Dead souls box appearance. Image of a box in the poem "Dead Souls

The Box of Nastasya Petrovna is a widow of the landowner from the poem Nikolai Gogol "Dead Souls", the second "saleswoman" of the dead souls. By nature, she is a korestoloby krochobork, which in each sees a potential buyer. Chichikov quickly noticed the trading attitudes and the stupidity of this landowner. Despite the fact that she skillfully leads the economy and manage to benefit from each harvest, she did not seemed a strange idea with the purchase of "dead souls". She even wished to personally find out, how much they sell dead peasants to not be made. In addition, his dead peasants, she remembers by heart. The transaction with Chikchikov Nastasya Petrovna agrees only when he promises to buy various economic products from her.

The main goal of this heroine is the accumulation and multiplication of your small wealth. That she and a box. She has only about eighty souls at its disposal, and she lives like in the shell, extinguishing himself from the rest of the world. All their accumulations inheritating the hostess hides in the bags in the chest. Despite the obvious prospects in the house, she loves to complain about cripples or losses. And when Chichikov asks her about neighboring landowners, including Manilov and Sobevich, she pretends that he heard about them for the first time.

The third chapter of the poem is dedicated to the image of the box, which Gogol refers to the number of those "small landlords who complain about crop, losses and keep their heads a few next night, and meanwhile they type the meaning houses in the motley bags placed on the drawers of the chest!" (or the box are in some kind of antipodes: Manilov is hidden behind the high phases, for reasoning about the good of the Motherland, and the boxes are spiritual purse appears in its natural form. The box does not pretend to high culture: throughout its appearance emphasizes very simple simple simplicity. This is Gogol is underlined in the appearance of the heroine: he points to her raised and little attractive view. This simplicity detects himself in relations with people. The main goal of her life is to harden your wealth, increasingly accumulating Internal insignificance. She, besides the desire to acquire and benefit no feelings. The confirmation is the situation with the "dead souls". The box trades the peasants with such a businesslikeness, which other items sells their own houses. For it there is no difference between an animated and inanimate being. . In the proposal Chichikov, only one scares her But: the prospect of something to miss, not to take what can be helped for the "dead souls". The box is not going to give up their chikchiku on the cheap. Gogol awarded it with epithet "Dubyo-Oil"). These money makers are obtained from the sale of a wide variety of NAT products. Khoza.

The box understood the benefits of trading and after a long sentence agrees to sell such an unusual product as the dead souls.

The image of the accumulator boxes are deprived of those "attractive" traits that distinguish Manilov. And again before us type - "One of those mother-in-law, small landlords, which ... dial the mean money in the motley bags placed on drawers of the chest of drawers." The interests of the box are entirely concentrated on the farm. "Squeezing" and "Dublinogol" Nastasya Petrovna is afraid to be used, selling dead souls. Curious "dumb scene", which arises in this chapter. Similar scenes we find almost all chapters showing the conclusion of the Chichikov transaction with the next landowner.

This is a special artistic technique, a kind of temporary stop of the action: it allows with a special convexity to show the spiritual emptiness of Pavel Ivanovich and his interlocutors. In the final of the third chapter, Gogol talks about typical of the image of the box, the insignificance of the difference between it and another aristocratic lady.

The landowner is a box, "picks up a little money", lives closed in his estate, as in the box, and its home-to-seeness develops into a scopeidism. Limitations and stupidity are completed by the character of the "Dubyo-Colo" landowners belonging to the distrust of the whole new in life. The qualities inherent in the box are typical not only in the medium of the provincial nobility.

She owns a natural economy and trades everything that there is: Salom, a bird feathers, serf peasants. In her house everything is arranged in the old man. She gently stores her things and saves money, folding them into the bags. It all goes into business.

In the same chapter, the author pays great attention to the behavior of Chichikov, focusing on the fact that chikhiki with a box behaves easier, unleasising than with Manilov. This phenomenon is typically for Russian reality, and, proving it, the author gives a lyrical retreat of transforming a flue into a fly. Natura boxes are especially brightly revealed in the sale scene. She is very afraid to be used and even makes the assumption that herself is frightened: "Suddenly the dead and her own in the farm will be useful?". And again the author emphasizes the typicity of this image: "other and respectable, and the state even a person, but in the case it comes out the perfect box." It turns out that the stupidity of the box, its "distinth head" is not a rare phenomenon.

Manilov is a sentimental landowner, the first "seller" of the dead souls. Gogol emphasizes the emptiness and insignificance of the hero, covered with sugar appearance of the appearance, the details of the situation of his estate. House M. Open all winds, the liquid tops are visible everywhere, the pond is completely overgrown with a rod. But the gazebo in the garden M. It is highly named "The Temple of the Second Reflections". Cabinet M. is covered with "bluish paint like a gray", which indicates the lifelessness of the hero, from which not a single live word will be raised. Hooking for any topic, the thoughts of M. are floating in the distance, in distracted reflections. Think of real life, and even more so taking some decisions this hero is not capable. Everything in the life of M.: Action, time, meaning - replaced with exquisite verbal formulas. It was worth only Chikchiku to clothe his strange request for the sale of dead souls into beautiful words, and M. immediately calmed down and agreed. Although before this proposal seemed to him wild. World M. is the world of false idyll, the path to death. No wonder even the path of Chichikov in the lost Manilovka is depicted as a path to nowhere. In M. There is nothing negative, but there is nothing positive. He is an empty place, nothing. Therefore, this hero cannot count on transformation and rebirth: there is nothing to revive in it. And therefore, M., along with the box, takes one of the lowest places in the "hierarchy" of the heroes of the poem.

This man is a little reminded by Chichikov himself. "One God could say what kind of character M. is the genus of people known as the name: neither of the village, nor in the city of Bogdan, nor in the village of Selifan. The features of his face were not devoid of pleasantness, but this pleasant seemed , too transmitted to the Sahara. " M. considers himself a brought up formed, noble. But look at him to the office. We see a handful of ashes, dusting book, which has been opened on the 14th page for the second year, always lack something in the house, only part of the furniture inhabit with a silk cloth, and two armchairs of Huzhoye. The weakness of M. emphasizes that the farm has a cradle drinker at the landowner.

M. - Dreamer, and dreams of him completely divorced from reality. He dreams of whether "as it was good if it was suddenly from home to spend an underground move or through the pond to build a stone bridge." G. emphasizes the inaccessibility and social use of the landowner, but does not deprive His human qualities. M. - The family man, loves his wife and children, sincerely rejoices the guest's arrival, trying to please him in every way and make a pleasant one.

Nozdrev - the third landowner who has chicter trying to buy dead souls. This is a Molded 35-year-old "Govorun, Kutila, Likhach". N. Continuously lying, keeps everyone without disaster, he is very exconna, ready to "nagging" the best friend without any purpose.

All the behavior of N. is explained by its dominant quality: "Godhood and the boyhood of character", i.e., unstability bordering the infamousness. N. Nothing thinks and does not plan, he just does not know anything. On the way to the Schemevich, in the Tavern, N. intercepts Chichikov and brings to her estate.

There, he quarrels to death with Chikchikov: he does not agree to play cards on the dead souls, and also does not want to buy the stallion "Arab blood" and get souls in addition.

The next morning, forgetting all the insults, N. persuades Chichikova to play checkers with him on the dead souls. Strengthened in the scaling, N. orders to beat Chichikov, and only the appearance of Captain-Corps soothes him. N. It is almost destroyed Chichikova.

Faced with him on the ball, N. shouts into all the way: "He trades dead souls!" What gives rise to a lot of the most incredible rumors. When officials call on N. to understand everything, the hero confirms all the rumors at once, not embarrasing them with inconsistency. Later he comes to Chichiku and himself tells about all these rumors. Instantly forgetting about the disadvantage, he sincerely proposes to help Chichikov to take away the governor's daughter. The home furnishings fully reflects the messenger nature of N. At home, he has all a stupid: in the middle of the dining room there are goats, there are no books and papers in the office and so on.

It can be said that the limitless lie N. is the reverse side of the Russian remote, which N. is endowed in excess. N. Not to the end is empty, it simply does not find it properly applied. With N. The poem begins a series of heroes, who kept something alive in themselves. Therefore, in the "hierarchy" of heroes, he takes a relatively high - third place.

Plushkin Stepan - the last "seller" of the dead shower. This hero personifies the full death of the human soul. In the image of P., the author shows the death of a bright and strong person, absorbed by the passion of misfortune. The description of the estate P. ("Not in God is rich") depicts the launch and "litter" of the hero's soul. Entry is dilapidated, everywhere special varieties, roofs as a sieve, windows shut up rag. Here everything is lifeless - even two churches that should be the soul of the manor.

The estate of P. as if disintegrated into details and fragments, even the house - on one floor, in places in two. This indicates the collapse of the owner's consciousness, which forgot about the main thing and focused on a third-haul. He no longer knows what he is going on in the farm, but strictly monitors the level of emphasis on him in the countertem.

Portrait of P. (or that woman, or a man, a long chin, closed with a handkerchief so as not to heal, small, not yet extinct eyes running like mice, fell as a robe, rag on the neck instead of a handkerchief) speaks of a full "dropping" hero from The image of a rich landowner and from life at all.

P. has the only one of all landlords, quite detailed biography. Before the death of his wife P. was a mastic and rich owner. He raised his children. But with the death of his beloved wife, something was abandoned in him: he became suspicious and miser. After trouble with the children (the son was played in the card, the eldest daughter escaped, and the youngest died) Soul P. finally fierced - "Wolf hunger misfortune mastered." But, oddly enough, greed not until the last limit took possession of the hero's heart. To sell the dead souls, P. reflects, who could help him make a bought in the city. He recalls that the chairman was his school comrade.

This memory suddenly revives the hero: "... on this wooden face ... it turned out ... Pale reflection of feelings." But this is only an instant glimpse of life, although the author believes that P. is capable of revival. At the end of the chapter, P. Gogol describes the twilight landscape, in which the shadow with the light "was mixed perfectly" - as in the unfortunate soul P.

Sobesevich Mikhailo Semench - a landowner, the fourth "seller" of the dead souls. The very name and appearance of this hero (resembles the "medium size of the bear", the fracture on it "absolutely bearish" colors, steps and there, the color of the face "Kaneny, hot") indicate its mighty of his nature. From the very beginning, the image of S. is associated with the theme of money, economic activity, calculation (at the time of entry into the village of S. Chichikov dreams of a 200-thousand attdance). Chatting with Chichikov S., not paying attention to Chichikov's evasive, the business is going to the creature: "Do you need dead souls?". Literary poem artistic

The main thing for C. - the price, everything else does not interest him. With the knowledge of S. traded, it praises his goods (all the souls "that the poorest nut") and even time to inflate Chichikov (she sews the "female soul" - Elizabeth Sparrow). The soul appearance of S. is reflected in everything that surrounds it. In his house, all "useless" architectural beauties are removed. Hebuts are also built without any jewelry. In the house of S. On the walls, paintings are pursuing the pictures depicting exclusively to the Greek heroes, which look like the owner of the house. On S. Looks like a dark color in Krapinka, and a puzzled walnut bureau ("Perfect Bear"). In turn, the hero himself is also similar to the item - his feet as cast iron stands. S. is the type of Russian fist, a strong, calculating owner. His peasants live well, reliably. The fact that the natural power and businesslikeness turned from S. in a stupid cosiness, rather not wine, but trouble hero. S. lives exclusively in modern times, in the 1820s. From the height of their power S. sees how his life surrounds. During the bargain, he notices: "... What are these people? Flies, not people, "much worse dead. S. occupies one of the highest seats in the spiritual "hierarchy" of heroes, because he has, on the thought of the author, a lot of chances for revival. From nature, he is endowed with many good qualities, he has a rich potential and mighty nature. Their implementation will be shown in the second volume of the poem - in the image of the landowner Kostagglo.

"Dead souls" - the classic of Russian literature, the play, which the famous writer Nikolai Vasilyevich Gogol conceived to display the grand panorama of the Russian society of officials and landowners, including all its moments, features and paradoxes. The central problem of this work is the inevitable death of the spiritual "component" of people and the flourishing of the most basic representatives of the Russian estates of the landowners of those times. The author depicts the internal and appearance of a durable landfare and sales, also there is an uncomplicated ridiculation of the detrimental passions of Russian officials.

In the title of the work, its ambiguous meaning is clearly demonstrated. "Dead souls" can be called not only dead peasants, but also other, actually living characters of the poem. And it is precisely such definitions like pathetic, insignificant, empty and, directly, the "dead" dubbing gives them himself N.V. Gogol.

Characteristic of heroine

Nastasya Petrovna, she is a box - one of the key characters of Gogol's "dead souls". She is endowed with the destiny of the landowner who lost her husband; It is the second "saleswoman" of peasants. Her nature is full of korestoloby, in essence Nastasya Petrovna a genuine choke, seen of potential customers-buyers in each passing. It was Chichikov first to drew attention to the business in trade and the wrong nonsense in life in the guise of this landowner. Despite the fact that the box is not only an impeccable mistress, but also to extract the benefit from everywhere, because it did not consider the idea of \u200b\u200bbuying "dead souls" at all. Moreover, she manifested the initiative to personally study the current prices for the dead peasants, just to be made and not to remain "with the nose." The calm life of the box is full of concern about domestic affairs, "small" farm. But who, like a box, is familiar with prices for foods like honey, fat, hemp, but all in order to raise them to resell them.

The box belonging to her the dead peasant shower itself knows by heart. The deal stipulated with Chichikov Nastasya Petrovna agreed to conclude only after his promise to acquire her economic supplies.

The central idea of \u200b\u200bthis character is to accumulate as much as possible and multiply your already small wealth. Actually, it is called a box. Nastasya Petrovna is at their disposal about eighty peasant souls, and her life is limited to a thin shell, which delimits her little personal world from the real appearance. All property accumulated, the hostess with special care takes and hides everything in the bags and in the chest. And even given a fairness and abundance in the dwelling, she remains an amateur to presant on pity and cry over losses. Chichikov's question about how things are progressing there with neighboring landowners, mentioning and manilov, and even a companion, the box skillfully depicts absolute ignorance about the existence of such personalities, as if never heard them.

The box is too superstitious landowner representative. By the way, she would never doubt that the mandated on the maps after the spoken prayer would certainly come true.

The image of the heroine in the work

("Chikchiki box", artist Alexander Agin, 1846-47)

Nastasya Petrovna can be called primitive, "poor widow", whose ignorance is displayed in the behavior and the manner of her speech.

The question arises: perhaps, Nastasya Petrovna is just an exceptional person who lost in the wilderness of the province?

However, the author of the poem regrets the negative response to the conclusion. "No," says Gogol, because the god, characteristic of the box, its addiction to the money, the aspiration is to catch up, on what only will have, unacted mercency, stupidity and ignorance - the key qualities characteristic not only exclusively box, they also correspond to various layers of dominant classes, their top.

Ultimately, N.V. Gogol writes about a box, as a heroine, which was at the lowest stage of the infinite staircase of the improvement of the human appearance, emphasizing the typical image of the box.

Introduction

§one. Principle of construction of landowners in the poem

§2. Image of a box

§3. Artistic detail as a means

characteristics of character

§four. Box and chikchiki.

Conclusion

List of used literature

Introduction

The poem "Dead Souls" was created by N.V. Goggle about 17 years. She was prompted by A.S. Pushkin. The poem Gogol began to work in the fall of 1835, and on May 21, 1842, "Dead Souls" appeared in the press. The exit to the light of the Gogol Poem caused a fierce controversy: Some admired her, others saw in her slander to modern Russia and the "special world of the villains". Over the continuation of the poem, Gogol worked until the end of his life, writing the second volume (which was then burned) and planning to create the third.

According to the writer's plan, in the poem should be depicted not only to him Russia with all its problems and disadvantages (serfdom, bureaucratic system, loss of spiritual principle, illusiveness, etc.), but also the basis on which the country could be revived in the new social - Economic situation. The poem "Dead Souls" was to become an artistic search for a "living soul" - of the type of man who could be the owner of the new Russia.

The composition of the poem Gogol put the architectonics of the "Divine Comedy" of Dante - the wanderings of the hero, accompanied by the conductor (Poet Vergilius), first on the circles of hell, then, through purm, on the spheres of Paradise. In this journey, the lyrical hero of the poem met the soul of people burdened with sins (in the circles of hell) and marked by grace (in paradise). The Poem Dante was a gallery of the types of people embodied in the artistic images of famous characters of mythology and history. Gogol also wanted to create a large-scale work, which would affect not only real Russia, but also its future. "... what a huge, original story ... All Russia will appear in it! .." - wrote Gogol Zhukovsky. But for the writer it was important to portray not the outside of Russia's life, and its "soul" is the inner state of human spirituality. Following the Dante, he created the gallery of the types of people from different layers of the population and classes (landlords, officials, peasants, metropolitan lights), in which psychological, and class, and spiritual traits were also reflected in generalized. Each of the characters of the poem at the same time and the typical, and brightly individualized character - with their own peculiarities of behavior and speech, attitude to peace and moral values. The skill of Gogol was manifested in the fact that his poem "Dead Souls" is not just a gallery of the types of people, this is a collection of "shower", among which the author is looking for a living, capable of further development.

Gogol was going to write a product consisting of three volumes (in accordance with the architectonics of the "Divine Comedy" of Dante "):" Hell "of Russia," purgatory "and" paradise "(future). When the first volume was published, disputes that broke out around the work, especially negative assessments, shook the writer, he left abroad and began work on the second volume. But the work went very hard: the views of Gogol had changed, art, religion; He survived the spiritual crisis; Friendly connections with Belinsky were ruined, in a sharp tone criticized the worldview of the writer, expressed in the "selected places from correspondence with friends." Practically written in the second volume per minute was burned, then restored, and nine days before death the writer again betrayed the Floor Manuscript of the Poem. The third volume remained only in the form of an idea.

For Gogol - a deeply believer man and the original writer - the most important spirituality of man was the most important basis, and not only external social circumstances in which Russia was modern. And Russia, and her fate he perceived as a son, heavily experiencing everything that was observed in reality. The exit of Russia from the spiritual crisis Gogol has not seen in economic and social transformations, but in the revival of morality, the cultivation of true values, including Christian, in the souls of people. Therefore, the assessment that a work was obtained in a democratically confined criticism and which for a long time determined the perception of the first volume of the novel - a critical image of Russian reality, "hell" of serfdom, not exhaustion, neither the idea nor the plot, no poetics of the poem. Thus, there is a problem of philosophical and spiritual content of the work and determining the main philosophical conflict in the images of the "dead souls".

The purpose of our work is the analysis of one of the images of the poem from the point of view of the main philosophical conflict of the poem - the boxes of the box.

The main method of research is a literary analysis of the episode of the Chichikov meeting with a box. As well as the analysis and interpretation of artistic parts.

§one. Principle of construction of landowners in the poem

The main philosophical problem of the poem "Dead Souls" is the problem of life and death in the soul of man. The very name is indicated by the name - "dead souls", which reflects not only the meaning of Chichikov's adventures - the purchase of "dead", i.e. existing only on paper, in audsky fairy tales, peasants - but also, in a wider, generalized sense, the degree of the death of the soul of each of the characters of the poem. The main conflict - life and death is localized in the field of internal, spiritual plan. And then the composition of the first volume of the poem is divided into three parts that form an annular composition: the arrival of Chichikov to the county city and communication with officials - a trip from the landowner to the landowner "according to their own need" - return to the city, scandal and departure from the city. Thus, the central motive organizing all the work is the motive of travel. Streams. Strong as the plot basis of the work is characteristic of Russian literature and reflects the idea of \u200b\u200bsearching for a high meaning, truth, continuing the tradition of "walking" of the ancient Russian literature.

Chichikov travels on the Russian outback, by county cities and estates in search of the "dead" souls, and the accompanying hero author - in search of the soul "alive." Therefore, the gallery of landowners who appear in front of the reader in the first volume is a logical series of human types, among which the author is looking for someone who is able to become a real owner of new Russia and revive it economically, without destroying the morality and spirituality. The sequence in which the landowners appear to us are built on two bases: on the one hand, the degree of the death of the soul (differently - whether the soul of a person is alive) and sinfulness (do not forget about the "circles of hell", where the souls are arranged according to the severity of their sins) ; On the other hand, it is possible to revive, gain vitality that is understood by Gogol as spirituality.

In the sequence of landowners, these these lines are combined and create a double structure: each next character is in a lower "circle", the degree of its sin is harder, death in his soul increasingly replaces life, and at the same time - every next character is closer to revival, because each next character is closer to revival because , in Christian philosophy, the lower one fell below, the harder of his sin, the more his suffering, the closer he to salvation. The correctness of such interpretation is confirmed by the fact that, firstly, each next landower has an increasingly detailed history of the previous life (and if a person has a past, it means that the future is possible), secondly, in passages from the burned second volume and The sketches of the third one knows that the two characters Gogol prepared a revival - Rotary Chichikov and "Spread on Humanity" Plushhina, i.e. Those who are in the first volume at the very bottom of the spiritual "hell."

Therefore, the image of the boxes boxes will be considered from several positions:

How do life and death correlate in the soul of the character?

What is the "sin" box, and why is it located between Manilov and Nozdrey?

How close is it to revive?

§2. Image of a box

Nastasya Petrovna is a box - the landowner, the widow of the college secretary, a very economic and overwhelming elderly woman. The village is small, but everything is fine in it, the economy flourishes and, it can be seen, brings good income. The box is favorably different from Manilov: she knows all his peasants ("No notes led, no lists, but knew almost everyone,"), speaks about them as good workers ("All the glorious people, all workers"), herself The economy - "I looked into the key to the key", "Miscelred, all moved everything to the economic life." Judging by the fact that, asking Chichikov, who he is, she lists those people with whom it is constantly communicating: the assession, merchants, a protopop - its communication is small and is mainly connected, mainly with economic deeds - trade and payment of state taxes.

Apparently, she rarely leaves to the city and does not communicate with the neighbors, because he answers the question about Manilov that there is no such landlord, and calls old noble names that are more appropriate in the classic comedy of the 18th century - Bobrov, Canopaev, Pleshakov, Harpakin. The surname Svignin, which spends a straight parallel with a comedy of Phonvizin "Lady" (Mother and Uncle Mitrofanushki - Svetyins).

Behavior of the box, her appeal to the guest "Batyushka", the desire to serve (Chichikov called himself a nobleman), poverty, arrange for the night as much as possible - all these are characteristic features of the images of provincial landowners in the works of the XVIII century. Mrs. Prostakova also behaves, when he learns that the fools of the nobleman and adopted at the court.

The box, it would seem definition, in her speeches there are constantly promsders and expressions, characteristic of a believer person: "With us, the cross force!", "Seen, in punishment, God and sent him", but there is no special faith in it. When Chichikov persuades her to sell the dead peasants, Sully benefits, then she agrees and begins to "calculate" the benefit. A trustee of the box is the Son Protopopa, who serves in the city.

In the third chapter of the poem "Dead Souls" N. V. Gogol introduces the reader with the landowner Nastasy Petrovna. The characteristic of the box helps the author gradually implement the idea of \u200b\u200bits work, moving from innocent images to more insignificant.

How Chichikov learned about the landowner

The main character went to another landowner - a companion, but on the way his brush was lost on the way, and he accidentally falls into holdings of the box.

Portrait characteristic

A box - a woman in the "Sleeping Cepecé, asked back, with a flannel on the neck." External description of the boxes in the "Dead Soul" poem are few. The author does not give detailed characteristics, damping the heroine of the face to show the typical of this image.

Environment

Despite the fact that Chichikov calls possession of a "good village" box, he understands that he got into "decent wilderness." The manor is far from the city, there is not a single rich landowner nearby.

The box is a good mistress, it pays great attention to the management of the economy. She has a lot of homemade utensils, various fruits and varieties are grown in the garden. Houses of peasants are in good conditions.

Lifestyle

However, such features of life boxes lead a reader to the conclusion that it lives only with household, other things are not interested. It is limited by his own framework. Trying to accumulate as much as possible, she is ready to sell everything that she has. It brightly shows the true character of the heroine. All that is associated with the image of the box is the first stage of the abnormality.

Transaction with chikchikov

A special role is played by the episode of buying dead shower at the box. The landowner, having learned that the chischiki "POWER", begins to offer him various goods. It says the desire of profit. With regret, she said that he had already sold to other merchants honey, for which chikhiki would most likely gave out more.

When the main character says that it is he is ready to buy, a box can not understand for a long time: how can I sell the deceased souls? She is confused, because never sold the dead souls, so there is no prices for them. Because of this, the heroine and slow, afraid to be done, although he understands that the deal "as if profitable."

Because of the fear of mistake with the price, the box spends a lot of time. She decides to "wait" with the sale, find out the prices of the deceased and after selling them. However, Chichikov still succeeds in another way to bring it to the conclusion of the transaction. Pavel Ivanovich, promising to buy her products grown by her peasants, gives out 15 offices for the soul.

What does chicker think about heroin

Long attempts to persuade the box tired Chichikov, he feels that in the sweat, "like in the river". The attitude of the chief hero to the box is transmitted by the following quotes: "Well, the woman, it seems, the paint!", "Ek her, a distinct one!", "Go you sweetheart! In the sweat threw, damned old woman! ".

Chichikov compares the heroine with a junk, which herself does not eat the hay, and does not give it to others.

The value of the image

So why N. V. Gogol dedicated a whole chapter image box? In their lyrical deviations, he proves the typical character of this character. He calls her one of those that they are crying for lack of matons, "and they themselves" gain a little money ".

Nastasya Petrovna is limited, she lives in a kind of "box", so the surname of the heroine turns out to be speaking. She looked at the receipt of profit, precisely for this purpose she leads the economy. The heroine is stupid and uneducated. As the author writes if the box chose something on his nose, then this "I will not overpower."

The writer is not in vain gives such a brief description of the appearance of the heroine, it was important for him to emphasize the typicity of this image. He does it in lyrical retreats: "Other and respectable, and the state even a person, but in the case it comes out the perfect box."

This article will help to write an essay "Characteristics of the box" according to plan, will reveal ways to create this female image, will show the value of the character in the work, as well as the opinion of the author about this type of people.

Test on the work