To help a schoolboy. Moral problems in plays a

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A. N. Ostrovsky, after the emergence of his first large play, received literary recognition. Ostrovsky's drama has become the necessary element of the culture of his time, he retained the position of the best playwright of the era, the head of the Russian dramatic school, despite the fact that A. V. Sukhovo-Kobylin, M. E. Shatkov-Shchedrin, was created in this genre, and . F. Pisemsky, A. To Tolstoy and L. N. Tolstoy. The most popular critics viewed his works as a faithful and deep mapping of modern reality. Meanwhile, Ostrovsky, going his original creative way, often put in dead end and critics, and readers.
So, the play "Thunderstorm" became a surprise for many. L. N. Tolstoy did not accept the play. The tragedy of this work forced and critics to reconsider their views on Ostrovsky's playwriter. Ap. Grigoriev noticed that the "thunderstorm" sounds a protest against the "existing", which is terrible to his adherents. Dobrolyubov in the article "Light of Light in the Dark Kingdom" argued. That from the image of Katerina in the "thunderstorm" "blows on us with a new life."
Perhaps, for the first time with such a fine force, the scenes of family, "private" life were shown, that arbitrariness and displacement that they were accustomed to hidden behind the thick doors of mansions and mansions. And at the same time, it was not just a household sketch. The author showed the unenviable position of the Russian woman in a merchant family. The truthfulness of the tragedy attached to the truthfulness of the tragedy, the art of the author, as D. I. Pisarev: "Thunderstorm" - a picture from nature, because she breathes the truth. "
The action of the tragedy occurs in the city of Kalinov, who spread out among the gardens of gardens on the coast of the Volga. "Fifty years I look for the Volga every day and I can not see everything. The kind of extraordinary! Beauty! The soul is rejoicing, "Kuligin admires. It would seem that the life of the people of this city should be beautiful and joyful. However, life and morals of rich merchants created the "world of prison and coffin silence." Savel Wild and Marfa Kabanova is the personification of cruelty and self-immortion. The orders in the merchant house are based on household religious dogmas. Dobrolyubov speaks of the Kabanchi that her sacrifice she "nibbles. long and relentless. She makes his daughter-in-law in Katerina to put her husband with his departure, scolding her for the fact that she "does not work" in humans, without a spouse.
Kabaniha is very rich, this can be judged by the fact that the interests of her cases go far beyond Kalinov, on her instruction Tikhon goes to Moscow. She respects the wild, for which the main thing in life is money. But Kupchikha understands that the government also gives the humility of the environment. She seeks to kill any manifestation in their home, resistance to her power. Kabaniha hypocrite, it is only hollows by virtue and piousness, in the family she is an inhuman despot and tyrant. Tikhon does not contradict anything. Barbara learned to lie, hide and remove.
The main heroine of the play of Katerina is marked by a strong character, it is not accustomed to humiliation and insults and therefore conflicts with a brutal old mother-in-law. In the house of Mother, Katerina lived freely and easily. In the house of Kabanov, she feels like a bird in a cage. She quickly realizes that here she cannot live for a long time.
Marry Tikhon Katerina came out without love. In the house of Kabani, everything trembles with one of the authorities of the checkpone. Life in this house is hard for young. And the Katerina meets a completely different person and falls in love. For the first time ... In life, she learns a deep personal feeling. Somehow at night she goes on a date to Boris. Which side of the playwright? He is on the side of Katerina, because it is impossible to destroy the natural aspirations of a person. Life in the family of Kabanov is unnatural. And Katerina does not accept the inclination of those people to which she fell. Hearing the offer of the barbarians to lie and pretend, Katerina responds: "I can't deceive something, I can't hide something."
Directness and sincerity of Katerina causes respect for the author, and the reader, and the viewer. She decides that he can no longer be a victim of silent mother-in-law, can not languish locked. She is free! But she saw the yield only in his death. And with this one could argue. Critics also differed in her opinion, was it worth paying Katerina for freedom of life. So, Pisarev, in contrast to Dobrolyubov, considers the act of Katerina meaningless. He believes that after the Katerina suicide, everything will come back into circles, life will go to their guy, and is not worth the "dark kingdom" of such a victim. Of course, Katerina brought to the death of Kabaniha. As a result, her daughter of Varbara runs away from the house, and Son Tikhon regrets that he did not die with his wife.
Interestingly, one of the main, active images of this play is the image of the thunderstorm itself. Expressing the symbolically idea of \u200b\u200bthe work, this image directly participates in the action of drama as a real phenomenon of nature, comes into effect in its decisive moments, largely determines the actions of the heroine. This image is very multivarid, it covers almost all sides of the drama.
So, in the first action over the city of Kalinov, thunderstorm broke out. It broke out as the foresight of the tragedy. Already sounded in Katerina: "I will die soon," she confessed to Varvar in sinful love. Already connected in her representation, the prediction of a crazy lady that the thunderstorm is not underway, and the feeling of one's own sin with a real blow of thunder. Katerina rushes home: "Still, it is better, everything is calmer, I'm at home - to the images yes God to pray!".
After that, the thunderstorm is silent for a short time. Only in the grumble of Kabani, her echoes are heard. Thunderstorms did not happen and that night, when Katerina, for the first time after marriage, felt free and happy.
But the fourth, climax, begins in words: "The rain is painted, how would the thunderstorm gathered?". And after that, the motive of the thunderstorm no longer cleans.
Interesting the dialogue of Kuligin and Wild. Kuligin speaks about grinding ("We have frequent thunderstorms") and causes Wild anger: "What else is there electricity? Well, how are you not a robber? A thunderstorm is sent to us in a punishment, so that we feel, and you want sixteen by the horns somehow, forgive the Lord, defend. What are you, Tatar, or what? ". And on a quote from Derzhavin, which Kuligin leads to his defense: "I tele the body in the praha, I spent the whole thunder," the merchant does not find anything, except: "And for these words to send you to the city, so he Welcome! "
Undoubtedly, in the play, the thunderstorm image acquires particular importance: this is a refreshing, revolutionary start. However, the mind was convicted in the dark kingdom, he met with impenetrable ignorance, reinforced by misfortune. But still a zipper, cutting the sky over the Volga, crushed a long time silent Tikhon, flayed over the fates of Varvara and Kudryash. Thunderstorm thoroughly smashed. Inhuman nravam early. Or later the end will come. The fight against the old began and continues. This is the meaning of the work of the Great Russian playwright.

And N. Ostrovsky, after the emergence of his first major play, he received literary recognition. Ostrovsky's drama has become the necessary element of the culture of his time, he kept the position of the best playwright of the era, the head of the Russian dramatic school, despite the fact that A. V. Sukhovo-Kobylin was created at the same time in this genre. M. E. Saltykov-Shchedrin, A. F. Pisemsky, A. K. Tolstoy and L. N. Tolstoy. The most popular critics viewed his works as a faithful and deep mapping of modern reality. Meanwhile, Ostrovsky, going to his original creative way, often put in a dead end and critics, and readers.

So, the play "Thunderstorm" became a surprise for many. L. N. Tolstoy did not accept the play. The tragedy of this work forced and critics to reconsider their views on Ostrovsky's playwriter. A.P. Grigoriev noticed that the "thunderstorm" sounds a protest against the "existing", which is terrible to his adherents. Dobrolyubov in the article "Light of Light in the Dark Kingdom" argued that from the image of Katerina in the "thunderstorm" buzzing on us with a new life. "

Perhaps, for the first time with such a fine force, the scenes of family, "private" life were shown, that arbitrariness and displacement that they were accustomed to hidden behind the thick doors of mansions and mansions. And at the same time, it was not just a household sketch. The author showed the unenviable position of the Russian woman in a merchant family. The huge strength of the tragedy was attached to the special truthfulness, the art of the author, as D. I. Pisarev said true: "Thunderstorm" - a picture from nature, because she breathes the truth. "

The action of the tragedy takes place in the city of Kalinov, who spread out among the greenery of the gardens on the cool bank of the Volga. "Fifty years I'm looking at the Volga every day - I can't look at everything. The view is extraordinary! Beauty! The soul is rejoiced," Kuligin admires. It would seem that. And the lives of people of this city should be beautiful and joyful. However, life and morals of rich merchants created the "world of prison and coffin silence." Savel Wild and Marfa Kabanova is the personification of cruelty and self-immortion. The orders in the merchant house are based on household religious dogmas. Dobrolyubov speaks of the Kabanchi that his sacrifice she "gnaws, long and relentlessly." She makes his daughter-in-law in Katerina to put her husband with his departure, scolding her for the fact that she "does not work" in humans, without a spouse.

Kabaniha is very rich, this can be judged by the fact that the interests of her cases go far beyond the limits of Kalinov, on her instructions Tikhon goes to Moscow respects her wild, for which the main thing in life is money. But Kupchikha understands that the government also gives the humility of the environment. She seeks to kill in their homework any manifestation of the resistance of her power. Kabaniha hypocrite, it is only hollows by virtue and piousness, in the family she is an inhuman despot and tyrant. Tikhon does not contradict her anybody learned to lie, hide and remove.

The main heroine of the play of Katerina is marked by a strong character, it is not accustomed to humiliation and insults and therefore conflicts with a brutal old mother-in-law. In the house of Mother, Katerina lived freely and easily. In the house of Kabanov, she feels like a bird in a cage. She quickly realizes that here she cannot live for a long time.

Marry Tikhon Katerina came out without love. In the house of Kabani, everything trembles with one of the authorities of the checkpone. Life in this home of the day is young. And the Katerina meets a completely different person and falls in love. For the first time in life, she learns a deep personal feeling. Some at night she goes on a date to Boris. Which side of the playwright? He is on the side of Katerina, because it is impossible to destroy the natural aspirations of a person. Life in the family of Kabanov is unnatural. And Katerina does not accept the inclination of those people to which she fell. Hearing the offer of the barbarians to lie and pretend. Katerina responds: "I can't deceive something, I can not hide anything."

The directness and sincerity of Katerina causes respect to the author, and the reader, and the viewer, she decides that he cannot be a victim of silent motherless mother-in-law, can not languish. She is free! But she saw the yield only in his death. And with this one could argue. Critics also differed in her opinion, was it worth paying Katerina for freedom of life. So, Pisarev, in contrast to Dobrolyubov, considers the act of Katerina meaningless. He believes that after the Katerina suicide, everything will come back into circles, life will go to their guy, and is not worth the "dark kingdom" of such a victim. Of course, Katerina brought to the death of Kabaniha. As a result, her daughter of Varbara runs away from the house, and Son Tikhon regrets that he did not die with his wife.

Interestingly, one of the main, active images of this play is the image of the thunderstorm itself. Expressing the symbolically idea of \u200b\u200bthe work, this image directly participates in the action of drama as a real phenomenon of nature, comes into effect in its decisive moments, largely determines the actions of the heroine. This image is very multivarid, it covers almost all sides of the drama.

So. Already in the first action, the thunderstorm broke out over the city of Kalinov, as the foresight of the tragedy. Already sounded in Katerina: "I will die soon," she confessed to Varvar in sinful love. Already connected in her representation, the prediction of a crazy lady that the thunderstorm is not underway, and the feeling of one's own sin with a real blow of thunder. Katerina rushes home: "Still, it is better, everything is calmer, I'm at home - to the images yes God to pray!".

After that, the thunderstorm is silent for a short time. Only in the grumble of Kabani, her echoes are heard. Thunderstorms did not happen and that night, when Katerina, for the first time after marriage, felt free and happy.

But the fourth, climax, begins in words: "The rain is painted, how would the thunderstorm gathered?" And after that, the motive of the thunderstorm no longer cleans.

Interesting the dialogue of Kuligin and Wild. Kuligin speaks about the thunderns ("We have frequent thunderstorms") and causes wild anger: "What else there is electricity? Well, how are you not a robber? Thunderstorms are sent to us in punishment, so that we feel, and you want to poles That, forgive the Lord, defend. What are you, Tatar, or what? ". And on a quote from Derzhavin, which Kuligin leads to his defense: "I tele the body in the praha, I spent the whole thunder," the merchant does not find anything, except: "And for these words to send you to the city, so he Welcome! "

Undoubtedly, in the play, the thunderstorm image acquires particular importance: this is a refreshing, revolutionary principle however, the mind was convicted in the dark kingdom, he met with impenetrable ignorance, reinforced by misfortune. But still a zipper, cutting the sky over the Volga, crushed a long time silent Tikhon, flayed over the fates of Varvara and Kudryash. Thunderstorm thoroughly smashed. Inhuman do not even or later come to an end. The fight against the old began and continues. This is the meaning of the work of the Great Russian playwright.

Alexander Nikolayevich was covered by the most important and particularly relevant problem of human dignity at that time. In arguments, allowing to consider it such, they are very convincing. The author proves that his play is really important at least the fact that the issues affected in it continue to worry many years later and the current generation. They are treated to the drama, it is studied and analyzed, and interest in it does not weaken so far.

In the 50s and 1960s of the 19th century, the following three topics attracted special attention to the writers and poets: the emergence of the discharge intelligentsia, the serfdom and the position of the woman in society and the family. In addition, there was another topic - the tyranny of money, self-employment and old-fashioned authority in the merchandise environment, under the oppression of which there were all family members, and especially women. A. N. Ostrovsky in his drama "Thunderstorm" set the task of crushing the spiritual and economic tyranny in the so-called "dark kingdom".

Who can be considered a carrier of human dignity?

The problem of human dignity in the drama "Thunderstorm" is the most important thing in this work. It should be noted that there are very few characters in the play, about which it would be possible to say: "This is the majority of acting persons - either certainly negative heroes, or inexpressive, neutral. Wild and Kabaniha - Istukans, deprived of elementary human feelings; Boris and Tikhon - Nemeless, Could only obey the creatures; Kudryash and Varbara - people who stretch to the minute pleasure people who are incapable of serious experiences and reflections. Only Kuligin, an eccentric inventor, and the main character of Katerina is knocked out of this series. The problem of human dignity in the drama "Thunderstorm" briefly may be Described as opposition to these two heroes to society.

Inventor Kuligin

Kuligin is a rather attractive person with considerable talents, a sharp mind, a poetic soul, the desire to be disinterested to serve people. He is honest and kind. It is not by chance that it is his island trusts the assessment of a backward, limited, self-satisfied Kalinovsky society that does not recognize the rest of the world. However, Kuligin although it causes sympathy, nevertheless is unable to stand up for himself, so the rudeness is calmly, endless ridicule and insults. This is educated, enlightened person, but these best qualities in Kalinov are considered only to Blazh. The inventors are negligiously called the alchemist. He is eager to universal good, wants to establish a raw, clock in the city, but the oblique society does not want to take any innovations. Kabaniha, which is the incarnation of the patriarchal world, will not sit on the train, even if the whole world has long been using the railway. Wildly will never understand that lightning is actually electricity. He does not even know such a word. The problem of human dignity in the drama "Thunderstorm", the epigraph to which the culinine replica "culish morals, sir, in our city, cruel!" Can serve, thanks to the introduction of this character gets deeper lighting.

Kuligin, seeing all the vices of society, is silent. Protests only Katerina. Despite its weakness, it is still a strong nature. The plot base of the play is a tragic conflict between lifestyle and a real feeling of the main character. The problem of human dignity in the drama "Thunderstorm" is revealed on the contrast of the "Dark Kingdom" and "Ray" - Katerina.

"Dark Kingdom" and his victim

The inhabitants of Kalinov are divided into two groups. One of them is representatives of the "Dark Kingdom", personifying power. This is Kabaniha and Wild. To the other belongs to Kuligin, Katerina, Kudryash, Tikhon, Boris and Varvara. They are the victims of the "Dark Kingdom" that feel His cruel force, but expressing protest against it in different ways. Through their actions or inaction, the problem of human dignity in the drama "Thunderstorm" is revealed. The island plan was to show from different sides the influence of the "Dark Kingdom" with his suffocating atmosphere.

Character of Katerina

Interests and strongly stand out against the background of the medium in which it involuntarily was. The cause of the life drama is precisely in its special, exceptional character.

This girl is a dreamy and poetic nature. She is brought up by her mother, who was balobal, loved. Daily heroine classes in childhood were caring for flowers, visiting the church, embroidery, walks, the stories of the mantom and strangers. Under the influence of this lifestyle and there was a girl. Sometimes she immersed in dreams in reality, fabulous dreams. Catherine emotional speech, shaped. And this poetically tuned and impressionable girl after marriage falls into the house of Kabanova, to the atmosphere of annoying guardianship and a chandeliness. The atmosphere of this world is cold and soulless. Naturally, the conflict between the bright world of Katerina and the situation of this "Dark Kingdom" is tragically ends.

Katerina and Tikhon relationships

The situation is also complicated by the fact that she married a man who could not love and did not know, although it was sought to become Tikhon to be true and loving his wife. Attempts by heroine to get close to her husband breaking about his nearestness, slave gentity and rudeness. He since childhood got used to obey the mother, is afraid to tell her the word across. Tikhon suffers from the kabani's self-smuggling, not daring to object and protest. His only desire - at least to break out from under the care of this woman, thickening, drink. This brown man, being one of the many victims of the "Dark Kingdom", not only could not at least help Katerina, but simply to understand her, because the inner world of the heroine is too high, complicated and unavailable for him. He could not predict the drama that was brewing in his wife's heart.

Katerina and Boris.

Wild nephew, Boris, is also a sacrifice by Hangeysk, the dark environment. According to its internal qualities, it is significantly higher "benefactors" surrounding it. Education obtained in the capital in the Commercial Academy developed its cultural needs and views, so this character is difficult to survive in the Wild and Kabanov environments. The problem of human dignity in the play "Thunderstorm" stands up before this hero. However, he lacks character to break out from under their tyranny. He is the only one who managed to understand Katerina, but was unable to help her: he lacks the determination to fight for the love of the girl, so he advises her to accept her, to conquer fate and leaves her, the sinic death of Katerina. The inability to fight for the happiness of Boris and Tikhon's happiness is not to live, but to suffer. Only Katerina managed to challenge this tyranny. The problem of human dignity in the play in this way, this is the problem of character. Only strong people can challenge the "dark kingdom". They were only the main heroine.

Opinion Dobrolyubov

The problem of human dignity in the drama "Thunderstorm" was disclosed in the article Dobrolyubov, who called Katerina "Light Light in the Dark Kingdom." The death of a gifted young woman, strong, passionate nature illuminated on a moment sleeping "kingdom" as a ray of the sun against the background of gloomy dark clouds. The suicide of Katerina Dobrolyzov considers as a challenge not only wild and kabanov, but also the entire estate of life in a gloomy, despotic feudal-serf country.

Inevitable final

It was the inevitable final, despite the fact that the main character so honored God. Katerina Kabanova was easier to leave this life, than to endure the reproaches of mother-in-law, gossip and remorse. She pleaded guilty of publicly, because I did not know how to lie. Suicide and public repentance should be regarded as actions that elevated her human dignity.

Katerina could despise, humiliate, even beat, but she never humiliated, did not commit unworthy, low actions, they only walked against the morality of this society. Although what morale can be so limited, stupid people? The problem of human dignity in the drama "Thunderstorm" is the problem of tragic choice between to come to terms or challenge society. At the same time, the protest threatens with severe consequences, until the need to lose life.

The problems of the work in literature call a circle of problems that are somehow affected in the text. This may be one or more aspects on which the author focuses. In this work, it will be about the problems of "thunderstorms" of Ostrovsky. A. N. Ostrovsky received a literary calling after the first published play. "Poverty is not a vice", "idleness", "profitable place" - these and many other works are devoted to social and household topics, but the question of the problem of the "Thunderstorm" is to be considered separately.

The play was ambiguously perceived by critics. Dobrolyubov saw in Katerina hope for a new life, an up. Grigoriev noted the outlined protest against the existing orders, and L. Tolstoy did not at all accept the play. Fabul "Thunderstorms", at first glance, is quite simple: everything is based on the love collision. Katerina secretly meets with a young man while her husband went to another city in cases. I failed to cope with the flour of conscience, the girl confesses in treason, after which it rushes into the Volga. However, behind all these everyday, domestic, lies much more large-scale things that threaten to develop to the scale of space. The "Dark Kingdom" of Dobrolyubov calls the situation that is described in the text. The atmosphere of lies and betrayal. In Kalinov, people are so accustomed to moral mud, that their noble consent only aggravates the situation. It becomes scary from awareness that this is not a place made people like this, these people independently turned the city into a certain accumulation of vices. And now the "Dark Kingdom" begins to influence the inhabitants. After a detailed acquaintance with the text, you can see how wide the problem of the product "Thunderstorm".

Problems in the "thunderstorm" of Ostrovsky diverse, but at the same time they do not have hierarchies. Each separate problem is important in itself.

The problem of fathers and children

Here we are not talking about misunderstanding, but about total control, about patriarchal orders. The play is shown the life of the Kabanov family. At that time, the opinion of the older man in the family was indisputable, and the wives and daughters were practically devoid of rights. At the head of the family stands Marfa Ignatievna, the widow. She took on men's functions. This is a powerful and calculating woman. Kabaniha believes that she cares about his children, ordering them to act as she wants. Such behavior led to quite logical consequences. Her son, Tikhon, a weak and non-fraction man. Mother seems to be so wanted to see him, because in this case, the person is easier to manage. Tikhon is afraid to say anything, express your opinion; In one of the scenes, he confesses that his point of view is not at all. Tikhon cannot protect against the hysterics and cruelty of the mother or his wife. Daughter Kabanihi, Varvara, on the contrary, managed to adapt to such a lifestyle. She is easily lying his mother, the girl even changed the castle on a gate in the garden to walk freely with Kudryash. Tikhon is not capable of any riot, Barbara in the final of the play runs away from the parental house with the beloved.

The problem of self-realization

When talking about the problem of "thunderstorms" it is impossible not to mention this aspect. The problem is implemented in the image of Kuligin. This self-taught inventor dreams of making something useful for all residents of the city. His plans enters collect perpetuum-mobile, to build a grossival, receive electricity. But all this dark, the semi-speaking world does not need a light nor the enlightenment. Wild laughs over the planes of Kuligin find honest earnings, openly mocks him. Boris after a conversation with Kuligin understands that the inventor is so never invented by any thing. Perhaps it understands Kuligin himself. It could be called naive, but he knows which morals reign in Kalinov, which is happening behind the closed doors, which are those in whose hands the power is concentrated. Kuligin learned to live in this world without losing himself. But he is not capable of feeling so acute conflict between reality and dreams, as Katerina did.

The problem of power

In the city of Kalinov, the authorities are not in the hands of the relevant authorities, but those who have money. The proof of this is the dialogue of the merchant wild and city. Gingerbile says the merchant that complaints come on the latter. Sawl Prokofievich is robbed. Wild does not hide, which makes it necessary for ordinary men, he speaks of deception as a normal phenomenon: if the merchants steal each other, then the ordinary residents can be stealing. In Kalinov, the nominal power does not solve absolutely nothing, and this is rooted incorrectly. After all, it turns out that without money in such a city it is simply impossible to live. Wildlocks himself almost a father-king, deciding who to give money in debt, and who does not. "So know that you worm. I want to eat, I will want to give up, "so corresponds to Wild Culgin.

The problem of love

In the "thunderstorm", the problem of love is implemented in pairs of Katerina - Tikhon and Katerina - Boris. The girl is forced to live with her husband, even if she does not feel any feelings other than pity. Katya rushes from extreme to extreme: she thinks between the option to stay with her husband and learn to love him or leave Tikhon. Feelings to Borisu from Kati flasl instantly. This passion pushes the girl for a decisive step: Katya goes to public opinion and Christian morality. Her feelings were mutual, but for Boris, this love meant is much less. Katya believed that Boris just as she was not able to live in the frozen city and lie for the sake of benefit. Katerina often compared himself with a bird, she wanted to fly away, escape from that metaphorical cell, and in Boris Katya, he saw that air, that freedom that she was so lacking. Unfortunately, the girl was mistaken in Boris. The young man turned out to be the same as the residents of Kalinov. He wanted to establish relationships with the wild for the receipt of money, spoke with Barbara that the feelings for Kate would better save secret as long as possible.

Conflict of old and new

We are talking about the resistance of the patriarchal lifestyle with a new order, which involves equality and freedom. This topic was very relevant. Recall that the play was written in 1859, and serf slavery was canceled in 1861. Social contradictions reached their apogee. The author wanted to show what could lead to the absence of reforms and decisive actions. This is confirmed by the final words of Tikhon. "Good to you, Katya! And I needed to live in the world and suffer! " In such a world, the lively jealous.

The strongest of all this contradiction was reflected on the main heroine of the play. Katerina cannot understand how to live in lies and animal humility. The girl chips in that atmosphere, which was created by the residents of Kalinov for a long time. She is honest and clean, so his only desire was so little and so great at the same time. Katya simply wanted to be himself, live as it was brought up. Katerina sees that everything is not exactly the way she imagined to marriage. She cannot even afford the sincere impulse - hug a husband - Kabaniha controlled and stopped any attempts to Kati to be sincere. Barbara supports Katya, but can not understand it. Katerina remains one in this world of deception and dirt. The girl could not bear such a pressure, she finds salvation in death. Death relies Katya from the burden of earthly life, turning her soul into something easy, able to fly out of the "Dark Kingdom."

It can be concluded that the problems in the drama "Thunderstorm" are affected by significant and relevant and up to date. These are unsolved issues of human being, which will excite a person at all times. It is thanks to such a formulation of the question "Thunderstorm" can be called a work out of time.

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