes the locals and mercilessly criticizes the cruel morals of the townships. Following the nephew of Wild Boris, who arrived at Uncle from Moscow, because he promised him a part of the inheritance, if he would be honored with him.

But the main place in the play is Tikhon's wife - Katerina. It is its image that attracts attention from the moment of creating a play. Katerina was completely from the other world. Her family was the exact opposite of her husband's family.

She loved to dream, loved freedom, justice and, hitting the family of Kabani, as if found himself in the dungeon, where she had all the time to be silent to obey the orders of the mother-in-law and indulge to all her whims.

Externally, Katerina is calm, balanced, performs almost all the instructions of the Kabani, but in her ripen and increases the protest against cruelty, self-smuggling and injustice.

His final protest Katerina reached when Tikhon went on business, and she agreed to a date with Boris, who she liked and was not like the rest of the inhabitants of Kalinov. Something he was akin to her.

Barbara, Kabani daughter, suits the date of Katerina and Boris. Katerina agrees, but then, tormented by remorse, it falls on his knees before his puzzled husband and it is recognized in everything. It is possible to describe the contempt and indignation, which collapsed after her recognition on Katerina's head. Unable to resist him, Katerina rushed to the Volga. Sad, tragic final.

It would seem that Katerina prevented a calm carefree life in a secured merchant family. Prevented her character. Externally, Katerina seemed a soft and benevolent girl.

Test on the Potsry Poem Lermontova: Questions and Answers to Text Knowledge (Quiz)

But in fact, it is a strong and decisive nature: being a good girl, she, crumbling with her parents, sat down into the boat and pushed out of the coast, found it only the next day for ten miles away.

The nature of Katerina is characteristic of the sincerity and the power of feelings. "Why do people do not fly like birds!" She desperately exclaimed.

The heroine lived at all in the other invented by her world, and did not want to live in the world in which Kabaniha dwells with his households. "I do not want to live like this and not! In the Volga will quit! " - she often said.

Katerina was for everyone someone else, and nothing but oppressed and disadvantaged did not prepare her fate in the world of wild and bubbies. The great Russian critic Belinsky called it the "ray of light in the dark kingdom." Katerina striketer also affects its contradiability, force, energetic and diversity.

Rush in the Volga was the only one, in her opinion, the salvation from the suffocating, unbearable, unbearable, the atmosphere, in which she had to live.

This, no doubt, the brave act was its highest protest against cruelty, chandeliness and injustice.

Katerina sacrificed in the name of his ideal the most expensive that she had his own life.

Video on the topic

Character of Katerina, as it is filled in "Thunderstorm"

The image of Katerina in Drama A.N.ostrovsky

The image of Katerina is the second (after Tatiana) in Russian literature Truly Russian image of a woman (Apollo Grigoriev).

The image of Katerina Kabanova in the drama "Thunderstorm"

The childhood of the heroine determines its character:

"I lived .., exactly the bird on the will", "did not forced the work," "We had a wanderers and mantist house full of the house," "And I loved to go to the church to the church!", "... at night I will stand ... and I pray until the morning" .

It is fundamentally that Ostrovsky chooses a character in a merchant environment, as more patriarchal, alien to new trends, this causes the power of protest the heroine and the drama of the conflict.

Character of Katerina

The playwright emphasizes the following features in the image of this heroine:

"Such I originated, hot!", "And if if I am very happy for a very me, so not to keep me any force. I'll finish the window, throwing into the Volga. I do not want to live here, and I will not become, even though you cut me ";

"I don't know how to deceive something; I can not hide anything ";

"I will be better to endure while waiting.";

"Why do people do not fly?";

"Exactly, I happened, I'm in a paradise enter, and I do not see anyone, and I don't remember time, and I do not hear when the service will end,"

attitude to treason as sin, to suicide as sin

superstition (fear of thunderstorms like God's kara).

Katerina in the shaped plays system

The heroine is opposed to other images in the play and at the same time comparable to them:

the confrontation of Katerina and Kabani is determined by the main external conflict of the play (the confrontation between the trends of the new and patriarchal obstacles - house-building);

the power of the character of the heroine opposes the character of heroes, Tikhon and Boris, as people who humbled with the authorities of self-masses

"It is not one thing that he likes that he likes, and he doesn't look like, and do not look like the rest surrounding it on the speeches; It entails her and the need of love, who did not find a review in the husband, and an offended feeling of his wife and women, and the deadly longing of her monotonous life, and the desire of will, expanses, hot, loan freedom "- Dobrolyubs.

Boris and Tikhon - Double Images;

Katerina is opposed to those who expresses the protest of the "Dark Kingdom" - Varvar and Kudryash. However, they adapt to life

(Barbara deceives, because without deception it is impossible, Kudryash behaves just like wild) to the time being, and then run. Comparison: Katerina - Varbara-Kudryash - the younger generation, oppose the "dark kingdom". Contrasting: Varvara and Kudryash more free, Barbara is not married, Katerina is a married woman.

the image of Kuligin is comparable to the way Katerina, as it also protests against the morals Kalinova

("Brutal Morals, Sir, in our city"),

but his protest is expressed exclusively verbally.

desire to love her husband
refuse to meet with Boris
feeling breaks out, meets Boris,
rug sin, thunderstorm, recognition,
the inability to live in the house of Kabanov after recognition,
struggle between the concept of suicide sin and lack of exit,
death.

Katerina image creation

They emphasize its exclusivity, for example, in the speech of a character, where many poetic words are especially strongly manifested in the monologues of the heroine.

The historical significance of the emergence of a Russian female in the image of Katerina in the literature of the second half of the nineteenth century is the foresight of the need for change in the social life of Russia.

Materials are published with the author's personal permission - Ph.D. O.A. Mazneva (see "Our Library")

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The features of the character of Katerina in the play A. N. Island "Thunderstorm"

Works\u003e Ostrovsky A.N. \u003e Thunderstorm

Ready homework

Katerina is a Russian strong character for which the truth and a deep sense of duty exceeded. It has an extremely developed desire for harmony with peace and freedom. The origins of this - in childhood.

As we see, in this careless time, Katerina was primarily surrounded by beauty and harmony, she "lived, exactly the bird on the will", among maternal love and fragrant nature. Mother in her soul did not chase, did not force to work on the housework.

Katya lived freely: I got up early, washed off by the spring water, watering flowers, went with the mother to church, then sat down for some kind of work and listened to the strangers and mantis, who was a lot in their house. Katerina dreamed of magical dreams, where she flew under the clouds.

And how much contrasts with such a quiet, happy life of a six-year-old girl, when Katya, offended by something, ran away from the house on the Volga in the evening, sat down into the boat and pushed out of the coast. This is a person's act with the character of strong, not tolerant restrictions.

We see that Katerina grew up a happy and romantic girl. She was very devout and passionately loving. She loved everyone and everyone around himself: nature, the sun, the church, their home with the wanders, the poor, which ^ she helped.

But the most important thing in Kate is that she lived in his dreams, apart from the rest of the world. Of all the existing, she chose only what did not contradict her nature, the rest she did not want to notice and did not notice.

Therefore, I saw the girl of the angels in the sky, and there was a church for her not oppressive and gone by force, but the place where everything is light, where you can dream. Katerina was naive and good, brought up in full of religious spirit.

But if she met on its path what contradicted her ideals, he turned into a recalcitrant and stubborn nature and defended himself from that outsiders, someone else's, which boldly disturb her soul. So it was in the case of a boat.

After marriage, Katerina has changed much. Of the free, joyful, sublime world, in which she felt his merger with nature, the girl fell into life, complete deception and violence. The point is not even that Katerina, he came out for the Tikhon not in his will: she did not love anyone at all and she was still for whom to leave.

The fact is that the girl took her former life she created for himself. Katerina no longer feels such a delight from the visit of the Church, can not be engaged in habitual things. Sad, disturbing thoughts do not give her calmly admire nature.

Kate stays tolerate, while waiting, and dream, but she can no longer live with their thoughts, because the cruel reality returns it to the ground, where the humiliation and suffering. Katerina is trying to find his happiness in love for Tikhon: "I will love my husband. Tisch, my darling, I will not exchange you anyone. "

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But sincere manifestations of this love are hampered by Kabanchi: "What is hanging on the neck, shamelessness? Not with the lover you are forgiven. " In Katerina, a very feeling of external humility and debt, so she makes himself love to love the unloved her husband. Tikhon and himself because of his mother's self-smuggling can not love his wife truly, although, probably wants.

And when he, leaving for a while, leaves Katya to ride intograded, the woman becomes very lonely.

Love for Boris is a feeling that arose, in my opinion, because of deep human dissatisfaction. Katerina lacked something clean in a stuffy atmosphere of the Kabani House atmosphere. And the love of Boris was this clean, did not give Katerina to finally burn, somehow supported her.

She went on a date with Boris because he felt like a person who had pride, elementary rights. It was a riot against submission to fate, against the cure. Katerina knew that she had a sin, but she knew that it was still impossible to live. She brought the cleanliness of his sacrifice free and Boris.

In my opinion, going to this step, Katya already felt the approaching end and, probably, thought: "Now or never". She wanted to make love, knowing that there would be no other case. On the first date, Katerina told Boris: "You ruined me." Sin lies on her heart with a grave stone.

A thunderstorm becomes the symbol of an inevitable heaven. Katerina cannot live on with his sin, and the exit is quite natural to her religious consciousness - repentance. She confesses to her husband and mother-in-law. But repentance should be accompanied by humility, and it is not in freedom-loving heroine.

Suicide is a terrible sin, but the Katerina is solved on him, being unable to exist in the world where people do not fly like birds.

The publication "Thunderstorms" fell 1860. Non-easy times. The country smelled about the revolution. Traveling along the Volga in 1856, the author did an outline of the future work, where he tried to portray the most accurate merchant world of the second half of 19V. In the play lies an unresolved conflict. It was he who led to the death of the main character who could not cope with his emotional state. The image and characteristic of Katerina in the "Thunderstorm" play portrait of a strong, extraordinary person, forced to exist in the face of a small patriarchal city. The girl could not forgive her betray, giving himself to the human self-person, not even hoping to deserve forgiveness. For what and paid life.

Katerina Kabanova is the wife of Tikhon Kabanova. Rigeon Kabanih.

Image and characteristics

After marriage, the World of Katerina collapsed. Parents pampered her, cherished, like a flower. The girl grew in love and with a sense of limitless freedom.

"Mama in my soul did not have a chayale, dressed me like a doll, did not work forced; I do what I want".

It was worth it to find himself in the mother-in-law, everything changed. Orders, laws, but now, from the beloved daughter, Katerina became a subordinate daughter-in-law, which mother-in-law hated all the fibers of the soul and did not even try to hide her attitude towards her.

Very young, she was given to someone else's family.

"The rags were married to you, we didn't have to walk in the girls; Here you have a heart something else. "

"Whether I was! I lived, I didn't heal anything, exactly the bird on the will ... "

Katerina freedom-loving. Decisive.

She is not of those who obey self-director. Dirty intrigues from kabanova is not terrible. For her freedom of most important. Do not fulfill idiotic orders, do not be fed under someone else's influence, but to do what the soul wishes.

Her soul was languishing waiting for happiness and mutual love. Tikhon, Katerina's husband, loved her, in his own way, as he knew how, but too much was the influence of his mother on him, setting up against a young wife. Problems he preferred to join alcohol, and from conflicts in the family ran into long-range business trips.

Katerina often remained alone. Children with a tyon did not come.

"Eco Grief! I have no kids: I would be happy with them, I am amused them. I love to talk very happy with children - the angels are it. "

The girl was increasingly sad about her worthless life, praying in front of the altar.

A new round of life is associated with the arrival of Boris. She understands that a passion for a terrible sin is a terrible sin, but can not cope with it.

"After all, it is not good, because it is a terrible sin, Vabnka, what do I love another?".

She tried to resist, but she did not have enough strength and support:

"I'm just standing on the precipice, and I do not care for me."

It was too much feeling.

Siny love raised the wave of inner fear for his act. The stronger the love of Boris grew, the more she felt sinfulness. As for the last straw grabbed, having risen to her husband with a request to pick it up with him, but Tikhon had a nearby man and could not understand the spiritual suffering of his wife.

Bad dreams, irreversible premonition of the impending misfortunes, drove Katerina crazy. She felt the approach of payback. With every rushing thunderstorm, it seemed to her that God throws the arrows in her.

Textbooks will definitely emphasize the religiosity of Katerina from the "Thunderstorm". But is it?

Our literature at a certain point I brought myself a spiritual teacher and began to talk about things, to her unfamiliar and non-influxed - about religious faith. Apotheosis became Roman M. Bulgakov "Master and Margarita". And still began with Ostrovsky.
Schoolchildren arises the question after reading the "thunderstorms": as such a believer, truthful (not any barbarian!) Woman to commit such a terrible sin (about which the same sinner of the barbarian could not even think)? How is the religiosity of the heroine, which textbooks followed by the author do not question, with Blud and suicide?
The fact is that there is not so much katerina, how much the author himself.
Let's see how religious heroine of the Piesen is A.N. Ostrovsky "Thunderstorm".
About the childhood, Katerina recalls how about the time when no one taught her to think about responsibility, about sin, fighting passions, repentance. He lived like a bird in the wild.
"So I originated, hot! - Katerina is recognized. - I was still six years old, no more, so I did! They offended me with something at home, and it was in the evening, already dark; I ran out on the Volga, got into the boat and packed her from the shore. On the other morning they already found, the vert is ten! " Pay attention: Neither the shadow of repentance! Under the larger of the rightness hides elemental egoism. The heroine tells it with pride, with his own independence, with self-examination. The fact that the poor mother experienced, as suffered, suffered, cried, - not a word. As, apparently, I spent the whole night on the banks of the Volga, crying and rejuvenating hands to the sky, "there is no hint about it. Summary in her consciousness above the sufferings of the mother. Suppose, in childhood she did not realize all this, but now they should regret it, terrible to his behavior. Alas.
Talking about your prayers, she complains: "What I prayed when I asked, I do not know; I'm not needed to me, I have enough of everything. " But are they praying for acquiring something? A strange idea of \u200b\u200bprayer is far from true. This could write a person who has no experience with warm and sincere prayer. The heroine does not even have a hint of the vision of their sins, regret them. It tells the sins of Varvar, and herself does not see their danger, looks at them not as a sin, but as a virtue, admires them. And repentance, as you know, is the beginning of faith.
In the seventh phenomenon for a story about childhood there is a very important monologue of Katerina about visiting the Church.
"I loved to go to death to the church! - Begins his story Katerina. "Exactly, I happened, I'm in a paradise enter and I do not see anyone, and I don't remember time, and I do not hear when the service is over." Here we see that the author himself completely distorted understands the church service, perceives it as a kind of aesthetic soul. But the monks say: God pray - shed blood. No harder work for a person how to pray to God. The church comes like in the hospital of the soul. Repentance is work, not a holiday.
Katerina talks about a completely prosperous life in the parent house, and she has nothing to pray. But isn't it necessary to pray for loved ones, parents, compatriots? Do people do not suffer nearby? Anyone, from adolescence, begins to realize the common human suffering and learns to perceive someone else's pain as its own, learn responsibility for their neighbors. Let us remember the Skolnikov, who does not give rest to the human mountain of others. Nothing this is our heroine wants to know. He remembers his audacious act with a flight in the boat, and the suffering and surrounding problems - no. Therefore, in the future narrative in the play there will be no word about her concern to drinking husband, hypocriticing mother-in-law, deception of barbarians. Someone else's problems do not touch it at all, she has become accustomed to egocentrism since childhood. Here her husband burns the desire to drink, how does the wife react to this? "You, quisch, come, come, and then Mama will scold again." Love for yourself is manifested here, but not care about the morality of her husband.
Even in the love of Katerina to Boris, we see primarily the egoistic love for their own passion. Love for near - without Christ - "Upon closer looks, it turns out a kind of love for yourself." Katerina loves himself very much ... Himself, his passion, his fantasy, his love. "You can't come, so I seem to have come to you!" - Very exactly noticed. The passion is looking for exit, and nothing is no hindrance. She is "looking for their own."
What is the difference between Katerina from Skolnikov? And he, and it is indignant by the existing position. Only Katerina - his own, and the splitters are a stranger. It is much more difficult for him than Katerina, but all his thoughts about others. This is a Christian approach. Katerina has nothing close to this, because It is not clear to the author himself, not close.
There is such a well-known warning among the actors: "It is not necessary to love yourself in the theater, and theater in yourself." So, Katerina loves not God and the Church in himself, but himself in the church. She is good in this beautiful, deceased, quiet place. It is good to dream of something (passionate, pleasant), enjoy the feeling of your beauty, youth, well-being, life ... Even Dobrolyubov is forced to admit: "Do not rituals occupy her in the church, she does not hear at all that they sing or read; She has other music, other visions in her heart ... ".
The fact that the cause of the tragedy will be its internal self-education, and not surrounding people, noticed MM Dostoevsky: "She with some coolness, with some kind of deleting it is already thinking about that minute, when everyone knows about her fall, and dreams of sweets in many ways to execute their act. What after this despotism could have an impact on such nature? If she was surrounded by the most kind of people, she, having committed his sin, would also be executed and walked "...". The reason is in the Anti-Christian setting of the soul, and not in the external despotism. The path to the tragedy began in the boat on the Volga, and the world of Kabanov is not the reason.
"And I see, it happened that angels ... fly and sing," "Katerina continues. But a person who does not see his sinfulness, who did not clear his soul from the mud of sins for the perception of angelic purity, can not see the angels. And even more precisely, it does not see Angels, but the spirits of darkness, according to the Word of God: "... Satan himself takes the kind of angel of light" (2 Cor. 11:14). This condition is called the condition of charms, when a person in pride considers himself worthy of high, even the vision of the higher forces. Very dangerous state, to get out of which is not easy. Katerina clearly resides in this state of charms. Hence the answer to the question why she so quickly moves in thoughts from "Paradise trees" to thoughts about the lover: "I'm not going to me, cooking, as before, the paradise trees and the mountains, and someone hugs me so hotly and leads me somewhere, and I go behind him, I go ... ". Here you and "Angels" ...
"Elemental" is the state of a false spiritual self-consciousness, in which the effect of our own passions (primarily vanity) is perceived by a person as a divine grace or as holiness. One thing to lie and know that you are lying, so hiding evil, sick, deceive, as Varvara makes it. And another thing is, considering yourself not a cheat, but believe that you are on the right track, you just do not understand you. Katerina sincerely believes that angels arrive to her.
"And it happened, at night I will stand up ... and I pray until the morning ... And I don't know what I think about what I pray." A person who, besides the usual prayer rule, sincerely prays up at night, will not be able to change her husband! This is excluded. Such a believer in most cases is ready to even beat her husband with humility, not something to change it. And again the temptation comes from the author himself. He confidently writes about the prayer of his heroine, as if he knows the experience that it is. And after him, teachers, textbooks, disciples believe that the heroine is really praying to God. But this is all a distorted view of a person from the side, which has no idea about the true essence of the subject, which took to portray.
Ostrovsky shows the heroine almost a nun. How did she live in the parent house? Church, services, wanders, spiritual poems, lives, stories about pilgrimage, "in the evening stories and singing", needlework, flowers ... Monastery and only! Therefore, these pages of the Ostrovsky Ostrovsky are introduced into the temptation, misleading: both teachers, and even more so students firmly sure that Katerina was really a religious man, he prayed a lot, had fear of God. But the process of prayer itself does not mean the actual appeal to God. The outer side of any religious rigging is repeated and assimilated. But this will not mean the very faith. "Not everyone who talks to me:" Lord! Lord! ", Enter the kingdom of Heaven, but performing the will of my Heavenly Father" (M. 7:21). In this, the dangerous temptation of the Ostrovsky's play, where the external issued for the true, "speaking" for "performing". Therefore, it was necessary to stop talking about the religiosity of Katerina.
Katerina completely repeats words from parable about the prodigal son. "I'm sinful before God and before you!" (4: 6). In the gospel "I sinned against the sky and before you ..." (Luke 15:21). But there is no further words from the island. The prodigal son further thinks: "... And already not enough to be called your son; I accept me to your mercenaries "(Luke 15:19). That is, Katerina should have been following the recognition of guilt to say the following: "... And it's not enough to be called your wife, for I sinned adultery. Take me at least in the number of your servants ... ". Katerina does not think so and can not. Once again one form without detention, which is very dangerous for readers.
"You can be a man believer, but not religious," said Patriarch Kirill. - The believer is the one who recognizes the existence of God (which is now the majority - including in our country). These people believe in some kind of higher strength, but not very conceived of God. The religion is the connection of a person with God, which arises, if a person not only recognizes the existence of God, but also if he installed a living connection with the Creator, his presence in his life feels; If he, like the Old Testament prophets, walks before the eyes of God, turning his thoughts, things, feelings ... When a person turns his last day every day to the court - sometimes the very bad, disgusting and destructive ... Then we walk before Him, And our prayer comes from the heart. " Such a prayer did not know Katerina, such religiosity - did not have, sincere repentance - did not show. And "An unknown sinner is a new crypton of Christ" (from the sermons of Archbishop Georgy Koninc).
Now we are becoming understandable and explained by the apparent contradiction of the play when the heroine goes so easily from prayer to death sins - adultery and suicide. From the state of charms it logically follows. It could stop her sincere repeated prayer, confession, treatment faith to the sacraments, but she did not know the faith since childhood. Apparently, did not know such faith and the author. Not religiousness was the cause of the tragedy of the heroine, as the communists and liberals like to emphasize, and on the contrary, its complete absence. That religiousness of the heroine, which Ostrovsky showed us, has nothing to do with the actual religious experience of our ancestors. The writer took over the image of the subject, which he had completely distorted concepts, but it is being served in school until now as the true knowledge of the reality of that time. It's time to understand: the idea of \u200b\u200bfaith must be drawn from the fence of the church, and not from the pages of non-believers.
N.Lobastov

The idea of \u200b\u200brepentance and the problem of sin are associated with the tradition of an ancient theater. However, for the person of antiquity, the concept of sin and repentance was different from Christian. The heroes of the pre-Christian era are treated in the temples with a request to make a cleaner rite, to pay off, bringing victims to the gods. Christian repentance as inner cleansing is an exceptionally important step forward in the moral development of mankind.

In the play, A. N. Ostrovsky "Thunderstorm", written in 1859, moral issues are made very acute. Already in the title, the idea of \u200b\u200bGod's punishment for sins sounds.

The action takes place in the city of Kalinov, located on the high bank of the Volga. The name is fictional and is associated with oral folk creativity. Kalina, a symbol of bitter female fate, is associated with the way Katerina, a married woman who loved another person. In fairy tales and epics on Kalinovsky bridge, the battles of Russian warns with a miracle - yood, therefore it can be argued that the module of struggle sounds in the title of the town. The action of the play is not moving the external conflict - the confrontation between the proud Katerina, not tolerant "input", and her mother-in-law Marfa Petrovna Kabanova, who "eat their homework." The plot spring is the internal conflict - Katerina's struggle with its sin. This tragic conflict of the heroine with the most intimate and is associated with the idea of \u200b\u200brepentance. Katerina helps to betray her with a sin in which it is necessary to repent, which is not overwhelming "to the coffin." She does not forgive primarily herself, so it is not able to forgive the other. Desperate woman can not even imagine that someone can forgive her. About the husband who was gone, ready to forget everything. Katerina says: "Lask -to it worst it worse." It is possible that the Christian position of Tikhon causes new inner flour of the heroine. She with even greater force feels his guilt. The moral persecution of Kabani, on the contrary, to some extent facilitate the consciousness of guilt for Katerina. She thinks that the suffering in the earthly life takes on her sins in the future life.

Why does Katerina roll, although it does not believe in forgiveness? For her religious, almost the fanatical consciousness of intolerance thought about the sin perfectly. From the point of view of the Istivo believer, the husband is God, the wife is a church. Change your husband - it means to disappear from God, to betray faith.

The motive of sin permeates the whole play. Already in the first action, when Katerina confes to Varvar in the fact that he loved the other, and after this, a half-handed lady appears and predicts that "beauty leads to the outer", the motive of sin begins to clearly. We hear him in the words of Barbara about the Baryna, who sinned by a smolod, and now the others decided to instruct the right way. This motive of sin is felt in the fear of Katerina in front of a thunderstorm. A poor woman is not afraid of death, and the fact that the thunderstorm will inspire her with sinful thoughts, and she will appear before God "all as is", without repentance. The name "Katerina" translated from Greek means "clean". The heroine does not tolerate the inner "uncleanness", it is tormented by the thought of his own sinfulness.

The culmination of moral torments of the heroine occurs in the fourth action. What caused the nationary repentance of the heroine? The thunderstorm broke out, and Kalinovtsy are hiding from her rollers in a dilapidated gallery, on the walls of which geenna fire is drawn. Thunderstorm broke out in the soul of Katerina, it is close to breathtaking. From the words of the Barbara, we learn about the unbearable moral flour of a woman, she is ready for any minute "bud" in his feet and confess to sin. Inner alarm in the soul of the heroine is growing. It is tormented literally everything. And edging the kabani about what it is necessary to behave so that the thunderstorms are not afraid. And the humorous statement of Tikhon: "Show, Katya, you will be better." And the prophecy of the newly appeared Baryni. And the conversations of Kalinovists about the "optional" color of the clouds and that someone will surely kill. Prayer does not save Katerina: it sees the image of the fire of geenna fire on the wall. The soul of the heroine breaks into parts: "The whole heart was broken! I can not tolerate more! " There comes the climax and plays, and the spiritual torments of Katerina. Scene of repentance in humans resembles the scene of repentance of the Raskolnikov, chronologically later. It is possible that Dostoevsky created this episode without without the influence of Ostrovsky.

All the pieces of the play are subject to the task of disclosing the tragic conflict. It is not evolving an external effect, and the internal - the struggle in the soul of Katerina flare up more and more. None of the heroes of the play are Katerina's opponent in this moral match., Testifying to its deepest conscientiousness. Neither the hypocritical wanderer of the fecles, which recognizes in itself only one sin - wigglery. Neither the heel, rectifies the strangers for their

permanent intrigues against each other. Neither wild, in the soul of which is only a dull light of truth. In a habit of a habit of a habit, a peasant who came after the calculation, and then, who came to know him, was lying around him in his feet, asked for forgiveness. But the "swear" wild is a Christian only formally. As a pagan, he understands repentance as an externally effective means, but not internal cleansing.

Katerina is aware of his sin in Christian, but it is still not so Christian to be infinitely to believe in the mercy of the Creator. Pupil in the atmosphere of love, warmth and beauty, she perceives faith in God only from the poetic side. She does not believe in the revival of a person, on the resurrection of his soul through suffering, repentance and redemption. For her, repentance turns into self-expression. Impatient, hot, she is immensely deprives himself life, making even more serious sin.

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