The presentation of the picture rooks have arrived. Drawing up a story based on a painting by Savrasov A

Spring is an amazing time of the year when nature awakens from a long winter sleep, looks around and puts itself in order. Each artist depicts spring in his own way, but I liked Savrasov's painting The Rooks Have Arrived.

The artist moved away from the usual image of spring, and focused on its messengers, who lurked in the trees, and some rooks bravely jump on the spring snow. The birds settle down seriously and for a long time, as evidenced by their nests, which these little workers have already begun to build.

Next to the birches, we see water that appears in the lowlands due to the melting of ice and snow. These small lakes will nourish the grass that breaks out to the surface for a long time and will help the trees gain life-giving power.

In the background, the artist depicted a village surrounded by a high fence. From behind the fence, you can clearly see the dome of the church, which was considered the central place in the villages. In general, it was difficult to imagine a real Russian village with its scope and broad soul without a church, which in the old days people went to, not under compulsion, but at the call of the heart.

The picture is painted in dark colors, as spring comes slowly, measuredly. It seems that this young beauty just did not sleep well. She frowns a little and stretches in her downy bed.

Savrasov's canvas "The Rooks Have Arrived" is a unique creation that is unlike any other work of art. The artist saw spring from the other side, from which no one had viewed it before, so the picture simply captivated me.

Alexey Savrasov is an artist who gave us wonderful paintings, among which the most popular, unsurpassed work The Rooks arrived.

Alexey Kondratyevich Savrasov, creating the painting The Rooks Have Arrived, made a real revolution in art, depicting a new vision of the world. These were not Italian views, not the ruins of Rome, not foreign landscapes that were appreciated by lovers of painting. These were country motives. Moreover, in 1871, there were simply no competitors at the exhibition of this painting, it had no equal. This was the case when a simple rustic look surpassed the classics, because the painting of Savrasov The Rooks Have Arrived, on which we are writing an essay today, eclipsed the landscapes of such famous artists as Shishkin, Perov, Kuindzhi. The work became popular and everyone wanted to buy it. I bought it for my Tretyakov collection.

History of the painting

If we turn to the history of the creation of the canvas, then it should be said that Savrasov has long wanted to depict the church. And so, when in 1871 he was in the village of Molvitino, which is not far from Kostroma, he noticed a beautiful church of the early 13th century. To depict her, the artist began to look for the very point where she would be seen in the best way. It is not known whether the beauty of Russian nature, or the March air inspired the artist, but from under his brush a real masterpiece was born, according to which they are asked in grades 2 and 3. Let us, and we, according to the picture of Savrasov, The Rooks have arrived, we will make a description of the canvas.

Description of the picture

Considering the reproduction of Savrasov The Rooks have arrived, we mentally find ourselves at a time when nature is just beginning to awaken. There are no clear signs of spring yet, but it is already well felt in the air.

In the picture, the author depicts the first days of spring. The rooks are telling us that spring has come, that they have arrived in the village and are already working on their future nests. Someone is building a nest from scratch, while someone just decided to repair the old one. Looking at these birds - the messengers of spring, we can imagine how they are noisy, shouting over each other. They create nests on the tops of old birches. The leaves have not yet blossomed on the trees, but the buds have already begun to swell, which means that very soon the gray nondescript trees will be transformed.

In the foreground, the author of the canvas depicted snow. It is no longer soft and fluffy, and does not shine in the sun. The snow in the picture is dull, dirty, because it melts every day and it becomes less. The water flows down to the lower reaches, where a huge puddle has already gathered, which is shown on the right.

A fence can be seen behind the birches, which partially hides the church, chapel and houses. However, the dome is still visible, as well as the fields where the snow still lies in the distance, but soon these fields will be plowed and sown.

The story of the artist Alexei Savrasov is one of many that confirm the idea that a person must find his true vocation. As a teenager, he sold his watercolors to merchants from Moscow, and after that, he entered the school of painting, sculpture and architecture. The work of Venetsianov had a strong influence on the worldview of the painter - the harmony of his canvases touched the soul of Savrasov.

The Moscow Society of Art Lovers provided the talented young man with funds to study in Europe. Upon returning home, he turned to the motives of country life. Before Savrasov, the discreet beauty of nature was considered unworthy of attention - the society of that time idolized Italian views, the ruins of Ancient Rome, foreign sunsets and sunrises full of romance. So the painting "The Rooks Have Arrived" made a real revolution in the art of that time.

The story of the birth of this canvas is interesting. The village of Molvitino near Kostroma was a large lively center with a beautiful church built at the beginning of the 18th century. Its bell tower with kokoshniks, which adorned the gabled tent, the small domes of the white temple were among the thousands in the vastness of Tsarist Russia. Legends of the village told that it was from here that Ivan Susanin was born.

Savrasov ended up in Molvitino in the spring of 1871 and almost immediately began working on sketches of the provinces. The artist loved spring, and on his pencil sketches, birches, illuminated by the sun, came to life, and the music of drops from the roofs of houses, the murmur of the first spring streams was heard.

The painter wanted to depict the church for a long time. He looked for a point from which it would be best viewed and once stayed there until the evening. Something happened that should have happened sooner or later - the nature of the outskirts, the heady aroma of March air gave him inspiration. The sketch for the future painting was drawn surprisingly quickly.

"The Rooks Have Arrived". The name itself gives each of us the feeling of spring, the time of the dawn of nature, vital energy and a whole range of incomprehensible, but wonderful and exciting feelings. The picture does not represent symbolic images to the essence of the viewer, it is simple and understandable, and therefore, close to every person.

The usual spring day is a little grayish. The sloping birch trees on the hill are simply clung to the rooks. They buzz and busily build new nests or renew old ones. Spring freshness is in the air, and the thawed patches in the snow reflect the blue sky hidden behind gray clouds. Plank fences of houses cannot hide a small church with peeling walls. Its dome only emphasizes the typical character of the Russian countryside and the breadth of the Russian soul. A little further, fields are visible, which will soon be plowed, but there is still snow on them. Lavender copses complement the horizon. Somewhere out there, in the distance, the daily course of life flows as usual, and only a light breeze unites it and nature into a single whole.

In the foreground of the canvas is snow. It is dirty and dull, without glare, on it there are only gray shadows of birches, dull and broken. Clouds float across the muddy ashen sky. Due to the abundance of gray colors, the rural landscape is rather ordinary at first glance. However, this is only at the beginning. Bright living colors are brought into it by a light church, a thawed patch of water and a miraculously bursting ray of light. In addition, Savrasov is one of the few artists who knew how to depict air. The canvas breathes, it is full of the freshness of spring and its warm breath, this emphasizes the unusual lighting. The foreground of the painting is painted in such a way that birches, snow and roaring rooks are depicted against the light. Thus, the picture seems to be filled with muted colors, which only emphasizes the inevitability of next spring.

The morning of the year is the main character here, it is harmonious in the whole picture. The painter was able to depict not just a static landscape, but to capture the elusive phenomena of nature, creating an amazing sense of life. Energy unites everything - birds, melted snow, smoke from chimneys on huts, their invisible inhabitants, church domes. There is movement in the picture, which is already manifested in its title - "The Rooks Have Arrived", birds fly over the nests, birches seem alive, they reach for the sky. The author achieves incredible sound effects - you can already hear how the restless messengers of spring rumble, how water gurgles and drops from the roofs of huts, that is, you feel this charm of spring mood.

Now pictures on the spring theme are so replicated that they are dazzling in the eyes. Some artists make their living by writing a series of paintings from the spring cycle once a year. However, in 1871, when this picture appeared before the eyes of the public at an exhibition in St. Petersburg, there was no equal to it. It was a revolution, a new vision of the world that could fit on a small canvas (catalogs call it “oil, canvas, 62 cm high and 48.5 wide”). The majestic landscapes of Shishkin, Kuindzhi, Kramskoy and Perov were no longer relevant. The modest rustic look has surpassed the classics, and today this picture is wildly popular. Petr Tretyakov immediately acquired the canvas, and a year later Savrasov received an order to repeat the work. Since then, the artist has made more than 10 replicas of the painting - everyone wanted to have a piece of spring in their home.

Interestingly, in 1997 the Central Bank of Russia issued a two-ruble coin, which depicts a portrait of the artist and a fragment from his "Rooks". This banknote was timed to coincide with the 100th anniversary of the death of the author of this painting. Another no less striking fact is that in the same Molvitinskaya church from Savrasov's canvas there is now a museum of Ivan Susanin.

No one, not even the artist himself, was able to repeat such a success and the style of the painting "The Rooks Have Arrived". The canvas is the product of his momentary impulse, inspiration, backed up by true talent, and inspiration, as you know, is a special feeling.

There is a saying in Russian folklore that a rook can peck winter - this is how the meeting of spring begins. Savrasov's canvas amazes with the fact that the author conveyed not only the transformation of all living things, but also the renewal of the inner world of a person who lives in unity with nature.

In the middle and senior level of schooling, one of the options for creative work is the description of the picture. Students of the sixth or seventh grades must write an essay based on the painting "The Rooks Have Arrived" by Alexei Savrasov.

Goals and objectives of essays on the picture

Despite the plot that is clear at first glance, it is not so easy to describe this picture. The student must see the deep meaning behind the simplicity of the plot. Why are these creative assignments given? Essay helps to form written speech, learn how to correctly express thoughts on a certain topic, see and understand the content of the plot, describe what he saw in words. When describing a landscape, logic develops, as you need to learn to highlight the main and the secondary, see the details and describe according to the plan.

A little about the artist

Alexey Savrasov is a Russian artist famous for his landscapes. One of his most famous works is the painting "The Rooks Have Arrived". Savrasov worked on it in 1871. The sketches were written by him when he traveled to the village of Molitvino, Kostroma region. The artist indicated the place of his work in the painting in the lower left corner. Perhaps the first ideas were conceived by him in the vicinity of Yaroslavl, not long before his trip to Molitvino. Alexey Savrasov finished the picture in Yaroslavl, finishing the finishing touches in Moscow.

Exhibitions and reviews

In the same year, the painting was bought by Pavel Tretyakov, the founder of the Tretyakov Gallery and a collector. Soon it was exhibited in the Moscow Society, and then at the exhibition of the Association of Traveling Art Exhibitions in St. Petersburg. The landscape received many rave reviews. Artists and critics said that this is one of the most beautiful landscapes and the best picture of Savrasov. Despite the simplicity of the plot, the picture shows the soul of the artist, who cherishes the views of Russian nature. But not only critics and artists appreciated the painting. Empress Maria Alexandrovna wished to have a repetition in her collection, and the artist wrote another one for her. And in 1872 it was she who exhibited at the World Exhibition in Austria.

The season in the picture

Before starting work on an essay based on Savrasov's painting "The Rooks Have Arrived", consider the landscape itself. The painting depicts a very early spring, when the sun has just begun to warm up, the snow is melting and exposing the black bushes and tree trunks tired during the winter. Puddles began to gather under the sun, and the first symbols of spring and nascent life were rooks, which cannot be immediately discerned in the picture.

Painting composition

So, let's start working on the essay. Description of the painting "The Rooks Have Arrived" let's start with the composition. Let's consider it carefully. The backyard of the church is taken for the image. A large crooked tree immediately catches the eye, on the branches of which the nests of rooks and the birds themselves are located. A few more birds around the birches. You can understand that spring has come by the thawed patches in the snow. We may notice that the rooks are slightly larger in size than in reality. But this seemingly grotesque exaggeration does not in the least spoil the picture, but on the contrary, the landscape, thanks to them, seems to breathe in spring. The center of the composition is a few birches in the foreground. Along the edges of the painting, on the right and left, branches of trees that did not enter the landscape, but, thanks to them, balance the central part. Sunlight falls from the left side, and the shadows from the birch trees gently fall on the melted snow. Behind the trees you can see a fence and a wooden church with a bell tower, and then - endless fields with an already overflowing river, and they stretch to the very horizon. This plain gives the painting a sense of infinity and spaciousness. To heighten the sense of space, the artist slightly changed the perspective. The foreground looks as if the artist was painting a picture while close to the ground. But then the horizon would be lower, although in the landscape it is in the center of the canvas. The artist's intention was as follows: he wanted to pay attention to the background, to the plain, which plays an important semantic role in the landscape, so it must be described in the essay based on the painting "The Rooks Have Arrived". A.K.Savrasov used this technique not only in this landscape, but also in other works.

Colors and tones

Composing the painting "The Rooks Have Arrived" is impossible without describing colors, tones and light. The landscape is divided into three horizontal parts. Each of the parts is painted in its own light and tone. The upper half, which takes up half, depicts a light sky with predominantly cold blue tones. Below, occupying about thirty percent, is painted snow in gray and white.

And in the middle, brown tones prevail. It turns out that the buildings seem to hang in the air among light shades, and this gives a feeling of lightness and airiness. In order for the elements of the picture to merge into a single whole, the artist uses the correct angle and composition, as well as the play of light and shadow. In general, the whole composition aspires upward, which is achieved by the image of young birch trees stretching towards the sky. Savrasov managed to convey sadness from the outgoing winter and happiness from the coming spring. It is through thawed patches, glimpses of the sky and light tones of snow that this effect was achieved. In the background - sunlit, pinkish and golden, and in front - already loose, melted and grayish snow.

Birds - a symbol of spring in the composition based on the painting "The Rooks Have Arrived"

Let's pay attention to the birds, which served as the basis of the plot. The painting is called "The Rooks Have Arrived", and this gives us a key to understanding the painting. Let's try to imagine a landscape without rooks. How will it change? Then the picture will not have the dynamics that are now. Birds symbolize life. They fly around birches, around their nests, in which chicks will hatch. One of the birds on the ground holds a twig in its beak and is going to build a nest. It is the birds that make us feel the arrival of spring, because with their appearance, movement begins and life is reborn. So you can finish your essay-reasoning on the painting "The Rooks Have Arrived".