Portrait and speech characteristics of Grushnitsky. Pechorin and Grushnitsky: characteristics of heroes

Who is Grushnitsky?

In the novel "A Hero of Our Time" Grushnitsky appears before us in the chapter "Princess Mary". This is a cadet who served with Pechorin and, like him, was treated on the waters. We immediately learn that Grushnitsky "wears, for a special kind of smartness, a thick soldier's greatcoat." This greatcoat is his mask, the "tragic mantle" that helps him appear in the eyes of women as a romantic hero, demoted to soldiers for a duel. Pechorin, who himself more than once played this or that role in order to take possession of the lady's heart, “understood him,” and Grushnitsky does not love him for this. And Pechorin does not like him. He feels that this young man is in some way his rival and that "someday they will collide on a narrow road." Characterization of Grushnitsky in the novel "A Hero of Our Time" is mainly given by Pechorin. From his magazine, we learn what this character has under the mask.

Grushnitsky's character traits

"Good properties"

We must pay tribute to Pechorin, he evaluates Grushnitsky objectively, seeing not only his negative features, but also his "good qualities."

When Grushnitsky ceases to play his role, “he is quite nice and funny” in dealing with women, “rather sharp” on the tongue and reputed to be a brave man (although he rushes into battle with closed eyes). Yes, and seeking the love of Princess Mary, he does not play with her feelings, how it will look in the performance of Pechorin, but only wants to rise in the eyes of others.

Posing

However, in general, the image of Grushnitsky in the novel "A Hero of Our Time" is negative. Posturing can be called its main negative quality. His main enjoyment is "to make an effect." He says almost nothing and does not do it sincerely, from the heart. For all occasions, he has magnificent phrases ready. He does not seek to find beauty in life, but invents and depicts "extraordinary feelings, lofty passions and exceptional suffering." So he didn't really fall in love with Princess Mary Grushnitsky - he was flattered by her attention, and when it disappeared, he just got angry and started spreading dirty rumors about the girl.

Narcissism

Grushnitsky is so in love with himself that he does not see the danger emanating from Pechorin. In contrast, “he does not know people and their thin strings,” because all his life he was concerned only with himself. Grushnitsky does not know how to listen to others, does not answer objections in a dispute, pronouncing long tirades instead. He is confident in his irresistibility and does not consider Pechorin a rival. It is not surprising that Pechorin manages to take away the princess from him quite easily.

Meanness

By the end of the chapter, we learn that Grushnitsky, who at first seemed so sweet and harmless, is capable of meanness. This will be shown by the duel between Pechorin and Grushnitsky. Together with his company, he leaves the opponent's pistol unloaded. It is only thanks to chance that Pechorin succeeds in uncovering this insidious plan. The harmed pride does not allow Grushnitsky to apologize for slandering Princess Mary even in the face of death.

Grushnitsky - a reflection of Pechorin

In the image of Grushnitsky, all those features that are inherent in Pechorin are guessed, and this is the meaning of this character. Pechorin looks at himself from the outside, and he does not like his own reflection. After all, he, like Grushnitsky, initially has no evil intentions, plays with people, but out of boredom, and not from a desire to make them unhappy. Nevertheless, his egoism, like Grushnitsky's narcissism, leads to tragic consequences. Is this why he does not feel triumph when he sees the bloody body of a colleague between the rocks? As if he was lying there himself.

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Grushnitsky is a character in the world famous story by Mikhail Lermontov entitled "A Hero of Our Time", where the key is the image of Pechorin. However, Grushnitsky plays an important role in Lermontov's plan, and now we will briefly consider Grushnitsky's characterization.

Immediately, we note that in the story there is the main character - Pechorin, and there are secondary characters who emphasize one or another facet of the image of the main character, that is, Pechorin. Grushnitsky can be attributed precisely to this category of supporting characters. But the author created it not only to identify certain features of Pechorin, he is very interesting as an independent figure. Moreover, one can see in it a reflection of public life, the foundations and morals of society at that time.

The main characteristics of Grushnitsky

Let's see what Belinsky, Lermontov and Pechorin say about Grushnitsky. For example, according to Belinsky, the character of Grushnitsky embodied the character traits of a whole category of people belonging to this type. Lermontov said that such a plan, people cover their faces with a fashionable mask of someone who is allegedly disappointed in life. And from Pechorin himself we hear about the character of Grushnitsky: he called him a poseur who seeks to present himself as another romantic hero. Therefore, such a person speaks pompously, his feelings are sublime, he burns with passions and suffers. By and large, he is trying to attract the attention of society and appear as a spectacular person.

But all this is just a mask, and in reality there is no poetry in his soul, he is extremely self-confident, selfish and complacent. Let's continue to characterize Grushnitsky. This person is so passionate about himself and his words that he is interested not in others, but only in himself. Therefore, he does not know how to listen and conduct a full-fledged dialogue.

However, his personality is not limited to such manners. The most important thing is that Grushnitsky does not shun a vile and base deed, because gossip about the relationship between Pechorin and Mary begins to come from him. In addition, he is ready to participate in a duel with an unarmed opponent. The duel, by the way, shows all the baseness of his personality and vile nature.

The role of Grushnitsky in the story

Pay attention to how Grushnitsky is dressed - he is wearing a worn soldier's overcoat. Why? He wants to look like a brave sufferer who has been demoted for some daring deeds. However, all this looks more like a parody of Pechorin, and Grushnitsky, realizing this, begins to hate him. Although in general he does not shine with intelligence, and pride does not allow him to discern a stronger personality in Pechorin.

And here's another interesting characteristic of Grushnitsky. In the course of reading, we see that Grushnitsky falls in love with Princess Mary, who at first is interested in the young man, but in the end, gives preference to Pechorin. This causes jealousy and anger in Grushnitsky, and pushes him to a vile act. Having gathered like-minded people, they send mockery to Mary. And they leave Pechorin's pistol unloaded when he demands satisfaction in a duel for slander. Upon learning of this, Pechorin did not forgive Grushnitsky and shot him.

So, this young cadet Lermontov assigned an important role in the story "A Hero of Our Time", and in this article we examined what a brief description of Grushnitsky is. Read also the best

Grushnitsky is the hero of the chapter "Princess Mary". He appears to the reader as a cadet who, while in the Caucasian waters, pretends to be an officer demoted to the ranks. Grushnitsky wants to play the role of a special person - he stubbornly dresses in an old soldier's greatcoat, diligently plays the role of a sufferer who was unfairly taken out of the first echelon of the military.

At first, Grushnitsky was involved as one of the characters in the "Grushnitsky - Mary - Pechorin" love triangle, playing the role of the first lover, but then pushed back to the level of an unfortunate rival. The matter was not without Pechorin's game - he told the girl about the emptiness of his opponent, his insignificance, as a result of which Mary ceases to see him as a welcome guest, and considers him an annoying interlocutor.

As for character and personal qualities, Grushnitsky is a narcissistic and not so smart character. He chooses for himself a mask of tragic mystery, living in fashionable habits and ideas of his contemporaries. Grushnitsky is weak in nature, his game is easy to expose, which was proved by Pechorin. The vain hero cannot accept defeat and takes revenge on the offender, drawing closer to a dubious company and spreading dirty rumors about his opponent. The act of him and his gang on the eve of the duel speaks of the great meanness of this character: they leave Pechorin's pistol unloaded and hope to realize their vile plan. Finale: Grushnitsky is killed, Princess Mary is going through a spiritual drama, Pechorin does not understand whether this is a victory or defeat.

The novel "A Hero of Our Time" was written by M.Yu. Lermontov in 1838-1840. This work is considered the first among Russian prose in its genre - a lyric and psychological novel. The novel is also distinguished by its originality - broken chronology.

The main character is Grigory Pechorin, but another important character in this work is the young cadet Grushnitsky, one of Pechorin's longtime friends. His first appearance relates to the story "Princess Mary".

Lermontov did not give a name to his character, therefore in the whole work he is called that - Grushnitsky. It is known about him that he was twenty years old, was a cadet, while Grushnitsky already had a St. George's cross.

Characteristics of the hero

As it was already written above, one of the brightest minor heroes of the novel appears in the story "Princess Mary". Lermontov describes him as a cadet who introduces himself as an officer who has been demoted to soldiers. This character can be described in one word - an actor. But why? From the very beginning, Grushnitsky tries on the role of a certain sufferer who, by the injustice of fate, was transferred from the first echelon of the military. At the same time, he himself changes his appearance, putting on an old overcoat. His behavior also expresses falsity - with all his appearance he shows how the wound in his leg worries him. No water, he said, could help him get rid of the lameness, but the lameness goes away by itself when Pechorin appears next to Princess Mary.

This hero cannot evoke any sympathy, because through his pretense and invented suffering, he clearly evokes not pity, but rather rejection, because in fact Grushnitsky is narcissistic, and he also does not have a great mind. He chose for himself the role of a certain mystery and sadness, but at the same time he acquired fashionable habits for himself, which he began to live with. We can say that Grushnitsky became a hostage to his own role, which he invented and which, in fact, he fell in love with.

Pechorin, of course, literally immediately declassified his "friend" - he saw how weak the young cadet was. Further actions of Grushnitsky (namely, the disgusting rumors that he started about Pechorin) show that this character has such character traits as vanity and vindictiveness. He did not accept that Pechorin took off his "mask", which Grushnitsky diligently made for himself and which he began to constantly wear, hiding his true essence.

In addition to these qualities, cunning and meanness are inherent in him, as evidenced by the duel with Pechorin: he and his company gave the main character an unloaded pistol.

If Pechorin nevertheless appears in the work as the "hero of the time", then Grushnitsky is his complete opposite: a low, cowardly, without any honor character, possessing such character traits as meanness, pretense and vanity.

The image of the hero in the work

(M.A. Vrubel "Mary and Grushnitsky" 1890-1891)

The appearance of Grushnitsky in the work was at first implied as participation in a love triangle between him, Princess Mary and, of course, Pechorin. Lermontov shows that the young cadet was, so to speak, the favorite of the princess, but soon everything changes: with the appearance of Pechorin, Grushnitsky fades into the background, he is already an unsuccessful competitor.

Without a doubt, this situation could not have happened without the intervention of Georgy Pechorin himself: he told Mary about Grushnitsky's emptiness as a person, insignificance, thereby opening the princess's eyes. After that, Grushnitsky becomes an unwanted guest at her house, as well as an intrusive interlocutor. She finds him boring and pathetic. Naturally, this moment has a strong enough effect on Grushnitsky, because Pechorin hurt his pride, and also lowered him in the eyes of his beloved.

(Duel episode. From the movie "Bela", 1927 based on the novel by M.Yu. Lermontov "A Hero of Our Time")

This became the starting point for the character's disclosure. He was a kind of Pechorin, which undoubtedly angered Georgy himself. It is through the perception of Pechorin that the portrait of Grushnitsky is formed: a fashion investigator, a sufferer, a person disappointed in life, speaks in "pompous phrases", pretends to be a romantic.

Despite his negative qualities, Grushnitsky shows the "antithesis" of Pechorin: he wanted to become the hero of the novel, but through his actions he makes the hero of the novel precisely Georgy Pechorin, therefore this minor character plays a central role in the novel, showing through his image the behavior of a considerable part of society of that time.

Throughout the novel, Lermontov deftly ridiculed Grushnitsky, showing how miserable a person can be who lives under a mask and comes up with an image that does not match. If Pechorin was really disappointed in life, then Grushnitsky only pretended that Pechorin was also angry. Instead of realizing that Grushnitsky is behaving in no way dishonestly, he only "aggravates his position" in the eyes of the reader with his vile actions. By this the author shows that people tend to blame someone, but not themselves. People do not like to analyze their actions, do not like to blame themselves for something, they only like to follow fashion and wear a mask, hiding themselves not only from the eyes of other people, but also from themselves.