Katerina's husband in the play thunderstorm. The image of Katerina in the play A

The main character of the work is Katerina, the tragic fate of which is described by the author in the play.

Katerina is represented by a writer in the image of a beautiful nineteen-year-old girl, early married. In early childhood, Katerina happily lived with relatives surrounded by maternal love and care, being free in his movements and hobby in church life. Nature of the race of the race, sensitive and emotional, is capable of real, sincere feelings.

The writer characterizes Katerina as a good, responsive, sincere young woman who does not know how to deceive, hypocrite the charming smile.

Having hit to the house of her husband, Katerina faces his rejection as a wife of his son from the side of the mother-in-law, cruel and greed kupchi kabani, which turns the lives of young people into an unbearable existence.

The gambling desire of the Kabani's subordination of their will of all households, located on the verge of madness, is completely directed to the daughter-in-law.

A kabaniy son scored from childhood, tired of tyranny mother, but not attempting to change the situation in the house and constantly complaining of unfortunate life, unable to protect Katerina from humiliation and pick-up Kabani.

Katerina strives to create a happy and prosperous family, she is very religious and afraid to commit a righteous sin. In the soul, Katerina breaks up a passionate sense of love for another man, the nephew of the merchant of Wild Boris, who corresponds to her reciprocity. But the woman fears heavenly karas for perfect treason and, because of his susceptibility, it takes suddenly hazardous bad weather in the form of a thunderstorm like God's sign.

The girl is distinguished by internal purity and sincere honesty not only towards himself, but also to others. Therefore, Katerina decides to confess to the gifted feelings for Boris her husband. Opening in the treason, the girl learns that Boris is not ready to accept her as a spouse and does not feel love for her.

Katerina begins to realize that Boris is a symbol of freedom for her, dreams of a happy life, and, leaving hope, desperate girl is solved for suicide, rushing from the steep bank of the river.

Revealing the image of the main heroine of the play, the writer depicts the inner power of the girl, deciding on the death sin for the desire of a new life, to get rid of the world of the Dark Kingdom towards the True and real love.

Option 2.

Kabanova Katerina Petrovna - Heroine from the play A.N. Ostrovsky "Thunderstorm".

Katerina in the plays of years eighteen. Born and grew in Kalinov. Parents loved her very much. In childhood, Katerina had many interesting people, so. As wanders often came to them and different stories told. She was very believer: every week her mother dressed in beautiful dresses and drove her to church. The girl loved to go there.

The character of Katerina Petrovna Combat, fair, kind. One day, in childhood, her houses were offended. Having angry, she got into the boat and fell far from home. It was married early. Perhaps because of its character.

Tikhon, her husband, man frowning, calm. His mother puts him on him all the time and trying to hurt Katerina in every possible way. Because of this, the main character is forced to defend himself all the time, because the husband does not. The main heroine did not want to put up with the standards of that family: humiliation, submission, insults. She is the only one who confronted it.

The Katerina was married to be unhappy. In the house normally communicated only with the sister of Tikhon - Volya, who spared his brother's wife. Katerina began to wake in this family. But once one young man came to the city - Boris. The girl immediately turned his attention, so. As in her opinion he was not like anyone. They began to meet when her husband went on business and did not take his wife with him, even though she begged him. But Katerina was very believer and was afraid to die with sin in the soul. She was not afraid of death, afraid only to appear before God with all sins. Katerina Petrovna confessed to his cheating.

After that, her life was even worse: the houses are constant insults, sometimes beatings, everyone turned away from her. She was ready to run with Boris, because he loved him. Boris sent to Siberia. He also loved Katerina, but he did not take with him, because he did not want to quarrel with his uncle, from whom his inheritance depended.

At that time, women had no opportunity to live on their own. If Katerina had escaped alone, then she was caught and strongly broke as punishment. She had only two choices: either return to the house of her husband, where she would not have had a living, or rush into the Volga River. She chose the second.

When her dead body was pulled out, many understood (and some and some people knew) that she was the only man in the terrain who was worthy of respect.

Writing the image and characteristic of Katerina

The theme of women's fate in a harsh society is one of the brightest topics disclosed in the works of Ostrovsky. "Thunderstorm" also refers to the cycle of these works. The main heroine of the play is a collective image.

Katerina - a girl from a decent family, who married Tikhon, she loves him, but his motherly herself says. Does not even give my husband to say goodbye when he leaves for Moscow.

Katerina is a poor, unhappy married woman, the image of which is the image of many girls of that time. She understands that all his life will spend in this kingdom of darkness, where she does not like her, although she tries to be a good wife, where she will never be a free poultry, about what and says Barbar, but that also does not understand her.

She is the only bright soul in that city. Katerina, even when fell in love with Boris, experienced a feeling of shame and considered herself to be guilty, asked her husband to pick her up with him, as if he felt something bad, irreparable.

But Tikhon does not listen to her, he goes on his mammy. Tikhon even objected to her does not dare to her, and it does not stand for her, although the Katerina itself was not silent, and she answered the boa that she was offended in vain.

The author shows the honesty of the main character, when she is unable to keep her husband in deception, in front of the terrible violence of the element, tells him everything about them with Boris. At the same time, the author emphasizes her a bright soul, which is in unfortunate to endure the humiliation of Kabaniha, indifference before the beloved husband, and the cowardice of the beloved.

She knows that the only way of liberation from these shacks is death. The last hope is fading when Boris refuses to take it with him.

Although he has every reason to do this if he truly loved her. But Boris Brutal. The main line of this character emphasizes in the beginning when Boris lives at uncle and tolerates all insults and humiliation, and in front of everyone, in the very human place, namely, on the Embankment of the River, on the main boulevard of the city.

Boris, when she says goodbye to Katerina feels, something will happen, but the panting and Katerina will no longer see him with him.

The only way to freedom is death and now, she jumps, feels absolutely happy, and free, now she is a bird!

Option 4.

The work of the "thunderstorm" is a special place in the work of the writer through the image of the main character.

Katerina is different from the rest of the people of the "Dark Kingdom" by the fact that it includes all the kindness. However, fate does not indulge. From her words, we learn that the formation did not receive, because it was not possible for this. There was a heroine in the village in poverty. But her childhood was carefree. Her mother did not work, and Katerina, therefore there was a lot of time for classes in the soul. It is clearly seen that the girl grew up happy and romantic, loving everything around her. But most importantly, she lived in dreams, isolated from the existing world. Especially Katerina loved to be in the temple and admire the angels. Yes, it can also be counted for them. But sometimes in her soul wake up a contradiction of the nature, and she went against some actions.

When Katerina married, he has changed much. From the light world, deprived of deception and injustice, she falls into the sphere of deception, cruelty and deception. And the reason was not at all that her satellite of life was the man whom she did not even love. Just the girl was spilled out of a bright and good peace where she stayed for a long time. And now she does not give a special pleasure to attend the church. The girl can not do everyday affairs as it did before marriage. It is always in a sad and depressed state, which prevents her even to admire the beauty of nature. She has to endure and suffer, and the girl can no longer live with their thoughts, since real reality returns it to the place where there is humiliation and insult. The girl is trying to love her spouse, but all her feelings are constrained by the boa. Because of his humility, she is trying to show his feelings towards Tikhon, but he does not appreciate it. Then Katerina becomes completely lonely.

And the heroine can not live in the house of the spouse, pretending. With mother-in-law, a woman has a conflict. She scares the boa of his sincerity and purity. Katerina did not put in the house after leaving her husband, as Kabaniha wanted. And what it was necessary to have courage to express your feelings Boris. Running from the hated house, Katerina seeks to find support from Boris, and faces a hazard and weak person. The woman remains in complete loneliness, and she remains only to leave this terrible world. It seems to me that only a person with a strong character could do this. For us, Katerina embodies a simple, bright and Russian soul, which encourages us to fight rudeness, ignorance, Samoramia, present so far.

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If it was possible to choose a housing yourself, you should stay at a spacious house. It must necessarily have a large living room so that the whole family can get together and talk at least once a week.

Katerina is conceived by an island as a positive image, with a solid, bold, decisive and freedom-loving character and at the same time bright, loving, creative, filled deep poetry. He strongly emphasizes her connection with the people. With all the development of action, Ostrovsky speaks of the victory of Katerina over the dark kingdom.

The life of Katerina in the parent house was similar to life with the house of Kabanov, the same wanders with their stories, reading the lives of saints, visiting the church. But this "poor content of life she fill over with his mental wealth."

The whole story about the life of Katerina will imbued with great tenderness to the past and horror before the real: "It was good" and "I got at all." And the most valuable, now lost, was a feeling of will. "I lived exactly the bird on the will", "... What I want, I happened, I do," "Mother did not forced me." And for the remark of the barbarians, that the life of the parents of Katerina's parents is similar to their life, Katerina exclaims: "Yes, everything is as if from under the capture." Surprisingly simply, sincerely, as he feels, Katerina says without a single decorating the word: "I will stand, it happened, early; If in the summer, so I am going to the keys, I wonder, bring the water with me and everything, all the flowers in the house of Polle. "
The church and religion from youth took a large place in the life of Katerina.

Grown in a patriarchal merchant family, she could not be different. But her religiosity differs from the ritual fanaticism of wild, bubbies not only with its sincerity, but also because everything related to religion and the church, it perceived first of all aesthetically. "And before death I loved to go to the church! I had exactly in paradise to enter. "

The church has satuned with images of her fantasy and dreams. Looking at the sunlight, pouring from the dome, she saw in him singing and flying angels, "Gold temples dreamed to her."
From bright memories, Katerina moves to the fact that it worries now. Katerina is deeply sincerely and truthful, she wants to tell everything from Varvar, do not hide anything from her.

With the picture characteristic of it, striving to convey your feelings as rather as possible, she tells Barbara: "At night, cooking, I will not sleep, all seek some kind of whisper; Someone so gently speaks with me, rightly goes me, exactly the pigeon is worried. Already not to dream, cooking, as before, the paradise trees and the mountains, and someone hugs me so hotly, and leads me somewhere, and I go behind him, I go. "
All these images indicate the wealth of the mental life of Katerina.

How many subtle nuances of the emerging feelings are transmitted in them. But when Katerina is trying to comprehend what happens to her, it relies on the concepts raised by her religion; I woke up feeling she perceives through the prism of his religious performances: "Sin is on my mind ... I can not leave this sin." And hence the premonition of the trouble: "Before the trouble before any this ...", "No I know what I will die", etc.

Religion not only filled her images of her fantasy and dreams, she launched her soul fear - the fear of "Geenna Fire", the fear of sin. Bold, Decisive Katerina, who was not afraid of the Terrible Kabani, who was not afraid of death, is afraid of sin, everywhere I am having a cramming, the thunderstorm seems to her the punishment of God: "I'm not afraid to die, but I'll think that suddenly I am willing before God I am here With you, after this conversation - this is what is scary. "

Katerina is inherent in a constant desire somewhere, thirst for justice and truth, the inability to endure offenses. It is not by chance as an example of the manifestation of his hot heart, she recalls the case from early childhood, when someone offended her, and she left for a boat: "... it was in the evening, it was dark, I ran out on the Volga, got into the boat, Yes, and packed her from the shore. On another morning they found a vert for ten. "

Along with the hotness and determination of Katerina Island shows her cleanliness, inexperience, maiden shyness. Hearing the words of Varvara: "I have long noticed that you love another person," Katerina is frightened, she is scary, perhaps, because what she does not dare to confess, has become apparent. She wants to hear the name Boris Grigorievich, she wants to know about him, but she does not ask about it. The timidity causes it only to put the question: "Well, so what?" Varvara expresses what Katerina itself is afraid of admitting himself, what she deceives himself. That she seeks to prove to herself that she loves Tikhon, she doesn't want to think about Tikhon, then she seen with despair that the feeling is stronger than her will, and this inseparable feeling seems to her a terrible sin. All this is unusually expressively reflected on her speech: "Do not tell me about him, make mercy, do not say! I don't want to know it. I will love my husband. " "Do I want to think about him; Yes, what to do, if the head is nearing. I think about it, he stands before his eyes. And I want to break myself, but I can't do anything. "

In an effort to defeat your heart, she appeals all the time to his will. The path of deception, so ordinary in the dark kingdom, is unacceptable for Katerina. In response to the proposal of the barbarians: "And in my opinion, do what you want, only Shito yes, it was", Katerina answers: "I don't want it so. And what is good. I will be better to endure while waiting "; Or "Or, if it will very much for me here, so do not keep me any force. In the window I will finish, rushing in the Volga. " "I do not want to live here, so I will not become, even though you cut me."

Katerina does not want to lie, Katerina does not know compromises. Its words, unusually resolutely, vigorously spoken, they say about its integrity, unstability, the ability to go to the end.

The story, told by Ostrovsky, sad and tragic at the same time. The play shows the fictional town of Kalinov and its inhabitants. The city of Kalinov, like his population, serves as a kind of symbol of typical provincial cities and villages of Russia of the 60s of the XIX century.

In the center of the play, the merchant family of Kabanihi and Wild. Wildly was the cruel and richest man in the city. Ignorant Samodor, who and the day could not live without abuse, and believed that the money would give him full right to mock more weak and defenseless people.

Kabaniha, who established orders in the town, adhered to traditional patriarchal customs, in humans was benefactor, but extremely cruel with her family. Kabaniha fan of the house-building.

Her son Tikhon was calm and kind. The daughter of Varbara is a brisk girl who knows how to hide his feelings, her motto: "Do that, but so that Shito-indoor was." Feclusha in kabanyi service.

Local - Kulibin, who exactly and brightly characterizes local residents and mercilessly criticizes the cruel morals of the townsday. Following the nephew of Wild Boris, who arrived at Uncle from Moscow, because he promised him a part of the inheritance, if he would be honored with him.

But the main place in the play is Tikhon's wife - Katerina. It is its image that attracts attention from the moment of creating a play.

Katerina was completely from another world. Her family was the exact opposite of her husband's family. She loved to dream, loved freedom, justice and, hitting the family of Kabani, as if found himself in the dungeon, where she had all the time to be silent to obey the orders of the mother-in-law and indulge to all her whims.

Externally, Katerina is calm, balanced, performs almost all the instructions of the Kabani, but in her ripen and increases the protest against cruelty, self-smuggling and injustice.

His finale protest Katerina reached when Tikhon left for business, and she agreed on with Boris, who she liked and was not like the rest of the inhabitants of Kalinov. Something he was akin to her.

Barbara, Kabani daughter, suits the date of Katerina and Boris. Katerina agrees, but then, tormented by remorse, it falls on his knees before his puzzled husband and is recognized in everything.

It is impossible to describe the contempt and indignation, which collapsed after her recognition on the head of Katerina. Unable to resist him, Katerina rushed to the Volga. Sad, tragic final.

Light Light in the Dark Kingdom

It would seem that Katerina prevented a calm carefree life in a secured merchant family. Prevented her character. Externally, Katerina seemed a soft and benevolent girl.

But in fact, it is a strong and decisive nature: Being at all, she, kniting with his parents, sat down into the boat and pushed out of the shore, found it only the next day for ten miles away.

The nature of Katerina is characteristic of the sincerity and the power of feelings. "Why do people do not fly like birds!" She desperately exclaimed.

The heroine lived at all in the other invented by her world, and did not want to live in the world in which Kabaniha dwells with his households. "I do not want to live like this and not! In the Volga will quit! " - she often said.

Katerina was for everyone someone else, and nothing but oppressed and disadvantaged did not prepare her fate in the world of wild and bubbies. The great Russian critic Belinsky called it the "Luch of Light in the Dark Kingdom."

The character of Katerina also affects its inconsistency, strength, energetic and diversity. Rush in the Volga was the only one, in her opinion, the salvation from the suffocating, unbearable, unbearable, the atmosphere, in which she had to live.

This, no doubt, the brave act was its highest protest against cruelty, chandeliness and injustice. Katerina sacrificed in the name of his ideal the most expensive that she had his own life.

Disadvantaged in the rights and early married. Most of the marriages of that time were designed to receive benefits. If the chosen is from a wealthy family, it could help get a high rank. To get married, though not for a beloved young man, but the wealthy and rich was in the order of things. There was no such phenomenon as a divorce. Apparently, from such calculations and Katerina married a rich young man, a merchant son. Married life did not bring her happiness, nor love, but on the contrary, became the embodiment of hell, filled with the despotism of the mother-in-law and the lies of the people around.

In contact with

This image in the play of the island "thunderstorm" is the main thing at the same time contradictory. From the inhabitants of Kalinov, it is characterized by the power of character and self-esteem.

Catherine's life in the parent house

The formation of her personality was greatly influenced by her childhood, about which Katya loved to remember. Her father was a wealthy merchant, she had no need, maternal love and care surrounded her from birth. Her childhood passed fun and carefree.

The main features of Katerina You can call:

• kindness;
• sincerity;
• openness.

Parents took her to church with them, and then she walked and devoted her days to her beloved work. The church's passion began in childhood from visiting church services. Later in the church, Boris will pay attention to it.

When Katerina turned nineteen years old, she was married. And, although, in the house of the husband there is all the same: and walks, and work, it does not cause such pleasure, as in childhood.

There are no more ease, only duties remained. The sense of support and love of the mother helped her believe in the existence of the Higher Forces. Marriage, separated her with his mother, deprived Katya the main thing: love and freedom.

An essay on the topic "The image of Katerina in" Thunderstorm " It will be incomplete without exploring her surroundings. It:

• husband Tikhon;
• mother-in-law of Marfa Ignatievna Kabanova;
• barbar's husband's sister.

A man causing her suffering in family life is Martyr Ignatiev's mother-in-law. Her cruelty, control over households and the subordination of their will concern and daughter-in-law. The long-awaited son did not make her happy. But Kati is working to resist its influence due to its nature. It scares the boa. Possessing all the power in the house, she can not allow Katerina to affect her husband. And reproaches the Son for the fact that his wife he loves more than his mother.

In conversations between Katerina Tikhon and Marfa Ignatievna, when the latter openly provokes the daughter-in-law, Katya behaves extremely worthy and friendly, without allowing the conversation to turn into a cross-strike, replies briefly and in the case. When Katya says that she loves her as a native mother, mother-in-law does not believe her, calling it pretense in front of others. Nevertheless, the spirit of Kati does not break. Even in communicating with mother-in-law, she appeals to her on "You", showing it that they are at the same level, while Tikhon appeals to the mother solely on "you".

Katerina's husband can not be classified as a positive, nor to negative characters. In essence, he is a child tired of controlling the parent. However, his behavior and actions are not aimed at changing the situation, all of his words ends with complaints of their existence. Barbara's sister reproaches him because it is unable to enhance his wife.
In communicating with Barbara Katya, it is sincere. Barbara warns her that life in this house is impossible without lies, and helps to organize a meeting with her lover.

Communication with Boris fully disclose the characteristics of Katerina from the Pieza's play. Their relationship is developing rapidly. Arriving from Moscow, he fell in love with Katya, and the girl responds to him. Although the status of a married woman and worries him, but he is unable to abandon meetings with her. Katya fights with his feelings, does not want to violate the laws of Christianity, but during the departure of her husband, walks secretly on dates.

After the arrival of Tikhon, on the initiative of Boris, the dating is stopped, he hopes to leave them secret. But this is contrary to the principles of Katerina, she cannot lie any other naughty. To tell about betraying her pushing the thunderstorm, in this she sees the sign over. Boris wants to go to Siberia, but he refuses her at her request. Probably she is not needed, there was no love on his side.

And for Kati he was a sip of fresh air. Waving to Kalinov from a foreign world, he brought with him a feeling of freedom, which she was not enough. The rich imagination of the girl assigned to him those traits that Boris had never had. And she fell in love, but not in a person, but in his idea of \u200b\u200bhim.

The gap with Boris and the inability to connect with the tijon ending for Katerina tragically. Awareness of the inability to live in this world encourages her to rush into the river. In order to break one of the most stringent Christian prohibitions, Katerina must have a tremendous force of will, but the current circumstances leave it to choose. Read in our article.

A. N. Ostrovsky in each of his plays created and showed multifaceted characters, for which it is interesting to look. In one of the works of the playwright, the girl who committed the life of suicide is told, without failure to withstand the pressure of circumstances. The development of the character of Katerina in the play "Thunderstorm" Ostrovsky, as well as its spiritual experiences are the main driving forces of the plot.

In the list of existing persons, Ostrovsky denotes Katerina as a wife of Tikhon Kabanov. With the development of the plot, the reader gradually reveals the image of Kati, understanding that this character is not exhausted by the function of the wife. The character of Katerina in the drama "Thunderstorm" can be called strong. Despite the unhealthy situation in the family, Katya managed to preserve purity and hardness. She refuses to receive the rules of the game, living in their own. For example, Tikhon is under all over his mother. In one of the first dialogues, Kabanov convinces the mother that his opinion is missing. But soon the topic of the conversation changes - and now Kabanch, as if between the case accuses Katerina in the fact that Tikhon loves her more. Until that moment, Katerina did not participate in the conversation, but now she is offended by the words of mother-in-law. The girl appeals to the boa on you, which can be regarded as a hidden disrespect, as well as some equality. Katerina puts himself in short with her, denying a family hierarchy. Katya politely expresses his dissatisfaction with slander, emphasizing the fact that she is the same as at home in humans, and she no need to pretend to her. This replica actually says about Kate as a strong person. In the course of the story, we learn that the tyranny of Kabani is distributed only on the family, and in the society the old woman talks about the preservation of family orders and proper upbringing, covers his cruelty words about benefactors. The author shows that Katerina, firstly, aware of the behavior of the mother-in-law; Secondly, disagree with this; And, thirdly, she openly declares cabanies, which even his own son cannot argue about his eyes. However, Kabaniha leaves no attempts to humiliate the daughter-in-law, forcing it to become before her knees.

Sometimes the girl recalls how she lived before. Catherine's childhood was sufficiently careless. The girl went with her mother to church, sang songs, walked, in the words of the words, there was no everything that could be. Katya compares himself to marriage with a free bird: she was granted herself to himself, herself managed his life. And now Katya often compares himself with a bird. "Why do people do not fly like birds? - She says Varvar. "You know, I sometimes seem to me that I am a bird."

That's just fluttering such a bird can not. Finding into a cage with thick bars, Katerina gradually chips in captivity. There is no such freedom-loving person like Katya, to exist in the hard framework of the kingdom of lies and a chandeliness. Everything in the cabin is breathing with feelings and love for the most unique - to life itself. Once in the family of bounic, the girl is deprived of this inner sensation. Her life is similar to life before marriage: the same songs, the same trips to the church. But now, in such a hypocritical environment, Katya feels false.

It is surprising that possessing such an inner force, Katya does not oppose himself to others. She "martyr, prisoner, devoid of opportunities to grow, develop", but she does not consider itself. Through the "millstone dislike and evil envy" she tries to pass decently, without losing and not shifting her essence.

Katya with ease can be called bold. Indeed, the girl tried to fight the feelings that they broke out from her Boris, but still decided to meet him. Katya takes responsibility for his fate and decisions. In a sense, at the time of secret dates with Boris Katya acquires freedom. She is not afraid of "neither sin, nor a human court." Finally, the girl can do the way to make her heart.

But with the return of Tikhon, their meetings stop. Kati's desire to tell about the relationship with the dog's nephew do not please Boris. He hopes that the girl will be silent, tightening it in the "Dark Kingdom" network, from which Katya tried to escape so desperately. One of the critics of the drama, Melnikov-Pechersky, was surprisingly desiccated by Katerina: "A young woman, hitting under the pitch of this old woman, is experiencing thousands of moral torments and at the same time it realizes that God has invested the heart toastic that in her young breasts , not compatible with the positiveness of married women, which prevails in the environment where Katerina got.

Neither recognition in treason nor a conversation with Boris justified the hopes of Katerina. For her, the difference and inconsistency of the real world and the ideas about the future were fatal. The decision to rush in the Volga was not spontaneous - Katya felt the approaching death. She was afraid of a thunderstorm, seeing the rules for sins and bad thoughts. Frank recognition of Katerina becomes like a desperate communion, the desire to be honest to the end. It is noteworthy that between events recognition in treason - a conversation with Boris - Suicide is held for a while. And all these days, the girl tolerate insults and curses of mother-in-law, who wants to burn it into the ground live.

It is impossible to condemn the heroine, talking about the weakness of the character of Katerina in the "thunderstorm". Nevertheless, even having such a sin, Katya remains as clean and innocent, as in the first acts of the play.

The reasoning about the strength or weakness of the character of Katerina can be useful to students of grades 10 when writing an essay on the topic "The character of Katerina in the" Thunderstorm "play."

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